Welcome! I hope you like films and typos
The ratings are weighted for watching at home as a mark out of 10 as follows:
|
0 : Unwatchable
1 : Poor film with little redemption 2 : Watch something else if available 3 : Sit through for the sake of it | 4 : Don't pay to watch it
5 : Reasonable displacement activity 6 : Glad I saw it at least once 7 : Not bad at all – Good film | 8 : Great film
9 : Nigh on Perfect 10 : Perfect |
N.b. Regarding the "10" score, I know there is no such thing as perfect; what I really mean is a near as dammit to a complete (viewing) experience where I can't remember any scenes that are wasted, where the characters are well acted and believable and the story captivates and satisfies
I reckon that the cinema adds two points to the enjoyment quotient of any film; likewise the theatre can add another two, so technically things can score 14 in terms of the complete West End experience!
I love comments from people whose opinion deserves respect, so thanks (you are quoted in red text).
Please be patient with the hyperlinks. Clicking on titles should take you to the Wikipedia entry (Wikipedia entries are not titled consistently e.g. Some are "film" or "2012_film).
These are sorted by most recently seen. Here Goes
Emilia Pérez Year: 2024 Golden Globe Mark: 9.3 Watched: Sat 31 Jan 26 Starring: Karla Sofía Gascón, Zoe Saldaña). Selena Gomez, Adriana Paz, Mark Ivanir, Édgar Ramírez Director: Jacques AudiardWhy the fuck did nobody tell me this was such a great film?
Batman Returns Year: 1992 Mark: 7.7 Watched: Fri 30 Jan 26 Starring: Michael Keaton, Danny DeVito, Michelle Pfeiffer, Christopher Walken, Michael Gough, Pat Hingle, and Michael Murphy Director: Tim BurtonSo – I have to finish this off ASAP but I’ll see if watching the whole of it changes my opinion. This seems a little but more fun than #1, I like the Penguin and Catwoman back-stories better, and Christopher Walken is utilised more than Jack Palance in #1. The henchmen don’t wear sunglasses in the dark, which was always a peculiarity in the last film. This is back to reality with them being a circus troupe. And the cats – they got the cats just right.
Sabrina Year: 1995 Mark: 7.5 Watched: Fri 30 Jan 26 Starring: Harrison Ford, Julia Ormond, Greg Kinnear, David Larrabee., Angie Dickinson, Richard Crenna, Nancy Marchand, Lauren Holly, John Wood, Dana Ivey, Fanny Ardant. Paul Giamatti Director: Sydney PollackI enjoyed it. It is nice to compare it to Anora and because of the resolution, I enjoyed the same story a little more. Does not Greg Kinnear look like Stephen Collins? Anyway, the film. Nicely presented romantic remake, and you never know quite which way it is gonna go, with pleasing character development. There are only so many stories so it’s no giveaway to say What an incredible Cinderella story! This Unknown comes out of nowhere to lead the pack.
Batman Year: 1989 Mark: 7.4 Watched: Thu 29 Jan 26 Starring: Jack Nicholson, Michael Keaton, Kim Basinger, Robert Wuhl, Pat Hingle, Billy Dee Williams, Michael Gough, and Jack Palance Director: Tim BurtonThis set off like a 10, but I was getting bored towards the end of it. 7.4. Michael Keaton was okay, Jack Nicholson could not carry this film with one well acted joke. And Vicky Vale did not really add to anything. I can't help but be disappointed, cos,... I thought it was going to be better. Of course I have watched before, but I think I may have been spoilt a few weeks ago by the trilogy and Joker
I read one of Jack Nicholson’s demands was that he was first credited. Dare I say it showed, and the film perhaps lost because of it? How fascinating would a debate be about who has the best filmography, Keaton or Nicholson? Birdman. Spotlight, The Founder, The Trial of the Chicago 7, and Worth are a quintet of films that measure up as testament to Keaton’s maturity. Now Nicholson’s films are amazing, but he does tend to always play Jack Nicholson. You can’t handle the truth? N.B. I definitely don’t know the answer
Has anybody else noticed the similarity between Henry the Green engine’s sad theme from 1984, and the Batman theme (1989)? OMFG these are even in the same key!!
True Romance Year: 1993 Mark: 8.4 Watched: Wed 28 Jan 26 Starring: Christian Slater, Patricia Arquette, Dennis Hopper, Val Kilmer, Gary Oldman, Brad Pitt, Christopher Walken, Samuel L. Jackson, Michael Rapaport, Saul Rubinek, James Gandolfini, Chris Penn, Tom Sizemore Director: Tony ScottWell. This film has spawned two amazing descendents - most obviously the directorial career of Quentin Tarantino (who wrote this to fund Reservoir Dogs), but also, blazingly apparent when you watch, James Gandolfini, hence Tony Soprano (without which we would not have Lillyhammer either). Arguably the best set of films, and the best TV series in the Sopranos. Think on that.
I think I may need to watch this again, perhaps to mark it higher. I loved it today, but, like In Bruges I think it will get even better. A whole slew of magnificent portrayals of, especially brutal controlled malevolence. Jack O'Connell is going to be relegated to In The Night Garden (only joshing, he is ace)!
So, Ella, this is an absolute genre classic, and an absolute must-watch, especially if you belong to The League of American Decency and such like
Sinners Year: 2025 Oscar nominated Mark: 7.4 Watched: Tue 27 Jan 26 Starring: Michael B. Jordan, Hailee Steinfeld, Miles Caton, Jack O'Connell, Wunmi Mosaku, Jayme Lawson, Omar Miller, Delroy Lindo. Director: Ryan CooglerI watched this with the foreknowledge of it being nominated for 16 Oscars. That’s a pretty high bar. I can actually see how, not because it totally floored me, I mean, spoiler alert, it’s a vampire film, and guess what happens at the battle at the end where the sun rises?
There were, IMHO some stunning scenes, the cinematography was outstanding – I’d rather look at two hours of this than two hours of Avatar and the sound track was amazing, I mean so authentic, yet imaginative. Jack O’Connell again – hah – what a nut :). So yes, I can see why its components have drawn high praise. The story itself is the MacGuffin here, it doesn’t contribute to the spectacle. Considering I’m a horror cynic this had more than enough to redeem it for me. I must watch From Dusk ‘till Dawn again, and if you want great music with a narrative and a little more imagination, Oh Brother Where Out Thou? is the ticket.
Anora Year: 2024 Oscar, Palme d'Or Mark: 7.3 Watched: Mon 26 Jan 26 Starring: Mikey Madison, Mark Eydelshteyn, Yura Borisov, Karren Karagulian, Vache Tovmasyan, Darya Ekamasova, Aleksei Serebryakov. Director: Sean BakerAfter a third of this film I was hating on it. You will know why if you watch it. It had redemption, I laughed out loud a couple of times and felt empathy with some of the characters. I read it is one of only four films to get the Palm d’Or and Oscar. I must admit to wondering “Why?” It was unusual subject matter, it left one pondering, I enjoyed it eventually, but not as much as The Ladykillers with which it has some communality. I might agree that Mikey Madison is worth her Actress gong. I’d like to know the female take on it. I’d like too understand the female take on most things. This is not like Moonlight or Coda (I found those outright boring), but it is a long way off my personal favourite from 2024. Meh. I feel dissatisfied trying to write about it. For all my sins, this is a world I don’t know about. I have never visited a lap dancing club, I have never taken any drugs bar alcohol and weed, and I can’t understand how people can afford that stuff and complain about being taxed a little bit more. Worth the watch.
Better than expected, given the trailer, the constant, in your face, unappealing, bombastic, unoriginal trailer. Spectacular pictures alone maketh not a great move, and I suggest that anybody who thinks that this is might take a contrary stance. That’s cool.
The first two words might have been “Woo, Bro” with that B word being constantly used along with sick, dude, and a string of likewise dated phrases from the Dusty Radler lexicon of what old people think young people used to talk like in the 1990s. In keeping with the trailer.
But I enjoyed it. Practically the whole 197 minutes. Perhaps because I dislike human behaviour, I dunno. The Na'vi would not win, but we can pretend they might. The Rest is History.
The Housemaid Year: 2025 Mark: 8.1 Watched: Sat 24 Jan 26 Starring: Sydney Sweeney, Amanda Seyfried, Brandon Sklenar. Director: Paul FeigI did not expect this film to be that good. The trailers make it seem like a horror movie. That’s like calling American Psycho a horror movie. That’s like calling Roadrunner a horror cartoon. It is definitely gory, is a captivating watch which kept me guessing, but most importantly it is flipping hilarious in bits. I loved the three main actors, perfectly cast, and the time flew. A huge dose of respect to Ed at Northampton Odeon, who added more grist to my mill of disliking Cineworld.
Mercy Year: 2026 Mark: 8 Watched: Sat 24 Jan 26 Starring: Chris Pratt, Rebecca Ferguson, Kali Reis, Annabelle Wallis, Chris Sullivan, Kylie Rogers. Director: Timur BekmambetovGreat fun. I’ll give this one to Star-lord, who set off like Jake Gyllenhaal in Guilty and finished like Cameron Poe in Con Air. Much as I was hating on her, I have to big up Rebecca Ferguson as well, I honestly don’t know her but she was, given the pottiness of most of the film, just right for the job. Truth be telt it was an interesting, and original concept, which though subject to giganormous stretches of belief at heart posed some sensible questions. Yesterday I was in Doncaster and their were three folk protesting ID cards. I honked my horn for them, but the thought crossed my mind. Are ‘they’ taking down the plates of everyone who honks their horns? It would not be the biggest surprise possible. I mean we live in a state where people are arrested for peacefully demonstrating.
Saipan Year: 2025 Mark: 8.4 Watched: Fri 23 Jan 26 Starring: Steve Coogan, Éanna Hardwicke Director: Glenn Leyburn. Lisa Barros D’SaI’d say a must see for sports fans, Talk about characters, the lead two are absolutely captivating, and a superb story which has been repeated throughout history, the conflict of personalities, the abuse of talent, the frustration of talent and the sheer impossibility of dealing with it, not just for the manager, but all, including the player. It begs the question. What is the natural human condition? Competition or co-operation? Perhaps those dichotomies are as ubiquitous as left and right handedness. There’s advantages to both
28 Years Later: The Bone Temple Year: 2026 Mark: 7.1 Watched: Wed 21 Jan 26 Starring: Ralph Fiennes, Jack O'Connell, Alfie Williams, Erin Kellyman, Chi Lewis-Parry Director: Danny BoyleWhat nonsense! But I enjoyed it, perhaps because of Jack O’Connell’s total loopiness, Ralph Fines abandoning his oeuvre once again to get a pay check and entertain us (is he the hardest working actor in films at the moment?). Yes – I’ve got it. It was Tom and Jerry writ removed in time and place and dramatis personae. Hey – if it ain’t broke, don’t fix it.
I Swear Year: 2025 Mark: 10 Watched: Tue 20 Jan 26 Starring: Robert Aramayo, Maxine Peake, Shirley Henderson, Peter Mullan, Scott Ellis Watson Director: Kirk JonesUnusual in that two days later my opinion of this wonderful film has only grown more positive. The balance of humour and tragedy, the immersion in the place and time, the totally convincing acting. There is something about Scottish productions. That Sinking Feeling leaps out , Gregory’s Girl, The Angel’s Share. Talk about first loves. I am getting quite emotional piling praise on this masterpiece that flies that flag of Hibernian idiosyncrasy with such gentle panache. I want to sing The Dark Island. And the crown on this rarefied peak is its divorce from the prescriptive. It is not an instruction of what we must do. It is the perfect illustration of what we have neglected.
Perhaps the most telling reflection on this film’s power is I actually like, really liked an Oasis song (Stop Crying Your Heart Out, over the end credits).
The Lord of the Rings: The Fellowship Of The Ring Year: 2001 Mark: 10 Watched: Sun 18 Jan 26 Starring: Elijah Wood, New Zealand, Ian McKellen, Viggo Mortensen, Sean Astin, Liv Tyler, Sala Baker, Cate Blanchett, John Rhys-Davies, Billy Boyd, Dominic Monaghan, Orlando Bloom, Christopher Lee, Hugo Weaving, Sean Bean, Ian Holm, Andy Serkis, Marton Csokas, David Weatherley, Lawrence Makoare, Craig Parker, Mark Ferguson, Peter McKenzie, Harry Sinclair Director: Peter JacksonI had watched this on December 2nd 2016, this is what I wrote:
This was one of the two movies I have watched at the cinema and left thinking "Is that the best film I have ever seen?" (The other one was Titanic). On a re-watch some 16 years later there is a lot of water run under the bridge, and, without doubt it is still a huge spectacle, absolutely loaded to the gunnels with incredible scenery, great action, and classic dialogue, but... Like often happens with films I re-watch post my keeping these records in an ordered fashion three years ago, I have got a little more picky, and this is not the 10 I probably imagined it to be. It can be a little draggy, It is three hours long and might have been 150 minutes (but, come on, I'm trying to think where I would have edited and I can hardly imagine where so...) (Ah yes, It would be lots of little 5 second cuts in establishing shots and wow moments - like - we get it already!)(and a bit less birthday). Merry and Pippin are dicks. That's the only way I can put it, and like the cheesy family bits in Apollo 13 they detract from the thrust of what is going on. Whatever. I think I'm a little disappointed that I don't love it more :(. It is still awesome, never forget that.
9 years later. I did forget how awesome it was. I went to the extended director’s cut. Over three and a half hours! Yes, there were extended moments, but they DO NOT detract significantly for the acres of brilliance about this film. I got it wrong in 2016. It’s a ten. Note to self. Sit nearer the front in cinemas when it is such quality. It finished and I thought “that was not 210 minutes plus?” It was. Captivating.
Hamnet Year: 2025 Oscar nominated Golden Globe Mark: 3 Watched: Sat 17 Jan 26 Starring: Jessie Buckley, Paul Mescal, Emily Watson, Joe Alwyn Director: Chloé ZhaoJackboot Redbird says: Felt my life force eke away for two hours. I found it so boring i resorted to grubbing around side of my cinema seat trying to look for any loose change people may have dropped over the years In-between the stale popcorn and god knows what else ??.
This is difficult, like I say many enjoyed it and the cinema was packed out. I heard lots of sobs and crying in the audience so it must have resonated with people. It is well acted and nicely shot but I found personally the plot/ script so mind numbingly boring & depressing. How on Earth can you make a film about the Bard of the Avon so bland and uninteresting. Objectively its 4/10 film but my heart would give it 2/10!
Back to me: I was dreading watching this, because I did not want to offend Jackboot by disagreeing with him. I need not have worried – he nailed it. I was not entertained, I was not educated. The only emotions it triggered for me were depression and boredom. I don’t even think the acting was that good, not compared to say Timothée Chalamet’s performance as Marty Supreme which I watched the same day. Fact. Very little is known of William Shakespeare’s life, ergo, this is pure speculation. Fair enough if it had a thread of logic about it but… Here I go. The first five technical credits, Director, screenplay etc etc were all female. Perhaps the emotions depicted resonate far more with wimmin? Given Agnes’s inconsistent, unreasonable, unfathomable irrationality adds weight to this supposition (Like “Go to London” “Why were you in London?”, “Your sister has the bubonic plague” “Jump into bed with your sister”!!
I have no doubt that some of the many 10s on IMDB are posted by fans. I would bet a fuckload to a florin that some of them are put up by people with a vested interest.
Each time a black card ended a scene I prayed “The credits…. Purleeeze” I have no hesitation in saying that the best bits of this were written by .. William Shakespeare! Save your money, save your time, watch Shakespeare in Love if you want a ‘what if?’ story
Marty Supreme Year: 2025 Oscar nominated Mark: 7.4 Watched: Sat 17 Jan 26 Starring: Timothée Chalamet, Gwyneth Paltrow, Odessa A'zion, Kevin O'Leary, Tyler Okonma, Abel Ferrara, Fran Drescher Director: Josh SafdieNot the best film of the year, but ol’ Timothée performs a real turn. For a time I was looking forward to the end, a little impatiently, I was hungry, but actually it had quite the decent resolution. This was shaping us a a stock 7 ish good watch, but a decent fight, decent love scene and a bangin' tune for the end credits, plus that Oscar Winning performance take it up to a 7.4. Yes - definitely worth it on a two for one, but I warn you, it can border on the dark.
Odeon in Taunton have a simple screen with what's on. Cineworld sucks.
Pearl Harbor Year: 1991 Mark: 7.1 Watched: Sat 17 Jan 26 Starring: Ben Affleck, Josh Hartnett, Kate Beckinsale, Cuba Gooding Jr., Tom Sizemore, Jon Voight, Colm Feore,, Alec Baldwin, Director: Michael BayI reckon Michael Bay is much better with outright fantasy. At three hours and 3 minutes it is a long watch for what you get, which is the battle of the five armies triple extended version with US Flags, Coca Cola bottles and rodeo woo hoos from Ben, Josh, and everybody who is watching them, usually drowning or with their legs getting blown off. Ben makes this love soliloquy - go and watch Chasing Amy to see him do it properly. I would not recognise Kate Beckinsale if she jammed her finger into my gushing artery. I still enjoyed it mind, but I could not help thinking how your John Wayne, Donald Trump, and such draft dodging cowardly bullies would use it, and the psychology illustrated by it to bolster their fabrications. For God and Country? I'm not sure about country and I'm definitely sure about gods
Cinderella Year: 1950 Disney Mark: 10 Watched: Fri 16 Jan 26 Starring: Ilene Woods Eleanor Audley Verna Felton Rhoda Williams James MacDonald Luis van Rooten Director: Wilfred Jackson, Hamilton Luske, Clyde GeronimiOMG. How much of my rating is loyalty and nostalgia? It is what it is, all the time I can’t help thinking; does the simplicity of this film correspond to a simplicity of lifestyle in the same era? I was sat with a dog and a cat next to a log burning stove in Mid January in deepest Devon and cheering, and booing, and hissing, and clapping, in awe at the emotions portrayed in the animation, the humour (Well done Disney for emulating Tom and Jerry) and if you don’t know the story, well I’m not about to tell you. 80 minutes of absolute classic. I am going to start writing ‘Disney’ in the ‘Awards’ slot, to indicate what I term a ‘timeless classic animation’. And I better start watching them all again. I am beginning to realise how many films I have watched in the 30 years of VHS, and 20 of DVD
Con Air Year: 1997 Golden Raspberry: Worst Reckless Disregard for Human Life and Public Property Mark: 8.8 Watched: Fri 16 Jan 26 Starring: Nicolas Cage, John Cusack, John Malkovich, Steve Buscemi, Ving Rhames, Colm Meaney, Mykelti Williamson, Rachel Ticotin, Monica Potter, Dave Chappelle, M. C. Gainey, Danny Trejo Director: Simon WestThis film illustrates perfectly why one should sideline a film which is shaping up for a six and replace it with a film you know is going to be fun. In terms of 'action blockbusters' this is a flag-bearer, the thing is it is entirely tongue in cheek, epitomised by John Malkovich and his portrait of lunatic genius malevolence. A firework display of bodies and hardware, there must have been at least three exploding fireballs to silhouette those close to the blast radius. It's a standard recipe done very well with, it seems, a genuine love of the genre from all involved. OMG I'm going to have to watch Hamnet aren't I? I mean you are not meant to enjoy films like this!
Free Guy Year: 2001 Mark: 10 Watched: Thu 15 Jan 26 Starring: Ryan Reynolds, Jodie Comer, Lil Rel Howery, Utkarsh Ambudkar, Joe Keery, Taika Waititi Director: Shawn LevyTen! Ten!! TEN!! I thought, going into the last 30 minutes of this film, how could I make it even better? A coffee and some chocolate, so I’m wandering into the kitchen thinking “this is a nine, no it’s a nine point five, but I’m absolutely loving it, and everything is right, not just the story and the characters but that beautiful, challenging, exploration of ‘what if’”. The humour was constant yet clever, The actors were brilliant. Do I actually pick out Taika Waititi – I mean what a horrible person he is, pantomime villain, going from arrogant to apoplectic over the 2 hours (It felt like 90 minutes).
Anyway, that’s gone and spoiled it for you through weight of expectation, but I don’t care. Look, bury all that, but if you want a well made exploration of AI, this is it. It compares to Inside Out in terms of its posit on the nature of reality. I daredn’t say it but it compares to Inside Out in terms of enjoyment.
This has got the lot. Spoiler Alert: there were a few moments during the fight scene near the end when I was shouting “Ten! .. Ten!! .. TEN!!
Double Indemnity Year: 1944 AFI 029 Mark: 6.5 Watched: Wed 14 Jan 26 Starring: Fred McMurray, Barbara Stanwyck, Edward G Robinson Director: Billy WilderI watched this on 7th February 2014, eleven year ago, gave it a 6.5 and wrote “I always feel guilty giving old films relatively low ratings, but they do date. Yes this had great occasional dialogue, reasonable story, good, albeit somewhat falsified characters, but perhaps just as time wears on the film maker has more resources at their disposable, and old films have got to be something very special or, as in the case of Disneys, performed in a medium that is difficult to improve upon. Really, those sunglasses in the supermarket? Not in any universe.”
today I’ve upped it too a 7.2, but stand by that first review absolutely. To kind of back it up the old why didn’t he claim on the accident in the first place was so obvious, along with a lot of the other behaviours. The dialogue was that you might only hear on November nights in Gumtown, when the fog slides over the bay like the velvet glove of a hungry hooker – you get the picture. I know, I’m not Dashiell Hammett!
The Rock Year: 1996 Mark: 7.8 Watched: Wed 14 Jan 26 Starring: Sean Connery, Nicolas Cage, Ed Harris, Michael Biehn, William Forsythe, David Morse, John Spencer Director: Michael BayI would not watch a Michael Bay film every night. But once a week I guess they are pretty awesome. People you love to watch all breaking lots of stuff, several countdown clocks, even more explosions, a cut every 2 seconds, the odd US Flag, Ariel shots of the Whitehouse, The Pentagon, Golden Gate Bridge and SF. 80, 000 people are gonna die. The eighth Sean Connery Bond film? Oh thank YOU for pointing that out. I bet you I will not enjoy Hamnet more!
Deadpool & Wolverine Year: 2024 Mark: 8.6 Watched: Tue 13 Jan 26 Starring: Ryan Reynolds, Hugh Jackman, Emma Corrin, Morena Baccarin, Rob Delaney, Leslie Uggams, Aaron Stanford, Matthew Macfadyen, and many others like Wesley Snipes and Jon Favreau Director: Shawn LevyI had quite forgotten how good Deadpool was. Is it the script writing, or Ryan Reynolds that makes this film so funny? I think it is both and more, because loads of other actors deliver crushing lines with perfect timing that you might not notice in a different context. Of course we expect a great deal of self reference with MCU films, but I do believe I could watch this again and just see even more. I mean really, some humour might not be intentional, but along with Nicepool and Babypool was that Welshpool who didn’t even get a name-check? OK, I’m saying it. Until now, no film has left me wanting to revisit the Marvel Cinematic Universe. But this hit the button.
21 Year: 2008 Mark: 6.9 Watched: Mon 12 Jan 26 Starring: Jim Sturgess, Kevin Spacey, Laurence Fishburne, Kate Bosworth, Josh Gad Director: Robert LuketicI was enjoying this, then half way through thought “These people are horrible, the people who made the film are horrible, and the people who like this film probably have some degree of horribleness about them”. I watched ‘till the end, and it’s not as if I didn’t derive some entertainment from it, but ewww! Women running in high heels away from the gangsters. Look at me, I’m a genius.
Hah! A new film on top of the alphabetical list
One Hundred and One Dalmatians Year: 1961 Disney Mark: 10 Watched: Mon 12 Jan 26 Starring: Rod Taylor, J. Pat O'Malley, Betty Lou Gerson, Martha Wentworth, Ben Wright, Cate Bauer, Dave Frankham, Fred Worlock Director: Hamilton Luske, Clyde Geronimi, Wolfgang ReithermanThere comes a time when it is better to not get finicky. Slam Dunk classic, made when I was perhaps two or three years old, in a time when it was perfectly fine to point out women drivers are terrible, climate change hadn’t been invented, animals lived in a spirit of peace and co-operation and the super criminals best laid master-plans are (SPOILER ALERT) thwarted by the good guys.
A Dog’s Way Home Year: 2019 Mark: 6.3 Watched: Sun 11 Jan 26 Starring: Bryce Dallas Howard, Ashley Judd, Shelby Director: Charles Martin Smith“The film follows a dog named Bella (voiced by Howard and acted by Shelby) who travels more than 400 miles to find her owner” That’s the strapline from Wikipedia. Is there anything else you need to know? I don’t care I’m gonna tell you anyway. My average rating for 33 films over the last month has been a smidge over 8. This scored a 9.9 on cuteness, but I have a dog worth 10 right next to me in the flesh (Raffey), you could write the story, you have seen the story and so: good film shaping up for a 6.something. After 20 minutes I thought I’d take a gamble on another film, and it was a well-measured decision (See The Highwaymen).
The Highwaymen Year: 2019 Mark: 7.7 Watched: Sun 11 Jan 26 Starring: Kevin Costner, Woody Harrelson, Kathy Bates, John Carroll Lynch, Kim Dickens, Thomas Mann, William Sadler Director: John Lee HancockEngaging story and great lead roles from Costner and Harrelson. Apart from that stuff you'd expect, this had the added bonus of insight into a true story, and, more importantly, dismantling the glorification of Bonnie and Clyde by the press and the public, without making the protagonists saints
I have definitely seen this before, but it was as fresh as a daisy to me!
John Carroll Lynch three films in three weeks (Fargo, Zodiac, and this). Does that qualify as a season?
Anchorman 1: The Legend Of Ron Burgundy Year: 2004 Mark: 10 Watched: Sat 10 Jan 26 Starring: Will Ferrell, Christina Applegate, Paul Rudd, Steve Carell, David Koechner, Fred Willard Director: Adam McKayI wrote to my kids “Can anybody think of a more enjoyable film than Anchorman?” What a terrific choice for my last day of a month in Cambridge, quite honestly I’d forgotten how good it was, perhaps the funniest, most quotable film ever (I’ll have to watch Mean Girls again). In the early scene at the pool party where Ron first spots Veronica. That is where the world started going wrong. It’s AnchorMAN, not Anchorlady. The take-away from watching this again is to not fear watching a highly rated film again, especially if I haven’t kept a contemporaneous record
Star Trek II: The Wrath of Khan Year: 1982 Mark: 7.9 Watched: Fri 9 Jan 26 Starring: TOS Crew, Kirstie Alley, Ricardo Montalbán Director: Nicholas MeyerYesterday I re-watched the first film of this franchise, and observed that characters are one of the major components of a story (along with the story – d’huey). Today I was thinking, “am I going to revisit the whole series?”, and half way through this film thought “No”; not that I didn’t enjoy it, just that it was all over a 7, and there are plenty of those to watch fresh, yet, by the end of it I have to admit to a huge leap in my estimation. Yes, there are a few too many establishing shots of Airfix models, Ricardo Montalbán was more credible as Vincent Ludwig in The Naked Gun(1988) (he was very watchable though), and I think 50% of the orders given by Kirk were questioned by his underlings. But the dramatis personae carried the flaws and left me thinking I have to watch “The Search For Spock again. Why isn’t there an Odeon cinema in Cambridge?
Zodiac Year: 2007 Mark: 7 Watched: Fri 9 Jan 26 Starring: Jake Gyllenhaal, Mark Ruffalo, Robert Downey Jr., with Anthony Edwards, Brian Cox, Elias Koteas, Donal Logue, John Carroll Lynch, Chloë Sevigny, Philip Baker Hall, Dermot Mulroney Director: David FincherNot much to say, 7 is a good watch, albeit a bit on the long side. Jake Gyllenhaal, has made better films on his own (The Guilty), and I’m looking at the Wikipedia page to see how true it all was. How true what was? Well if you have 150 minutes, have a watch and see what you think. OMG ”In a 2016 critics' poll conducted by the BBC, Zodiac was voted the 12th greatest film of the 21st century”. Did I miss something? They didn’t have to say he was in prison when he wasn’t.
Star Trek: The Motion Picture Year: 1979 Mark: 7 Watched: Thu 8 Jan 26 Starring: William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan, George Takei, Majel Barrett, Walter Koenig, Nichelle Nichols, Persis Khambatta, Stephen Collins Director: Robert WiseThis was actually a bit better than I remember it. Characters and story. Story was OK, but with legendary padding out leading to it being dubbed The Motionless Picture! Ain't that just the best strapline since A Bore is Starred? Whatever, the characters are well known, beloved and outstanding, like a bunch a old friends who actually turn out to be just as funny as you remembered them. I must have watched this at least twice before, but there was a lot went on that I had forgotten about. I used to be a huge fan, but like sport, spin offs have diluted the charm somewhat, and I stopped watching the TV series after Voyager (at which point in my life I may have moved into a tent). On reflection it was a very good concept, which could have been 25 minutes shorter (The first minute is a black screen, no narrative until 3.50, great music by Jerry Goldsmith, A guest starring role for Jake Cutter (Stephen Collins), and some curious science (What is logical about Vulcans having false nails? Glad I watched it if only for the relief (though I did check my watch a couple of times).
Clear And Present Danger Year: 1994 Mark: 7.9 Watched: Wed 7 Jan 26 Starring: Harrison Ford, Willem Dafoe, James Earl Jones Director: Phillip NoyceHarrison Ford Jack Ryan again! Enjoyed it again! A long film, which I split into two parts, which was probably a good idea. Perhaps we should always try to be as comfy as possible when sucking up that media? I am smiling to myself and thinking about all the obvious tropes of goodies, and baddies and duplicity and loyalty, and there are not that many surprises here. Couple of things:
Is there some variation, if not ad verbatim, of the phrase “I must go” spoken in 50% of all films?
Has there ever been an occasion when, during a closing cat and mouse type pursuit in some factory, where you are just waiting to see the goodies finally triumph, when, whilst stealthily pointing a finger, or, with the slightest nod of a head a signal has been misinterpreted by a protagonist and they screw up? “You clearly motioned me to go” | “Did I chuff!, I was just asking if you were OK” | “well we have both been captured, the cartel are going to torture us (for shits and giggles) and the President gets a second term. :( ”
I had this down as a watched and 7.5. I couldn’t remember any of it and it’s a 7.9.
Everything Everywhere All at Once Year: 2022 Oscar Mark: 8 Watched: Tue 6 Jan 26 Starring: Michelle Yeoh, Stephanie Hsu, Ke Huy Quan, James Hong, Jamie Lee Curtis Director: Daniel Kwan, Daniel ScheinertI have watched so many films and not reflected upon them, which was lazy and unthinking. Welcome to my world. Anyway, a couple of months ago my son inspired me to start writing about them again, and my life has been better for it. At 67 and a half, it is good to keep track, if only that if I had referred to this list I would not have watched When Harry Met Sally for a second time! Having said that, I am happy to find the ‘Sorts’ in my list and watch them when they are as interesting as this. Enjoyable? I’m not sure. Fascinating? Mos def.
I’m going to look at films made in 2022 and see if there any I like more (I’m sure there will be). How wrong can I be? I have just looked down a list of about 100 films and realise I have seen hardly any of them. I loved Where The Crawdads Sing but I did participate in 334 quizzes, so… (what date did I get a Cineworld card?). So another good thing about my omissions is it triggers these little diary entries.
The film: Earlier today (it’s cold in Cambridge) I finished Tinker Tailor Soldier Spy which was a wee bit easier to follow than this. I constantly complain that films don’t work in their own universe, let alone ours, but, naturally, that rule doesn’t apply to this, which was a source of entertainment. I think the message is one of interpretation. I found it pessimistic, but realistic and wise at the same time. Visually it’s an epileptic fit waiting to happen. I can only hope that hope springs eternal. NB it does: I have only one other entry for 2022 as of Twelfth Night 2026. The Unbearable Weight Of Massive Talent. Yay.
Tinker Tailor Soldier Spy Year: 2011 Mark: 7.4 Watched: Tue 6 Jan 26 Starring: Gary Oldman, Colin Firth, Tom Hardy, John Hurt, Toby Jones, Mark Strong, Benedict Cumberbatch, Ciarán Hinds, David Dencik, Roger Lloyd-Pack, Kathy Burke, Stephen Graham, Christian McKay Director: Tomas Alfredson£5 a month to Wikipedia is money well spent in that I read the synopsis of this film and kind of understood a little bit more about what was going on. Oh what a tangled web we weave! John Le Carré is notorious for convoluted stories that are difficult to untangle, I won’t spoil the plot, but this has a real 70s feel to it, Gary Oldman proves that less is more, and what a cast. If you watched everything ever made by the top ten actors in this film, you would never run out. Is it just me, or did they all look older in 2011 then they do in 2025. This is one of those ‘probably a better film than the mark I gave it might indicate’ I did enjoy it.
In The Heights Year: 2021 Mark: 9.6 Watched: Mon 5 Jan 26 Starring: Anthony Ramos, Corey Hawkins, Leslie Grace, Melissa Barrera, Olga Merediz, Daphne Rubin-Vega, Gregory Diaz IV, Jimmy Smits, Lin-Manuel Miranda Director: Jon M. ChuWhy am I not giving this a 10? I feel that would be disrespectful to Hamilton, Rent, Wicked, Frozen, my goodness though I was choking in places. An absolutely beautiful film with fantastic music and a super attractive cast. I wonder if it helps if you love Hamilton? This is a particularly good example of a film that I watched between 2017 and 2025, had not written about, pretty much forgotten most of it, knew I loved, and ergo was a pleasure to watch again and collate my thoughts. Outstanding choreography that puts Busby Berkley to shame with that swimming pool scene, and some incredible, adventurous cinematography.
Click Click Boom next!
When Harry Met Sally... Year: 1989 Mark: 6.1 Watched: Mon 5 Jan 26 Starring: Meg Ryan, Billy Crystal, Carrie Fisher, Bruno Kirby Director: Rob ReinerFor a film which isn't my cup of tea, in that it's emphasis is on the romantic rather than the comedy, I enjoyed this film, but... I am not a fan of FaceBook funnies and feelings, it annoys me how the most inane posts get loads of likes, yet well researched and well written critiques generate no support in the face of idiocy. In a way I guess this film panders to the feel good, 'look at me aren't I worldly? ' insularism that runs as a thread through most people's inoculation to reality. So it's no Compliance . It isn't, in fact, even a Working Girl in that it's a fairly short story that is padded out, and it is equally escapist but pretends to be reality. Now, all that's out of the way, it is reasonably funny, and the characters sufficiently interesting. The pinnacle of the film, for me, is Billy Crystal's acting performance. That is not to say I like Harry, it is to say that I imagine that the reaction involved watching his transition through the film is exactly what the makers were aiming at. The kind of thing Chevy Chase might aim at but not hit.
I could quite easily see this making a person's 500 films to see list, then again, Friends makes loads of people's best 10 TV programs...
I re watched it, and. of course, the only scene I remotely remembered was the diner “” scene. I was loading this list up thinking “Please don’t tell me I have reviewed this already and voila! Damn! Having said that I can see the truth in my first review above, so I’m leaving it. I was going to give it 5.3, but my 58 year old self gave it a 7, so we will split the difference. I couldn’t get to sleep!
The Constant Gardener Year: 2005 Multiple including Oscar for best supporting actress Mark: 8.3 Watched: Sun 4 Jan 26 Starring: Ralph Fiennes, Rachel Weisz, Danny Huston, Bill Nighy, Pete Postlethwaite, Director: Fernando MeirellesMmm. I think Ralph Fiennes. might have brought a few points to this particular table. I have been pondering the last few days about how big pharma is an easy target (Dopesick for example). Arms dealers also get pretty bad press. Well three cheers for that. How do car manufacturers and big oil get away with it (One and half million deaths a year)? Then I'm thinking. How does big business in general get away with it? Cosmetics, fashion, art, shite food, piss poor education, politicians, even music?
'Cos we are doomed through cognitive dissonance. Every day I get up and see one hundred things that I really should so something about, crap I see, not crap which I have a stick up my arse about (though I do). Crap which is NOT BENEFICIAL to society. One day. Anyway this film illustrates that precise problem. No spoilers.
The Whole Nine Yards Year: 2000 Mark: 7.2 Watched: Sat 3 Jan 26 Starring: Bruce Willis, Matthew Perry, Amanda Peet, Michael Clarke Duncan, Natasha Henstridge Director: Jonathan LynnIt is wrong of me to criticise Matthew Perry, just because he was in Friends at the peak of it’s tidal wave of popularity. He was OK but a lot of people could have done that job. Bruce Willis is terrific. This film is definitely not what I expected, an out and out ‘cosy crime comedy’ (Hey – I like that, even though there were no curates involved and picturesque thatched cottages overlooking English meadows – not entirely appropriate, but it’ll do at a pass). Who is the eminently watchable Amanda Peet? She married David Benioff in 2006 and has three kids – you know I’m really happy for her – did she play herself? Yeah I suppose life could be worse than watching a film like this every night, it’s at that seven mark which means ‘worth it’.
Jay Kelly Year: 2025 Mark: 8.2 Watched: Fri 2 Jan 26 Starring: George Clooney, Adam Sandler, Laura Dern, Billy Crudup, Riley Keough, Stacy Keach, Jim Broadbent, Greta Gerwig, Patreick Wilson, Lenny Henry, Isla Fisher, Jamie Demetriou Director: Noah BaumbachA quiet, yet remarkable movie which could have been called The Unbearable Weight of Massive Talent, in that it was a reflection of a famous actor whose career and self struggles in a post midlife crisis. Was it a comedy, was it a dad story? It wasn't Hail Caesar, but I feel that George Clooney and the film itself, I hope, that it will get recognition. What a cast, Jim Broadbent two nights in a row, and even Stath from Stath Lets Flats was on the train. Was one of the musical motifs Here's To The Ones Who Dream from La La Land?
No matter, a good night in, quite a lovely film.
Paddington 2 Year: 2017 Mark: 10 Watched: Thu 1 Jan 26 Starring: Ben Whishaw as the voice of Paddington, with Hugh Bonneville, Sally Hawkins, Brendan Gleeson, Julie Walters, Jim Broadbent, Peter Capaldi, Hugh Grant Director: Paul KingThere is a God, a God who looks down on my inconsequential life and ensures I have not previously written a review for Paddington 2. You see, I know I have seen it before, but since then I can’t fail but have been influenced by its top rating of ALL films on IMDB, and more importantly, the kudos it received from Nick Cage (Nicolas Cage) and Javi Gutiérrez (Pedro Pascal) in The Unbearable weight of Massive Talent, I have been fortunate enough, on the first day of 2026 to revisit it and realise. It is the most perfect film, tale, adventure, picture. Poignant, funny, a total celebration. Phoenix Buchanan is #1 in my top villains list. This film took me to another, better, happier, Watch With Mother universe where I would be happy to die, knowing I have the four best kids, Jenny, and films like this.
A Few Good Men Year: 1992 Oscar nominated Mark: 8.5 Watched: Wed 31 Dec 25 Starring: Tom Cruise, Jack Nicholson, Demi Moore, Kevin Bacon, Kevin Pollak, J. T. Walsh, Cuba Gooding Jr., Kiefer Sutherland Director: Rob ReinerI thoroughly enjoyed most every one of the 138 minutes of this beguiling courtroom drama. 'Cos that's what it was. I cant help watching legal teams on films without thinking of The Guilty Guys (look 'em up), but this is a top notch version of the trope, despite Tom Cruise and Demi Moore (who, I have to admit, are good at their jobs). I read "Rob Reiner's rules for a great courtroom drama: 1. A compelling court case. 2. Equally gripping protagonists and antagonists. 3. Great actors. - nailed it! Kiefer Sutherland playing a good ol' boy again (I watched A Time To Kill to celebrate the solstice ten days ago).
"You can't handle the truth!" – #29
Fargo Year: 1996 Oscar nominated AFI ex Mark: 10 Watched: Tue 30 Dec 25 Starring: Frances McDormand, William H. Macy, Steve Buscemi, Peter Stormare, Harve Presnell Director: Joel CoenIt's ages since I've seen this, but I know that every time I watched it I was thoroughly entertained. Stellar acting performances, crowned by Madge Gunderson. Number One female empowerment film, top ten Steve Buscemi dies at the end film (well that's never a spoiler is it?) Only reason it doesn't get ten is because I haven't seen it for yonks.
As an update, on another fabulous rewatch, I have not raised it to a ten. Why? Because perhaps I am not mature enough for it. Perhaps because the fantastic TV series has somehow cast its shadow. Perhaps I am becoming afraid of these ratings, because I can't put one down without thinking "Surely this is better than that?"
Is there anything not right about this film? Anything at all? I can't really think so. On a rewatch I revised up to a ten. Why? Because the plot, the humour, the atmosphere, the music, and especially the characters are all – perfect
The Unbearable Weight of Massive Talent Year: 2022 Mark: 10 Watched: Mon 29 Dec 25 Starring: Nicolas Cage, Pedro Pascal, Sharon Horgan, Neil Patrick Harris, Tiffany Haddish, Paco León Director: Tom GormiconI feel I should mark this down a tiny notch, I mean, how can a self effacing pastiche action comedy be put in the same bracket as Schindler’s List and It’s A Wonderful Life? Humour. How in control of his actual life is Nick Cage? Shakes head. I messaged my son with a screenshot and the message “NFK”. He replied back from 200 miles away ten minutes later with a screenshot of – Nicolas FUCKING Cage! I can’t explain it. Great minds think alike
Dopesick Year: 2021 Mark: 8.2 Watched: Sun 28 Dec 25 Starring: Michael Keaton, Peter Sarsgaard, Michael Stuhlbarg, Will Poulter, John Hoogenakker, Kaitlyn Dever, Rosario Dawson Director: 4 Including Barry LevinsonAn 8 part series that counts as a film. A long, captivating more or less true story, without the impact of a resolved happy ending, nevertheless a superb arc and even better acting, the characters and locations being totally immersing. It never quite fell into the trap of padding out with filler, it hooked me.
It has kind of put me on a downer. It’s not just big pharma. It is big everything, and IMHO especially transport, in a world where where Big Petrol and Big Automotive have pulled a much bigger number totally legally but absolutely immorally. Costs and Benefits. That’s how activities, or ‘crimes’ should be judged. If something has a cost, that cost should be paid, personal intent should not come into it.
The Ministry of Ungentlemanly Warfare Year: 2024 Mark: 8.3 Watched: Fri 26 Dec 25 Starring: Henry Cavill, Eiza González, Alan Ritchson, Henry Golding, Alex Pettyfer. Director: Guy RitchieI turned the telly off twenty minutes ago and I’m already marking this down. I just sat on the couch and had a totally enjoyable time watching this comedy film version of SAS Rogue Heroes, and I never got bored for a moment. If I were a German I would hate it. Dominic Sandbrook and Tom Holland might not use it as source material for The Rest is History. The Marx Brothers would have used custard pies instead of an infinite store of fatal weapons wielded with total impunity by indestructible allies. What was the body count?? Look, I know I shouldn’t but it was slapstick fun. I love Archer, I really enjoyed this. Don’t let snootiness change your rating!
Small Things Like These Year: 2024 Mark: 7.3 Watched: Fri 26 Dec 25 Starring: Cillian Murphy, Eileen Walsh, Michelle Fairley, Emily Watson, Clare Dunne, Helen Behan Director: Tim Mielants Yesterday I watched Casino and wrote that there were better films made which scored less on my subjective quality/enjoyment scale whatever that may be, and worse films perhaps scored more. There was a subtitle during the film which said “sombre music playing” – Jeez, everything was sombre, especially the weather, the furniture, the houses, and especially Cillian Murphy. But..
It was a GOOD film, especially if you had worked as a coal-man in 1974 (this film was set in 1985) (I am not going to get picky, it was a film about people, not coal delivery), but more importantly, if you have been bought up a catholic by a very devout and lovely and well-meaning mother, and a father who pretended (to be a catholic, father and husband who I guess was not as happy as people could be).
My sister and I were sent to a convent for a ‘holiday’. It was horrible. I was constantly bullied, the food was shite, we basically spent half of every day sweeping leaves, and please God, if my kids rang me up and said ‘Help! get us out of here, I would drive to wherever they were and do it. I was seven. I was tied to a tree. I was whipped with nettles. I should thank my lucky stars it only lasted a fortnight.
I went to a school which had nuns. Sister Fiona was gentle and sweet. I perceived Sister Christina to be one of the most evil people I have ever met. I got a second opinion that concurred. Again, I should consider myself fortunate to have not been a girl at St. Wilfrid's, especially one who got pregnant at 16 and was chased out of town like a common pygmy (The last time I saw her she was a very happy grandmother still married to the father). I do not consider myself blessed to live in a humanity that not only fails to do the right thing, it is our curse that we permit counter productive behaviour. I liked some members of staff at school, I like lots of humans. But triple shame on you for not doing something about it. You probably don’t even want to know what ‘it’ is.
Casino Year: 1995 Mark: 8.3 Watched: Thu 25 Dec 25 Starring: Robert De Niro, Sharon Stone, Joe Pesci, Don Rickles, Kevin Pollak, Frank Vincent, James Woods Director: Martin ScorseseIt doesn’t leap out as a Christmas Movie. I’ve enjoyed ‘worse’ films more, and ‘better’ films less, but I guess this is Martin Scorsese doing what he does, pitching Joe Pesci as a fast mouthed psychopath and Robert De Niro as Robert De Niro. It’s the best part of three hours, and that it holds the attention for such a span is remarkable. Sharon Stone is well worth her Golden Globe, and there is no shortage of blood and ‘fuck’*, but hell. Compared to The Age of Innocence this was a whole lot more fun. No point telling you the story, the film does that
Is a great 178 minute film worth twice a great 89 minute one?
Should we make heroes out of criminals?
What a soundtrack!
* Ha! Apparently it is joint ninth on the list of the number of times the f word is used, with 422, alongside Trailer Park Boys: Don't Legalize It
The Running Man (1987) Year: 1987 Mark: 8 Watched: Wed 24 Dec 25 Starring: Arnold Schwarzenegger, María Conchita Alonso, Richard Dawson, Yaphet Kotto, Jesse Ventura Director: Paul Michael GlaserReally? I don’t remember 2017 having such a mid-80s feel to it. Arnold Schwarzenegger has not quite got the nuance of a Dustin Hoffman, Marlon Brando, or Keith Lemon, his co-stars were unbelievably unbelievable, the whole premise was a reasonable idea, but it’s execution completely ridiculous. I guess they got human nature about right, but those short quips from Arnie, “He had to split”, He was a real pain in the neck”, I’m not into politics”, and, of course, I’ll be back - a ten year old could write them. Ludicrous, badly written, poorly set and filmed, and a b list cast. I fekkin’ loved it
Three Amigos Year: 1986 Mark: 7.8 Watched: Tue 23 Dec 25 Starring: Steve Martin, Chevy Chase, Martin Short Director: John LandisI don’t remember any of this film, and I can’t remember liking it as much. Until today! I thought I better catch up on my John Landis films, and this one passes muster. You have to kind of submit to the humour, but heck, it’s nearly Christmas so why not? Perhaps the film with the greatest number of real actors playing surly bad guys. Jake, I like Steve Martin.
”Well, we could take a walk and you could kiss me on the veranda?” | ”Lips would be fine.”
A Time to Kill Year: 1996 Mark: 8.4 Watched: Mon 22 Dec 25 Starring: Matthew McConaughey, Sandra Bullock, Samuel L. Jackson, Kevin Spacey. Donald, Kiefer Sutherland, Brenda Fricker, Octavia Spencer, Oliver Platt, Patrick McGoohan Director: Joel SchumacherCarl should have gone to the chair. Given the laws of the time and place, and the probability of guilt I don’t know how this happened, that he walked, free. Of course, three cheers for him being acquitted, in a star studded, John Grisham written, good versus evil trope ridden story of ugly, idiot, greasy haired, reckless drivin’, hard drinkin’, child rapin’ good ol’ boys versus happy natives playing banjos in the sun, it was a no-brainer to enjoy. Good food and wine make it even better. But in its own universe it is hokum, and in the real universe isn’t it a shame?
1 Carl saved the state a trial and the execution of two guys who should have been executed under Danish jurisdiction, let alone Mississippi. Let’s say = $100, 000.
2. Carl permanently disabled a cop. Let’s say = $500, 000
3. Carl’s ten year old daughter was gang raped, beaten and left for dead, never to have children again; = $500, 000? Now. argue about the figures by all means, my instinct is to go higher on the injuries, but I’m kind of leaning on VSOL guidance here.
Wouldn’t a fairer result have been. Carl, you somehow have to stump up $400, 000. Now, your daughter has half a million in compo, so you have to take it out of that. If you hadn’t took the law into your own hands you would now be half a million richer. You have $100, 000, but hang on a minute, you have to pay for your own trial, insane or not, so now. Break even. Really sorry about your daughter, but you are not judge, jury and executioner. We want people to know that justice is fair and, argue about the numbers by all means, but this is about right. It’s not black and white, all or nothing. It’s a whole palette of grey, with no lines of demarcation. You are free, but penniless, but at least it’s for the right reasons.
You want uncertainty? You want justice? 12 Angry Men
Trading Places Year: 1983 Mark: 10 Watched: Sun 21 Dec 25 Starring: Dan Aykroyd, Jamie Lee Curtis, Eddie Murphy, Ralph Bellamy, Don Ameche, Denholm Elliot Director: John LandisCould this be the finest insight into the social sciences ever made? A 'message' film which by-passes a three year degree course to illuminate the viewer, and a funny and perfectly delivered script. Eddie Murphy at his best, Dan Aykroyd doesn't miss a deadpan beat, and Jamie Lee Curtis gets her tits out. Denholm Elliott makes you proud to be British. Ralph Bellamy and Don Ameche just absolutely nail the Duke Brothers. Oh and it opens with the overture from The Marriage Of Figaro, a soundtrack that could have been written for John Landis's typical but superb semi-comedic but ultra- revealing juxtapositional shots of wealth and lots of poverty in Philadelphia. Top ten! I really don't want to die, so I can watch this every Christmas with my kids and grand-kids and their kids and grand kids.
I can’t believe eleven years have elapsed since that last review. I’m on my own looking after a cat and house in Cambridge, and it’s even better than I remembered.
The Age of Innocence Year: 1993 Mark: 5.9 Watched: Sat 20 Dec 25 Starring: Daniel Day-Lewis, Michelle Pfeiffer, Winona Ryder, Miriam Margolyes, Jonathan Price!, Richard E. Grant Director: Martin ScorseseI saw this film yesterday! It was called The Broadway Melody. We have four characters of concern (Age of Innocence first, all New York).
4. Julius Beaufort, a new-money man about town who woos Ellen and gets some attention but eventually rejection and come comeuppance matches “notorious playboy Jacques "Jock" Warriner who woos Queenie” gets some attention but eventually rejection and come comeuppance .
3. Countess Ellen Olenska who matches Queenie Mahoney, both attractive, talented and the object of lust for the men.
2. May Welland is the counterpart of Harriet “Hank” Mahoney, innocent dupes who despite their betrothed’s constant philandering continue to be kind, thoughtful, loving and giving to all around, most notably…
1. Newland Archer and Eddie Kearns – A couple of prizes, feigning internal conflict whilst abandoning any semblance of loyalty. When Alexander Hamilton sings “Lord show me how to say no to this” who is he blaming for his infidelity? Look, fair play to his dick pointing him in a certain direction, but these guys – they actually believe their own narrative. You make a contract, you keep it, you break it, you admit it. The only difference between these two pathetic saps is Elena leaves New York and sends Archer his shag nest key back.
But my biggest criticism is for those who might cite this as a better film. It has better plates of food, but it is nearly an hour longer, the tunes are shite and the chicks aren’t ‘hot’ hot.
Patriot Games Year: 1992 Mark: 8.1 Watched: Sat 20 Dec 25 Starring: Harrison Ford, James Earl Jones, Sean Bean, Patrick Bergin, Thora Birch, Samuel L. Jackson, James Fox, Richard Harris Director: Phillip NoyceHey! Never have I been so relieved to see “To review” written in a field as this one. What fun. What hokum! Goodies, baddies, great actors, decent story. I started watching it with my dinner one sunny afternoon in December and thought “I must go for a walk, otherwise it’ll be dark by the time I get going”. It was inspirational in that I couldn’t wait to get back to finish it off. Now I am giving it a straight 8 but have I already marked it? I had, with a 6.5. That was definitely a disservice.
The Broadway Melody Year: 1929 Oscar Mark: 6.9 Watched: Fri 19 Dec 25 Starring: Charles King, Anita Page, Bessie Love Director: Harry BeaumontAn Oscar winner… the first talkie to get the gong. I’m pretty sure that the first winners of the FA cup, Spiffing Chaps, or whatever they were called would not be particularly competitive in today’s competition, nevertheless, they were in the right place at the right time, and you can’t take that away from them.
Even in terms of characters and story this could be termed ‘ropey’ nevertheless it DOES have an enjoyment quotient, it has it’s moments, Bessie Love (Hank) performs her task admirably, and there is no shortage of legs. I can not argue with anybody who says Jacques is a totally rapey bastard, but he is meant to be, and I would have always despised this character, not so much because he is a twat, more because he represents that peacocking which is part of human nature and that gets you laid, because females can be manipulative, whether aware or not I don’t know. And as for Charles – what a wuss, what a duplicitous wuss. I mean he’s engaged to Hank and in a single second flips. He deserved punching. Queenie is neither more attractive nor more talented than Hank. She is just… Blonde! Four years later Frank Capra would make It Happened One Night. After that the Hayes Code would kick in and perhaps this film illustrated some of the fun that the Catholic Decency league stymied for the next few decades. Whatever, glad I watched it, tick it off the list and find a copy of You Can’t Take It With You
Shadowlands (1985) Year: 1985 Mark: 7.9 Watched: Fri 19 Dec 25 Starring: Joss Ackland, Claire Bloom Director: Norman StoneDon’t be afraid of old films. This was 1985, and the film quality would have been a deal better from a modern mobile phone. Wow – that is 40 years! Anyway, this was definitely made for TV nostalgic feel (it was set in the 1950’s), and were not some of those TV plays made back in the day some of the best bits of story telling ever? That Sinking Felling, A Captain’s Tale, P'tang, Yang, Kipperbang, Those Glory Days. Note too self: watch more. Anyway – this did not disappoint. At the interval I was giving it an 8.3. That gradually dropped to a 7.9. as there was a lot of space towards the end, but whatever, far more romantic than many a comedy, with nostalgic looks at Oxford and Simmonds Yat! Joss Ackland and Claire Bloom were absolutely on the money, totally convincing and perfectly measured. What word do you give a romantic tragedy – Tromance?
Mosquito Squadron Year: 1969 Mark: 6.9 Watched: Thu 18 Dec 25 Starring: David McCallum, Suzanne Neve, Charles Gray Director: Boris SagalLet’s face it. The question is:
“what can we do to sequel The Dambusters?”
“I know – 633 Squadron!”
“Then what?”
“Err Mosquito Squadron starring Adam Sandler and Drew Barrymore?”
“Yes, but those two haven’t been born yet. We can recycle loads of old footage, appeal to national pride, lots of stiff upper lip and all that, a bit of lurve, a lot of heroism, Jerry gets it up up his tunnel.”
“Jeez, The Italian Job and Butch Cassidy won’t stand a chance against this tour de force”
The thing is though, I rather enjoyed watching it! If this is an old film I’m a decade older. It’s an old film, more in spirit than year of production.
12 Angry Men Year: 1957 Golden Bear AFI 087 Mark: 10.321 Watched: Tue 16 Dec 25 Starring: Henry Fonda, Lee J. Cobb, Ed Begley, E. G. Marshall, Jack Warden, Martin Balsam, John Fiedler, Jack Klugman, Edward Binns, Joseph Sweeney, George Voskovec, Robert Webber Director: Sidney LumetThis is how you make a film. It doesn't even matter if you know what happens (this was at least my third time), it is spellbinding throughout, entertaining, engrossing, endearing. I read the budget was $340, 000!!!! Even at today's prices that is still half the cost of any film at the multiplex. How each of the characters fill their discreet niches to such effect is a thing to behold. 90 minutes in one room. I just love it.
Another decade on and it’s even better. I do understand more. And trust me, you do not want to put yourself in that position of greater insight. I wrote in my diary “It is impossible to exaggerate how good a film 12 Angry Men is”
Kenneth Williams: Fantabulosa! Year: 2006 Mark: 6.2 Watched: Sun 14 Dec 25 Starring: Michael Sheen Director: Andy De EmmonyAs always, Michael Sheen is immense. From a history perspective this BBC ‘play’ is illuminating. But what a thoroughly uncomfortable watch. I have never once found Kenneth Williams funny, and this film perhaps has shed some light upon that. Ew! An 80 minute sermon of tragedy, summed up by his last diary line: "Oh, what's the bloody point?". A barrel of affectation, duplicity, false morality, cognitive dissonance and nothing, IMHO, funny. And that’s from the rest of the ensemble! Perhaps Andy De Emmony has done a fantastic job, I think he did.
I compared this too Mr Burton; Richard Burton had talent. Some people think Kenneth Williams did. I just don’t see it. But, what I really want to explore is the bonds between this and Joker, which I re-watched two days ago. Stellar performance from a lead actor who lost a couple of stones. ‘Comic’ protagonist who feels failure. Insanity. Unhealthy mother son relationship. Non existent father relationship. Mannerisms. Cutaways to scenes in the protagonist’s mind which are difficult to differentiate from the in-universe reality. It’s the same film. Except this is biographical. Meh – whatever!
Train Dreams Year: 2025 Mark: 6.8 Watched: Sat 13 Dec 25 Starring: Joel Edgerton, Felicity Jones, Clifton Collins Jr., Kerry Condon, William H. Macy Director: Clint BentleyThis was more like a painting than a book, the narrative subsumed by the cinematography, the mood. Now it was beautifully done, and I think that many a viewer would rate it very much higher, nevertheless 6.8 means pretty pretty goood. Was it about futility or utility of human life? I think it was both, but fundamentally not an unhappy ending. It may have been a better watch sat with someone you love. I’ve a real thing for Joel Edgerton ever since I watched The Gift, which he directed. Felicity Jones? Yep she did the trick. Don’t they have American actors nowadays? Don’t expect a jack in the box, the film comes in and fades out, and I think that is precisely what it was meant too. I’d recommend if only to see if you see what I mean
Joker Year: 2019 Golden Lion Mark: 8.4 Watched: Fri 12 Dec 25 Starring: Joaquin Phoenix, Robert De Niro, Zazie Beetz, Frances Conroy, Shea Wiggum, Hannah Goss Director: Todd PhillipsI keep saying it. I KNOW I have watched this before, but it was new to me today. It’s not really a feel-good film, I wasn’t happy for a single second of it, but… it is magnificent. Thought-provoking, nihilistic, Acutely perceptive, a cry, a scream, a resignation, a reflection on us all. Surely Joaquin Phoenix got a best actor? I mean he must have brutally starved himself to get into that shape, and his performance made his Commodus seem like the model of charitable sanity. Phew. Who lives who dies who tells your story? What a brilliant re-imagining of what made Cesar Romero, Jack Nicholson and Heath Ledger tick? Here we are given an insight into what might have happened, we have only ever heard the newspapers version of events. Was Penny truly mad or was she gaslit? What parts of this were Arthur’s imagination? Brilliant. Respectful to the cannon. Does Hannah Goss look like Margo Robbie?
The Fugitive Year: 1993 Mark: 8.7 Watched: Wed 10 Dec 25 Starring: Harrison Ford, Tommy Lee Jones ‡O, Sela Ward, Joe Pantoliano, Neil Flynn, Julianne Moore, Jane Lynch Director: Andrew DavisA nearly perfect film, one that stands the test of time after nearly quarter of a century as a ripping yarn that clearly demarcates the goodies and baddies and has you rooting all the way through for them. The action, especially the train crash is amazing, so good they used it twice and amusingly explained it away, Kimble is the hero we would all love to be, Tommy Lee Jones not saying anything delivers better lines than most actors get in their lifetimes!, he really is perhaps the most watchable actor, lifting any film a notch or two.
"What I want from each and every one of you is a hard-target search of every gas station, residence, warehouse, farmhouse, hen house, outhouse and doghouse in that area. Checkpoints go up at fifteen miles. Your fugitive's name is Dr. Richard Kimble. Go get him."
I watched it again on 10th December 2025, had it down as an 8.6, then a couple of notches off, so given my review from 9 years ago is pretty much on the money, I’m gonna leave it at 8.7
The Night Manager Year: 2016 Mark: 7.8 Watched: Wed 10 Dec 25 Starring: Tom Hiddleston, Hugh Laurie, Olivia Colman, Tom Hollander, David Harewood. Elizabeth Debicki, Tobias Menzies Director: Susanne BierFell into a binge watch and am now asking: Is one sit binge watch of six episodes lasting nearly six hours a film? Yes it is. Therefore it is here. It sits as a single entity, the production values were big screen, the cast A list, it got me and I’m happy it did. Well worth a night in. I must admit that I am not going to get embroiled in subsequent seasons.
Ad Astra Year: 2019 Mark: 7.4 Watched: Mon 8 Dec 25 Starring: Brad Pitt, Tommy Lee Jones, Ruth Negga, Liv Tyler, Donald Sutherland Director: James GrayIt says James Gray wanted to make a the most realistic 'in Space' film. Fortunately this was a little bit more interesting, and although it took its time to move along it was an arresting enough story. I've seen this once before, and it's making me think I should have kept better records; it's nice that I hardly recognised any of it, as with lots of things I repeat watch nowadays it is a reasonably satisfying way to spend a couple of hours. Where were we? Ah yes, thank goodness it wasn't done in real time like Seven Years In Tibet! A tad better than Gravity. Nowhere near Star Trek 8: Generations.
I predict these are in the 'goofs' section. There is no instantaneous communication between Mars and Neptune. You cant just stop a space ship on its way to Mars. Instead of semaphoring "Mayday Mayday", how about "Err, there are some mental monkeys eating the crew"?
The Holdovers Year: 2023 Oscar nominated Mark: 7.8 Watched: Mon 8 Dec 25 Starring: Paul Giamatti, Da'Vine Joy Randolph, Dominic Sessa. Director: Alexander PayneAs Christmas films go, this is gentle and appropriate, it could almost be British! I scoff at American films protesting how tough it is to be rich in The ‘States, but this one gets away with it, offering some real insight, into good and bad, into pragmatism and honour.
The Graduate Year: 1967 AFI 017 Mark: 8.7 Watched: Sun 7 Dec 25 Starring: Dustin Hoffman, Anne Bancroft, Katharine Ross Director: Mike NicholsDisturbing comedy. The resolution is at least ambiguous. Anne Bancroft was horrible in this film when she was 25 years older than me. She is horrible in this film when she was 25 younger. Isn’t that what she is meant to be? It is American satire testing the water in the wake of the Hayes Code? Is it an exploration of filming techniques (for its day)? Never has a soundtrack been so divorced from the film yet so utterly appropriate. If Paul Simon was 95% of the talent of Simon and Garfunkel, that does not make Simon and Garfunkel shite. At all. This may be a much better film than I imagine, foreshadowing an era that has more, not less constraints. It had a good thread. It had great, albeit unlovable characters. Not the film I’ve most enjoyed, but certainly one to think about.
Eternity Year: 2025 Mark: 7.4 Watched: Fri 5 Dec 25 Starring: Elizabeth Olsen, Miles Teller, Callum Turner Director: David FreyneReasonable concept adequately done. The mysteries of the afterlife are better explored in The Good Life (Seasons one and two), nevertheless this was eminently watchable in a comfy chair at Taunton Odeon, where they have little, intimate theatres catering for maybe a couple of dozen people. Good idea. Elizabeth Olsen is Alison Brie!
Now You See Me: Now You Don't Year: 2025 Mark: 7.4 Watched: Fri 5 Dec 25 Starring: Jesse Eisenberg, Woody Harrelson, Dave Franco, Isla Fisher, Lizzy Caplan, Morgan Freeman, Justice Smith, Dominic Sessa, Ariana Greenblatt, Rosamund Pike Director: Ruben FleischerHarmless fun. Magic tricks in movies always seem a little tongue in cheek, nevertheless, I guess it works in its own universe. This film’s portrayal of wealth is nothing like as cloying as Crazy Rich Asians, its depiction of unbridled genius not quite up to the annoying level of Suits, another two hours I’ll never get back, but I don’t really want it back, I enjoyed it!
The Choral Year: 2025 Mark: 8.2 Watched: Tue 2 Dec 25 Starring: Ralph Fiennes, Roger Allam, Mark Addy, Alun Armstrong, Robert Emms, Simon Russell Beale Director: Nicholas HytnerAnd is this one of the nicest British film of it’s type since Pride? That was a decade ago, so I’m sure there have been lots, maybe it’s just a treat being back in the cinema again, perhaps it is because it is set in Yorkshire, but maybe it’s just because Alan Bennet can write a tale and Ranulph Fiennes is just the best. Plot and character. That is all it takes
Nuremberg Year: 2025 Mark: 9.5 Watched: Tue 2 Dec 25 Starring: Russell Crowe, Leo Woodall, John Slattery, Mark O'Brien, Colin Hanks, Wrenn Schmidt, Lydia Peckham, Richard E. Grant, Michael Shannon Director: James VanderbiltRidiculous trying to compare this with Wicked, Choral, and Anchorman. I feel like I’m going over the top with three of the last four films I have watched at the Odeon in Taunton, nevertheless, I feel this is the third absolutely top notch movie I have had the privilege to watch whilst sheltering from the wet December and making the most of my Unlimited card. Russell Crowe obviously does a fine job. My gut feeling is that Rami Malik did precisely what the director wanted. Competent but vulnerable, ‘good’ but with limits, in other words, human. We’ve established what you are, now we’re just haggling about the price. And that is the whole point of this film. If Douglas Kelly had been born 21 years later he might have been Philip Zambardo (look ‘em up).
Back to the film. A very different kind of great to Bill and Ted. I’m going to look up the Oscar odds now. Not on the list. Zootopia 2 is. Feck off!
Wicked: For Good Year: 2025 Mark: 9.5 Watched: Mon 1 Dec 25 Starring: Ariana Grande, Cynthia Erivo, Jonathan Bailey, Ethan Slater, Bowen Yang, Marissa Bode, Michelle Yeoh, Jeff Goldblum Director: Jon M. ChuAre the two Wicked films the best, if not only true epic film series since Lord Of The Rings? Was For Good the most tear wiping musical moment since Amazing Grace at the end of Wrath Of Khan? Why didn’t Doctor Dillamond say “goo o o od”? This is a masterpiece, in keeping with the show without mimicking it. The acting is really worth the ticket price, I’ve never said that, but each actor plays their parts and mood changes perfectly. The music, of course, is just brilliant, though Girl In a Bubble won’t win the Oscar. For Good would have done but it’s not original. Real cast, real orchestra, a most glowing example of why humans should cooperate, making me feel guilty about being such a loner. What score do I give it, I mean I cried several times? Technically perfect. Ella might change my mind up from nine and a half. Is Elphaba pregnant??
Zootopia 2 Year: 2025 Mark: 7.5 Watched: Mon 1 Dec 25 Starring: Byron Howard. Ginnifer Goodwin, Jason Bateman, Shakira, Idris Elba, Alan Tudyk, Andy Samberg, Danny Trejo Director: Jared BushNot much to write about. The first one was terrific, this one is good, recycling some of the funnies from #1. A cacophony of sight and sound, which left me thinking can’t we leave some things to the imagination? I bought an Odeon Unlimited today and it is loads better than Cineworld
Mr Burton Year: 2025 Mark: 8.4 Watched: Sat 15 Nov 25 Starring: Harry Lawtey, Toby Jones, Lesley Manville Director: Marc EvansWhat a good film, from the perspective of both history, philosophy and entertainment. I love the way Richard Burton was not painted as some saint or Welsh Hero, and the slant on Toby Jones’s Mr Burton. A thoroughly good guy encapsulating how no good deed goes unpunished.
The Boy And The Heron Year: 2023 Oscar animated Mark: 7.8 Watched: Fri 14 Nov 25 Starring: (English) Luca Padovan, Robert Pattinson, Christian Bale, Mark Hamill, Florence Pugh, Willem Dafoe Director: Hayao MiyazakiI feel like such a philistine not raving about Studio Ghibli films. I mean, each frame is a work of art, but I guess I might be too displaced geographically and temporally to appreciate the culture. I’m writing here like I did not enjoy it – an Oscar Winning animation. Well I did enjoy it, but I looked at my watch a couple of times. Damn – is that madcap comedy excuse, that I feel stuff was in there on a whim, without moving things along? I read that a second watch helps. I also took my van in for an MOT three weeks ago and it is not done yet. We live in hope.
Saving Private Ryan Year: 1998 AFI 071 Mark: 7.8 Watched: Thu 13 Nov 25 Starring: Tom Hanks, Edward Burns, Matt Damon, Tom Sizemore Director: Steven SpielbergI enjoyed a Tom Hanks double this evening (My first Cineworld ticket use was a Tom Hanks double!, Captain Phillips and Saving Mr Banks). I thought I had gone soft enjoying Forrest Gump so much prior to this, and given that this only gets a 7.8 perhaps that may be so. The thing is, it is an awesomely spectacular film, nevertheless; how much mileage can you get out of a battle scene? Forrest Gump was patriotic for a USA with warts, without demonising the enemy. This lauded US bravery and whilst the odd bit of philosophy trailed off, it definitely demonised Germans. When are we going to realise we are all the same? Watch The Stanford Prison Experiment or JoJo Rabbit. If you want to understand how truly nuts humanity is when it comes to power and conflict just listen to any amount of podcasts like A Brief History of.., The Rest Is History, In Our Time etc etc., they are all ‘free’ on BBC iplayer. The crazy thing I was going to re-watch My Fair Lady, but I thought I’d lighten things up a bit. Addendum: No source has the vested authority to quantify comparison between the Oscar winner for this year, Shakespeare In Love, and this, Saving Private Ryan. I enjoyed Shakespeare in Love a load more, and timing of release, bribery, and Harvey Weinstein don’t come into it. IMHO they got it right with Spielberg for best director. Cinematography is not the sole criteria for a best film.
Citizen Kane Year: 1941 AFI 001 Mark: 7.4 Watched: Wed 12 Nov 25 Starring: Orson Welles Director: Orson WellesI’ve seen this before, I hope I have written about it before so I can compare and contrast my mark and remarks. This is the highest regarded film in history. So it is worth the watch. If it were not I still would enjoy it. I feel like such a philistine, nevertheless, there are hundreds, thousands of films that I could enjoy more on an evening. I was happy to become quite engrossed in it, I only looked at my watch twice, once for beer at 8 o clock and once with ten minutes to go. Engrossed by the montage of Charlie’s first marriage I didn’t visit the fridge until 8.15, at which moment I realised it was a story, not just posturing. There should be debates. Would it have been a more enjoyable film without the Hays Code? (I reckon most films would). Would it be so highly regarded if it was not for the constraints imposed by the Hays Code and Randolph Hearst back in the day. I have no doubt it broke ground in 1941, but I am watching this 84 years after it was made. Things move on. Will I die alone and friendless? Of course wealth and power are desirable, but are they ‘good’? I don’t have the answers, sorry. Orson Welles was a brilliant man.
Forrest Gump Year: 1994 Oscar AFI 076 Mark: 9.9 Watched: Wed 12 Nov 25 Starring: Tom Hanks, Gary Senise Director: Robert ZemeckisMy previous review was just “Makes you smile” with an ‘8’, which seems like I just tried to recall a memory, as there was no ‘watched’ date. Anyway, screw that, it’s a 9.9, only losing that 1% for the product placement (Nike – buy Puma or cheap). This has enough accolades, I can only add to them. If Keith Lemon had said “The most beautiful name in the whole wild world” whilst painting ‘Jenny’ on the side of his boat his movie would get a ten!!. Did I enjoy watching this thoroughly – damn right.
The Accountant 2 Year: 2025 Mark: 8 Watched: Sat 1 Nov 25 Starring: Ben Affleck, Jon Bernthal, Cynthia Addai-Robinson, J.K. Simmons Director: Gavin O'ConnorWrite reviews within 24 hours! My immediate thought about the first Accountant film was “Make a sequel”. They have, and it works beautifully, though the only thing I remember is just lovin’ it
Bringing Up Baby Year: 1937 AFI 088 Mark: 3.5 Watched: Sat 1 Nov 25 Starring: Katharine Hepburn, Cary Grant Director: Howard HawkesI watched this because it has been ranked in the AFI top 100. I watched it too the end for the same reason. Rom Coms are not first on my list; don’t get me wrong, they can be brilliant, but… if it had not been for the plaudits I would have given this ten minutes and turned it off, and still have got earache from Katherine Hepburn’s incessant whiny torrent of annoyance without any reference to logic in its own universe. Ah you say, “but it’s madcap comedy, it’s meant to be like that”. Well fine, if that’s what you want, but I prefer structure, timing, character. I mean – “I’ve got an idea, let’s get a couple who are diametrically different; totally incompatible, and bring them together with a … I’ve got it!!! a leopard!!!!. Lets make one a dizzy heiress and the other a concerned academic, then lets make it a series of relatively unrelated vignettes with the same joke for five hours” – FUCKING GENIUS. Sorry, I’m angry, it was less than two hours nevertheless I feel I could have watched something else. It felt like watching an amateur dramatic production, one where you might clap at the end to show appreciation for effort, one where, live, you may have actually enjoyed some spontaneity, company and feedback but this was just a watch checker. I don’t like Friends either, laugh track or not.
Caligula Year: 1979 Mark: 3 Watched: Sat 1 Nov 25 Starring: Malcolm McDowell, Teresa Ann Savoy, Helen Mirren, Peter O'Toole Director: Tinto BrassOh dear oh dear oh dear. I thought this might be a ripping swords and sandals job, but within a few moments I was checking out Wikipedia to discover it was a Paul Raymond excuse for soft porn. That would have been OK if the dialogue and acting had been anything like but it was truly unbearable. I watched the first five minutes and prayed that nobody looked at my Netflix watch-list in the house. Didn’t even see a titty,
Conclave Year: 2025 Mark: 10 Watched: Sat 1 Nov 25 Starring: Ralph Fiennes, Stanley Tucci, John Lithgow, Isabella Rossellini Director: Edward BergerYes yes yes yes yes! I think this may be the 2025 film I wanted to watch the most and it did not let me down. WTF did Ralph Fiennes make The Avengers? Imagine – if there are infinite realities, there is one where Adam Sandler played Steed opposite Uma Thurman and Ralph Fines was Happy Gilmore (without the sequel). That would be the total full house of awesome films. I digress. I loved Two Popes, but this. IMHO, is even better. I’m not saying why, but I have said that the best way to combat human silliness is to portray it in a sympathetic, even comedic way. This is no comedy but it is a gripping, educational and ultimately totally rewarding film. Could it be my favourite for 2024?
I loved it. A film like this every night for the rest of my life would be ample. Was it true, was it fiction, was it a comedy, was it a sad indictment of human nature? It was all four. In spades. Armando Iannucci is the political satirist par excellence, I do like Jason Isaacs, but it may be unfair to pick him out of this stellar cast. Blimey films are good nowadays
Dirty Grandpa Year: 2016 Mark: 5.6 Watched: Sat 1 Nov 25 Starring: Director: Write reviews within 24 hours! I laughed to read how one critic wrote "Dirty Grandpa, is not just the worst movie [De Niro] has ever been in, but it may be the worst movie anyone has ever been in.". That was funnier than any line in the film. I did not like its glorification of booze, driving and dangerously addictive drugs, though Zack Efron played his part and Aubrey Plaza is eminently watchable. Just wasn’t sure what we were getting out of the film, and that includes the cast. Meh – I’m marking it down 0.4
Encanto Year: 2021 Oscar animated, Golden Globe, BAFTA Mark: 8.6 Watched: Sat 1 Nov 25 Starring: Stephanie Beatriz, María Cecilia Botero, John Leguizamo Director: Jared Bush, Byron HowardWrite reviews within 24 hours! I’ve seen this once before and I don’t think I ‘got it’ that first time. From what I remember I ‘got it’ this time, but I may need to see it one at least one more time. There is a lot going on, and a lot of names to remember, but I am sure that I will continue to draw enjoyment from this film
The Eyes of Tammy Faye Year: 2021 Mark: 8.2 Watched: Sat 1 Nov 25 Starring: Jessica Chastain, Andrew Garfield, Cherry Jones, Vincent D'Onofrio Director: Michael ShowalterSo glad I hit the play button on this. Jessica Chastain delivers an Oscar winning performance of which a fair observer would not know if she (Tammy) really believed in what she was doing. Was Jim Bakker really mortified for being gay as spring, or was he only sorry he got caught? We imagine it must be impossible to live lives of such demonstrable conflicts, but I suggest many do, we choose to bury them when subject to cognitive dissonance. After all, is it better to consciously do wrong things to make a profit, or to do the same wrong things and absolutely believe they are ‘right’? How else can we explain all the insane actions people perform in the name of ‘righteousness’. A fascinating, challenging and ultimately watchable film.
Ghost Town Year: 2008 Mark: 10 Watched: Sat 1 Nov 25 Starring: Ricky Gervais, Téa Leoni, Greg Kinnear, Billy Campbell, Kristen Wiig, Dana Ivey Director: David KoeppI want to discuss this with Jake, my son, the critical question being what came first, House, or this? House – 2004, by an Olympiad! Well, what can I say? Spoiler alert – lots of redemption in this film, but I guess half the reward is the expecting. Were their any holes in it? Five days later I think their may have been but damned if I can remember any. How dare I draw a positive comparison with Big Fish and Field of Dreams? Easy – it’s the wishful fantasy in all of them, that deep, sad yearning for love and appreciation from those who you would gladly give everything for. OMG that was not planned, but perhaps that’s why I want to discuss it with Jake!
Gladiator II Year: 2024 Mark: 7.5 Watched: Sat 1 Nov 25 Starring: Director: Write reviews within 24 hours (as opposed to 24 weeks). I should ask Jake to review this, his memory is so much better than mine. From what I remember it it it OMG it had ridiculous animals in the colosseum didn’t it. OK. Nowhere near Gladiator, but still an enjoyable night at the Cinema.
The Guilty Year: 2021 Mark: 8.4 Watched: Sat 1 Nov 25 Starring: Jake Gyllenhaal Director: Antoine FuquaCould Jake Gyllenhaal be in that ‘list of actors whose entire cannon is worth the watch’? He is no Adam Sandler! Anyway, here we have a one man show, with a few procedural stretchers, nevertheless he had me hooked in, so much so I almost feel guilty. But that’s what films are for, innit?
Happy Gilmore 2 Year: 2025 Mark: 8.6 Watched: Sat 1 Nov 25 Starring: Adam Sandler, Julie Bowen, Christopher McDonald, Benny Safdie, Benito Antonio Martínez Ocasio (Bad Bunny), Ben Stiller Director: Kyle NewacheckMy daughter, who loves Friends, hated this! Never the ‘twain shall meet eh? And she is clever with a superb sense of humour. We agree – Happy Gilmore is one of the best sports films ever made, and we know sequels can be sooo disappointing. But not always. I loved the follow up to Inside Out, I asked for one for The Accountant and got exactly what I wanted. Paddington 2. After sitting through Bringing Up Baby, I watched episode 3 of Arrested Development; Bringing Up Buster as an antidote to Kathryn Hepburn, just to restore my faith in real comedy. It was late, I pondered starting a film and thought “well I might as well watch a bit of Happy Gilmore 2 whilst it is there”. Long story short I went to bed at 1 AM having been thoroughly surprised and entertained the whole way through. It flies the flag. It is never going to beat Happy Gilmour, but not only is it respectful; the self-referentiality along with the galaxy of golf stars not overdoing it really provide fixes of joy. Feck it I’m upgrading it. It is a film about the love of golf. And for all its faults, it is a great game with exemplary tradition and conduct. Difference is what makes genetics work.
Jaws Year: 1975 AFI 056 Mark: 6.6 Watched: Sat 1 Nov 25 Starring: Roy Scheider, Richard Dreyfuss, Robert Shaw, Murray Hamilton Director: Steven SpielbergI actually may have been influenced to up my score by the AFI 100 films list which has this mid table. It doesn’t seem to know if its a comedy or a thriller or a horror, and ends up being a let’s see what all the fuss is about. I know I’ve seen it before, there is probably a review here already, but.. I actually can’t remember it being that brilliant even then. Robert Shaw seemed like he’d come straight off the skiff taking him down the River Thames in A Man For All Seasons as Henry 8th.
K Pop Demon Hunters Year: 2025 Mark: 7.5 Watched: Sat 1 Nov 25 Starring: Director: Write reviews within 24 hours! Julia told me to watch this. I did. And I know why she told me to watch it. Who knows what the next step in Cinema is going to be, but this is cutting edge with technically perfect production, and music that is going to push buttons for billions, myself included. Myself I feel guilty. I did not enjoy it more than School For Scoundrels, yet look at it. Everything is good, including story and characters, but how can you compare Golden (9 weeks at #1 in the UK chart and counting) with The Slow Train? AI ensures that maximum traction is gained from production. I think I may be snobbish, but I am imperfect, and crave that in the world around me. And I don’t know if that is right or wrong.
The Life and Death of Peter Sellers Year: 2004 Mark: 7.9 Watched: Sat 1 Nov 25 Starring: Geoffrey Rush, Charlize Theron, Emily Watson, John Lithgow, Miriam Margolyes, Peter Vaughan, Sonia Aquino, Stanley Tucci, Stephen Fry Director: Stephen HopkinsPart of a biopic double with The Death of Stalin. I never liked The Goons, I loved Clouseau back in the day. Peter Sellers did not come out of this smelling of roses, more kudos to the film in a world where hagiography usually trumps truth. It felt like a case of ‘never meet your heroes’.
Lilo & Stitch Year: 2002 Mark: 8.5 Watched: Sat 1 Nov 25 Starring: Daveigh Chase, Chris Sanders, Tia Carrere, Ving Rhames Director: Chris Sanders, Dean DeBloisI wrote to my children “why had we never watched Lilo and Stitch together?”, I would imagine that at first glance it looks like another cartoon with farting animals, but no. Dare I say that this is better than many a subsequent Disney production, giving those two critical elements, story and characters priority over glorious production techniques. But the production was lovely, just more old school, with out the detail you get nowadays but with the feel of real art that depicts feeling rather than photograph. Spoiler alert. From the moment Lilo socked her ‘fwend’ you sit upright and think ‘now here is somebody I want to know all about’. I’m going to give it just 1% off Encanto for the Lynn Manuel soundtrack. Flippin’ great
Oppenheimer Year: 2023 Oscar Mark: 8 Watched: Sat 1 Nov 25 Starring: Cillian Murphy, Robert Downey Jr., Emily Blunt, Matt Damon, Florence Pugh, Josh Hartnett, Casey Affleck, Rami Malek, Kenneth Branagh Director: Christopher NolanSolid 8. Chris Nolan makes a great job of a fascinating, scary subject.
Remember the Titans Year: 2000 Mark: 7.6 Watched: Sat 1 Nov 25 Starring: Director: A pretty stock, stirring, sports film. Recommended
Role Models Year: 2008 Mark: 8 Watched: Sat 1 Nov 25 Starring: Director: Write reviews within 24 hours! I didn’t think I was going to enjoy this half as much as I did. It was perfect couch watching, I loved it, Christopher Minz Plasser was well good and on re-reads, I reckon Paul Rudd makes decent films. 60% of the time, it works every time
School For Scoundrels Year: 1960 Mark: 7.5 Watched: Sat 1 Nov 25 Starring: Ian Carmichael, Terry-Thomas, Janette Scott, Alastair Sim Director: Robert hamerI do love Ealing comedies, and this did not fail. In a way it made me feel very queasy, in that I see myself as Henry, but without the revenge, and with no possibility of ‘revenge’ on my horizon. Look, I know, it’s ridiculous, but it’s FUNNY, Terry Thomas is worth watching on his own, and that black and white, post war British snobbishness is a comedy gold-mine. I was two years old when this was made. The world has been going to shit since. Is that my fault? :)
The Terminal Year: 2004 Mark: 10 Watched: Sat 1 Nov 25 Starring: Tom Hanks, Catherine Zeta-Jones, Stanley Tucci Director: Steven SpielbergHave I seen this before? I can’t have done, at least with an objective head on. I may have been vulnerable, but I could not find a frame out of place. Even Catherine Zeta Jones could not dissuade me from absolutely loving it. What a lovely way to spend an evening, with some decent food, red wine, cold beer, two cats and a dog and the rest of the year more or less set out
The Truman Show Year: 1998 Mark: 7.2 Watched: Sat 1 Nov 25 Starring: Jim Carrey, Laura Linney, Noah Emmerich, Ed Harris, Natascha McElhone Director: Peter WeirI’m going to leaver my previous thoughts up, but up the grade just a tad (I saw it Tue 12 Jul 1) and this is what I wrote then. A fresh watch even though I have seen it before. I really feel uncomfortable with universes that behave irrationally given their context, I mean a story teller can create the stage he wants, why does he have to make it go off at a tangent to itself? For example, the outside of the set for The Truman Show was shown in Hollywood. Why did they just not build it in Florida on the coast where the film was filmed and where you can have sea and islands. Are you telling me they kept a nuclear power station set on standby for thirty years on the off chance that he might just kidnap his wife and force her to drive over a bridge? It didn't have to be that way.
Ed Harris was brilliant as homo-artistic-malevolant Christophe and was it the Philip Glass part of the score which was outstanding or was it the other guy's? Was the concept believable? - yes, I am pretty sure that Space Cadets indicated that you could pick people who would suspend any amount of disbelief for any amount of time.
The Dark Knight Rises Year: 2012 Mark: 8.6 Watched: Wed 22 Oct 25 Starring: Christian Bale, Michael Caine, Gary Oldman, Anne Hathaway, Tom Hardy as Bane, Marion Cotillard, Joseph Gordon-Levitt, Morgan Freeman, Matthew Modine, Ben Mendelsohn, Liam Neeson, Cillian Murphy, Aidan Gillen, Tom Conti, William Devane, Aaron Eckhart Director: Christopher NolanWhat made this film so good? It may be that I watched a great copy of it on a brilliant telly, It may have been the all-star cast, it may have been a broad, coherent, interesting, surprising and ultimately satisfying story-arc. Whatever, this is what an action film should do, thrill without insulting the intelligence, be ever so slightly self deprecating, one always feel that despite the serious issues and totally convincing acting there is always a bit of the comic about it. Writing this down makes me realise that my initial thoughts on an 8+ were not misplaced. Originally watched the series in 2016, and gave them the same score. By the series I mean the Christopher Nolan Ones. Very few movies deserve the epithet of ‘Epic’ I agree with Jake, these do.
The Dark Knight Year: 2008 Mark: 8.7 Watched: Tue 21 Oct 25 Starring: Christian Bale, Michael Caine, Heath Ledger‡O, Gary Oldman, Aaron Eckhart, Maggie Gyllenhaal, Morgan Freeman Director: Christopher NolanThe kind of film that makes one want to watch the whole series, to immerse oneself in the canon, the comics the conventions. I rate this film highly, but believe it is even better than my 8.7 suggests. The fact is SPOILER ALERT, we are kind of rootin' for Harvey and it gets all sad about him. More power to the film, in which Heath Ledger deserves the nod and the whole shebang presents a package of what entertainment should be. Definitely going back to Begins and Rises!.
Batman Begins Year: 2005 Mark: 8.7 Watched: Mon 20 Oct 25 Starring: Director: Christopher NolanThe day after I watched this I went for a walk from Coalhouse fort along the Thames Estuary and was allowed inside to take photos of the prison featured at the beginning of this film. But that’s not the trick! On my way back, after perhaps 5 miles I walked behind, as opposed to on the sea wall, amongst the sedge and grass, and I found one, just one, singular blue flower. That’s got to be worth a couple of points on top of an eight, along with Christopher Nolan’s rescue job. Look, I’m giving the trilogy 8.7 apiece, because they are an entity and should be taken as so. Always been a huge Batman fan
Rush Hour 2 Year: 2001 Mark: 8 Watched: Fri 10 Oct 25 Starring: Director: Write reviews within 24 hours! See Rush Hour 1 and alter the plot a smidge.
Rush Hour 1 Year: 1998 Mark: 8 Watched: Thu 9 Oct 25 Starring: Director: Write reviews within 24 hours! Well, the nice thing about writing reviews for Rush Hour is there is not a great deal of imagination needed. Loyal, conscientious and incredibly lethal Hong Kong cop (Jackie Chan) is sent to investigate a case in Los Angeles and by dint of the LAPD clumsily trying to keep both out of the picture, gets buddied up with jive ass but not much else black buddy LAPD detective (Chris Tucker) in this Bret Ratner action flick. With an abducted girl. And an English Villain. What the hell do you think it’s gonna be like??
A Man For All Seasons Year: 1966 Oscar Mark: 7.5 Watched: Fri 1 Aug 25 Starring: Paul Schofield‡O, Wendy Hiller, Leo McKern, Orson Welles, Robert Shaw, Susannah York, Vanessa Redgrave, William Hurt Director: Fred Zinnemann‡OI'll tell you how stupid religion is. When I was at junior school, at St Joseph's, Pontefract, they trooped us down to the Crescent Cinema to watch this. If I remember rightly I was bored shitless with it at the time. This second time around, nearly half a century later, it wasn't so bad, with a great cast and reasonably engaging story. The dialogue was absolutely wonderful, but the best boost to this film was comparing it to Wolf Hall, and seeing how similar they are, but from different viewpoints, especially the main protagonists, Thomases Moore and Cromwell. I am absolutely positive that this film has had a massive influence on the TV program. What a cast!
The Naked Gun Year: 2025 Mark: 7.6 Watched: Fri 1 Aug 25 Starring: Liam Neeson, Pamela Anderson, Paul Walter Hauser, Kevin Durand, Danny Huston Director: Akiva SchafferA retrospective review, I went to see it with Jake on its release, and I think we both agreed. Liam Neeson was a pretty perfect choice, , but the bar was to high to clear despite a creditable attempt. The thing was, it was a fun film to watch but they squandered all the best bits in the trailer (and they were very good bits).
I’ve only just noticed how similar the names of Liam Neeson and Leslie Nielsen are
Freakier Friday Year: 2025 Mark: 8 Watched: Tue 3 Jun 25 Starring: Jamie Lee Curtis, Lindsay Lohan, Julia Butters, Sophia Hammons, Manny Jacinto, Mark Harmon Director: Nisha GanatraLindsay Lohan. You could do a great deal worse then watch her ten best films! Ditto post 82 Jamie Lee Curtis. Check this cos I may have watched it in the Cinema at Taunton
Freaky Friday Year: 2003 Mark: 8 Watched: Mon 2 Jun 25 Starring: Jamie Lee Curtis, Lindsay Lohan, Harold Gould, Chad Michael Murray, Mark Harmon Director: Mark WatersTook a guess at the dates of the two films in the franchise and just remember being pleasantly knocked out by both of them. Pretty sure I must have written about them as well. Damned if I can find anything though. You senile old goat
A Dog’s Journey Year: 2019 Mark: 7.7 Watched: Fri 30 May 25 Starring: Josh Gad, Dennis Quaid, Marg Helgenberger, Betty Gilpin, Kathryn Prescott, Director: Gail MancusoYes, I watched this on my first day down in Fawley, Hampshire with Frankie and Luna, and was quite emotional! I mean, it was an interesting take of the dog’s life (I can’t give anything away). You can’t go far wrong with cute doggies, and if there is a novel angle well – what’s not to like
Jobs Year: 2013 Mark: 8 Watched: Mon 3 Apr 17 Starring: Ashton Kutcher, Josh Gad, Lukas Haas, Victor Rasuk, J. K. Simmons, James Woods, Matthew Modine Director: Joshua Michael SternI read that this is not quite to perfect piece of history. It was a film I enjoyed a lot. The thing is, I always maintain apple products are just beautiful, but for their incompatibility, e.g. (specifically) mp3s, therefore since I dropped an iPod on the floor of that pub in Ledsham have not bought into their products. I consequently feel a bit of resentment for people who do, I want to say "just don't buy them until they at least make their content easily transferable, then by all means knock yourself out and go totally mac". Well that's not gonna happen, but with Steve Jobs you have this rare bird - a man who combines superb design skills, with total belief and the new clothes skills of the most compelling snake oil salesman. The thing is - he has a great, if not best, product, but he markets it with that drive normally reserved only for the useless. Whatever - back to the film. I cannot assess the veracity of it, but Jobs himself is certainly not monochrome, he is full of real ground breaking and shaking positives and truly horrible negatives, which leads me to imagine that the makers have tried to present a broad, inclusive picture of him. They do what story tellers do, I missed a bit of dialogue, many of the characters seemed to be camouflaged amongst themselves, there was a little too much boardroom for me and not enough iPod and iPhone, despite which, it was a quite practically captivating, with emotionally attractive parts, and is the kind of thing I could watch all the live long day. It is, when you think about it, a helluva story.
Big Bad Wolves Year: 2013 Mark: 5 Watched: Sat 1 Apr 17 Starring: Director: Aharon Keshales, Navot PapushadoA protracted slow motion scene did not endear myself to this film from the get go. Some really 'amateur dramatic' acting in the first dialogue scene sealed it for me after 10 minutes, turn it off, delete it, move on, leave it to fans of the genre.
Bullet To The Head Year: 2012 Mark: 7.2 Watched: Sat 1 Apr 17 Starring: Sylvester Stallone, Sung Kang, Sarah Shahi, Adewale Akinnuoye-Agbaje, Christian Slater, Jason Momoa Director: Walter HillI like Walter Hill films! This has been criticised as derivative of Walter Hill's and Sylvester Stallone's past work; like that's even a bad thing! OK the film starts as a good, intelligent, but slightly naive cop crosses paths with a gnarly old hit man who has 'his rules'. SPOILER ALERT: Work out the rest yourself! Tremendous fun, nothing groundbreaking, good sets, corny action and dialogue, but very solid if you like this kind of thing. Humour. It has humour.
Battlefield Death Tales Year: 2012 Mark: 6.5 Watched: Fri 31 Mar 17 Starring: David Wayman Director: James Eaves, Pat Higgins, Alan RonaldI quite enjoyed the first segment of this three parter, it was more shlock than horror, and reasonably entertaining, the kind of film I would gladly sit through with a fan, but not one that I would watch for 90 minutes when there is still a list of 50 or so films on my hard drive to cross off. .
Trainspotting Year: 1996 Mark: 8.2 Watched: Fri 31 Mar 17 Starring: Ewan McGregor, Ewen Bremner, Jonny Lee Miller, Robert Carlyle, Kevin McKidd, Kelly Macdonald, Peter Mullan, Eileen Nicholas, James Cosmo, Susan Vidler, Pauline Lynch, Shirley Henderson, Stuart McQuarrie, Irvine Welsh, Kevin Allen, Keith Allen, Dale Winton Director: Danny BoyleI did not realise how good this film was when I first saw it. It really puts the dark in dark comedy, is incredibly uncomfortable to watch in parts, but it is the natural, grown up and drug dependent descendant of The Ladykillers, That Sinking Feeling, and Withnail and I. A slew of great actors early in their careers hold the attention, a rightfully acclaimed soundtrack exploits that post Now 20 British pop genre, and I just can't wait to see T2. Do not expect uncontrollable mirth, but if somebody says this is their favourite film, I fully understand. .
M*A*S*H Year: 1970 Palme d'Or AFI 054 Mark: 7.9 Watched: Fri 24 Mar 17 Starring: Donald Sutherland, Elliott Gould, Tom Skerritt, Sally Kellerman, Robert Duvall, Roger Bowen, René Auberjonois, David Arkin, Jo Ann Pflug, John Schuck, Carl Gottlieb, Danny Goldman, Corey Fischer, Indus Arthur, Dawne Damon, Tamara Horrocks, Gary Burghoff, Ken Prymus, Fred Williamson, Michael Murphy, Timothy Brown, Bud Cort, G. Wood, Kim Atwood, Dale Ishimoto, Bobby Troup, Marvin Miller Director: Robert AltmanI think this could be rightfully held up as a milestone in American film, in that it is the earliest movie I can remember seeing that escapes the Hayes Code with such a degree of freedom. Perhaps Some Like It Hot was breaking free of that incredibly naive, destructive, self sustaining, self righteous censorship which burdened the most lucrative and potentially fertile areas of collaborative human creativity in history, but it took a decade of clumsiness, self censorship, looking over the shoulder, hey look at how groundbreaking and modern and swingin' we are before we finally arrive at this. Not perfect by any means, still not timed quite right, nevertheless, this is the transition from the awkward adolescence of Hollywood after an abused childhood, into an adult that has found their feet and has learned to stand on them for themselves. I think for nearly 50 years the poster put me off chasing this one down. A good film indeed, which perhaps paved the way for my generation to enjoy the flowering of this wonderful medium.
Chicago Year: 2002 Oscar Mark: 7.4 Watched: Fri 17 Mar 17 Starring: Renée Zellweger, Catherine Zeta-Jones, Richard Gere, Queen Latifah, John C. Reilly, Christine Baranski, Taye Diggs, Colm Feore, Lucy Liu, Dominic West Director: Rob MarshallNot the greatest Oscar Winner, but not the worst by a long, long chalk. Renée Zellweger is just beautiful in this (as an actress I mean), there are parts of fascinating originality, It really brings the show to the screen. If it precededRent by a couple of years, and paved the way for said film, well, give it an extra point. One and a half decades after this film was made La La Land was touted as re-defining the musical film. Bollocks. Chicago is a more entertaining film and did it all already. (Sorry, that is so bitchin' but I just can't understand the hullabaloo surrounding that film, entertaining as it is)
Air Force One Year: 1997 Mark: 7.6 Watched: Sat 4 Mar 17 Starring: Harrison Ford, Gary Oldman, Glenn Close, Wendy Crewson, Liesel Matthews, Paul Guilfoyle, William H. Macy, Dean Stockwell Director: Wolfgang PetersenLoveable nonsense. Today I said "I want something that I don't have to stay sober for" and Jake said "I think you may be happy", and he was right.
South Park: Bigger, Longer & Uncut Year: 1999 Mark: 9.4 Watched: Sat 4 Mar 17 Starring: Trey Parker, Matt Stone, Mary Kay Bergman, Isaac Hayes, George Clooney Director: Trey ParkerThis is pure. The only question I have about this is "who enjoys it?" as the very core of this film is the ridiculousness of people having a fucking period about words, yet as far as I can see, at least from my Facebook pages, loads of decent, clever, normally righteous people get a proper boner on when I say things which might be interpreted as 'offensive'. I'm not talking about advocating harming stuff, mereley ideas, adjectives, conjecture, and none of it set in stone to such a degree that I do not want to invite rational criticism. Like Munchkins so small minded.
Absolutely brilliant soundtrack, true genius, layed over the most wonderful cast. Why not a ten? Hard to say, I think perhaps the Devil and Saddam bits I find a little drawn out. .
Amistad Year: 1997 Mark: 8 Watched: Wed 1 Mar 17 Starring: Morgan Freeman, Nigel Hawthorne, Anthony Hopkins, Djimon Hounsou, Matthew McConaughey, David Paymer, Pete Postlethwaite, Stellan Skarsgård, Razaaq Adoti, Abu Bakaar Fofanah, Anna Paquin, Tomas Milian, Chiwetel Ejiofor, Derrick Ashong, Geno Silva, John Ortiz, Kevin J. O'Connor, Ralph Brown, Darren E. Burrows, Allan Rich, Paul Guilfoyle, Peter Firth, Xander Berkeley, Jeremy Northam, Arliss Howard, Austin Pendleton, Pedro Armendáriz Jr. Director: Steven SpielbergIt must be a month since I saw this, and I should not leave it so long; I really can't remember the detail at all! That's the great thing about getting old! I must check with Jake but my memory tells me this was kind of what you would expect from Spielberg with this cast. Don't be scared to watch it again in a couple of years.
The Great Wall Year: 2016 Mark: 8.2 Watched: Tue 28 Feb 17 Starring: Matt Damon, Jing Tian, Pedro Pascal, Willem Dafoe, Andy Lau Director: Zhang YimouWowzer. This might not be everybody's bag, but it delivers great action, beautiful filming, reasonable/interesting story and a couple of decent buddies, and delivers a film package that makes the movies are worthwhile venture. .
The Founder Year: 2016 Mark: 9.5 Watched: Tue 21 Feb 17 Starring: Michael Keaton, Nick Offerman, John Carroll Lynch, Linda Cardellini, B. J. Novak, Laura Dern, Justin Randell Brooke, Kate Kneeland, Patrick Wilson, Wilbur Fitzgerald Director: John Lee HancockHad I forgotten how good a trip to the cinema actually is? Whatever, this exceeded expectations, in that along with the entertainment value it felt extraordinarily educatinal on several levels, not least as an exercise in philosophy and morality, let alone the fascinating historical perspective. I don't quite know how the film makers quite got off on this, the only credible explanations are that it was either a revenge piece or a pretty realistic interpretation of what went down regarding the creation and later expansion of the MacDonalds franchise under the auspices of Ray Kroc. What is the opinion of his estate? What does the company think of it? Whatever I loved it and Michael Keaton has truly got the wind in his sails. What am absolutely suber observation of different human natures.
Executive Descision Year: 1996 Mark: 7.9 Watched: Mon 20 Feb 17 Starring: Kurt Russell, Steven Seagal, Halle Berry, John Leguizamo, David Suchet, Oliver Platt, Joe Morton, B. D. Wong, Len Cariou, Whip Hubley, Andreas Katsulas, Mary Ellen Trainor, Marla Maples Trump, J. T. Walsh, Nicholas Pryor Director: Stuart BairdI was initially inclined to give this an 8, but two days later cannot possibly imagine how I could justify it as being a must-see film whatever your tastes! Thoroughly entertaing, well over two hours of film which for all its stretching of credibility is like a Gillygate Special (A giant kebab available in my hometown of Pontefract which could feed a small African nation for a week), in that you can just keep troughing into it, it's pretty tasty, and although not perhaps the healthiest option it is, nevertheless, filling, tasty, but carries a heavy garnish of guilt. I think they call it a guilty pleasure. As action films go there is nothing much not to enjoy about Kurt Russell, Steven Segal and an assorted cast of goodies and baddies who entertain in a quite delightfully hilarious way without collapsing into outright spoof.
Dead In Tombstone Year: 2013 Mark: 6.8 Watched: Sun 19 Feb 17 Starring: Danny Trejo, Anthony Michael Hall, Mickey Rourke, Dina Meyer Director: Roel ReinéWell it's not Machete, or Escape From .... In some ways it is better made than those films, yet allthough 'fun' in the same sense, it never quite gets out of slo-mo for long enough to have one really rooting for Danny Trejo or anybody else for that matter. It is, I guess, a film built around him, and uses stock lighting and exposure to get the atmosphere, really helped by a terrific soundtrack, and I imagine that if you like the genre, this will not disappoint. Funnier than it is engaging, and some may not find it funny. .
The People vs. Larry Flynt Year: 1996 Mark: 10 Watched: Sat 18 Feb 17 Starring: Woody Harrelson, Courtney Love, Edward Norton, Richard Paul, James Cromwell, Donna Hanover, Crispin Glover, Vincent Schiavelli, Brett Harrelson, Larry Flynt Director: Miloš FormanTen. I just can't see any way of justifying less, in that every department delivers, with the added bonus of a real life angle and an absolutely perfect message. How do they do it. Who is best? Woody Harelson with his absolutely believable, loveable, sympathetic and cringeingly admirable protaonist, Courtney Love being as sexy as sexy can be and timing the degeneration to the millisecond. James Cromwell as James Cromwell or the "beatific smile" of "respected preacher" Jerry Fallwell? Ed Norton - he just takes the biscuit, how he delivers the courtroom denoument without being loud, agressive or even seemingly strong. This film sums up the problems I have with facebook, and if you don't understand that I think it is likely that you never will.
One Flew Over The Cuckoo's Nest Year: 1975 Oscar AFI 033 Mark: 10 Watched: Fri 17 Feb 17 Starring: Jack Nicholson, Louise Fletcher, Will Sampson, William Redfield, Brad Dourif, Danny DeVito, Christopher Lloyd, Scatman Crothers Director: Miloš FormanBeautiful, poignant and Louise Fletcher
That was my memory of this film which I have just re-watched, and the 10 stands. This film was made in 1975, yet it could have been made yesterday, it has aged without wrinkles. I cannot immediately think of a better performance by an ensemble, and I cannot think of a film which articulates the human condition as succinctly as this. It is not the big cheifs who doom humanity, it is their little ones.
Catch Me If You Can Year: 2002 Mark: 10 Watched: Thu 16 Feb 17 Starring: Leonardo DiCaprio, Tom Hanks, Christopher Walken, Martin Sheen, Nathalie Baye, Amy Adams Director: Steven SpielbergI have reviewed 777 films up to this one, and this really hammered home to me how great some films are, films that I had seen but, as in this case, not realised how much I had totally forgotton about every second of the 150 odd minutes, and quite neglected to compare it as a watching experience alongside other films. This fills the criteria for a ten surprisingly effortlessley. Not a moment wasted, absolutely fascinating story, combining real life interest with escapism, each actor, but especiallly di Caprio and Hanks betwen them display their virtuosity under a totally engaging, amusing, thrilling yet never overpowering 'this is what storytellers do' model of a movie. I did not recognise Amy Adams! Will she ever forgive me? The kind of film which makes me anticipate getting to 1, 000 reviews so I can start from the beginning again. .
Equilibrium Year: 2002 Mark: 6 Watched: Wed 15 Feb 17 Starring: Christian Bale, Emily Watson, Taye Diggs, Angus Macfadyen, Sean Bean, Matthew Harbour, William Fichtner Director: Kurt WimmerThe dystopian future feature film has to do something other than give humans false hope. I believe there is hope, but we will not, as a race, achieve salvation from a world that is never going to exist, where an underground of sympathetic free thinkers and revolutionaries is going to be populated with good guys against an oppressive regime which are bad guys bar one. Apart from that huge logical mistake in this film, it is just not that entertaining a watch. A good action scene is repeated three times in different lighting situations, and the bad dictator is just altogether too hackneyed, lacking any originality. When is somebody going to make a film where the bad guy is sweet and and the good guy a pain in the ass? Maybe I'm being to harsh, I know I'm spoilt for films, if you liked Brazil, you'll probably like this. It certainly was not a negative experience, especially with good food and a beer.
Jackie Year: 2016 Mark: 6.7 Watched: Tue 14 Feb 17 Starring: Natalie Portman, Peter Sarsgaard, Greta Gerwig, Billy Crudup, John Hurt Director: Pablo LarraínI always maintain that a historical drama, biography or such like will always get an extra point, and, of course, why make an histircal drama unless the topic is fascinating. This film strikes me as pretty dull. Not only is it unspectacular it lives in the shadow of JFK and that is a damned long and dark shadow. I don't know how good Natalie Portman's interpretation was, but it makes Jaqueline Kennedy seem a litle retarded, Diana Spencerish. And it doesn't go anywhere. It was, in retrospect, lucky to get a 6.7, but I did, I suppose, learn maybe something from it. God knows what though! (NB Billy Cruddup is very watchable indeed).
Unthinkable Year: 2010 Mark: 7.7 Watched: Sun 12 Feb 17 Starring: Samuel L. Jackson, Michael Sheen, Carrie-Anne Moss, Brandon Routh, Gil Bellows, Martin Donovan, Stephen Root Director: Gregor JordanSamuel L Jackson does it again, and takes part in a film that has real backbone, posing ideas and concepts which we should all play a great deal more attention to. Every one in this film carries you along, Michael Sheen is of course a shoe in for that, but Carrie Anne Moss delivers that rare commodity, a woman who behaves like a woman and delivers her female strength, instead of trying to incorporate the male idea of power into her persona. Not what you would call a laugh a minute film, and I presume a lot of people might think they get it, but actually don't follow that through by actually understanding themselves. .
Escape From L.A. Year: 1996 Mark: 7.5 Watched: Fri 10 Feb 17 Starring: Kurt Russell, Steve Buscemi, Stacy Keach, Bruce Campbell, Cliff Robertson, Peter Fonda, Pam Grier Director: John CarpenterThere is not a great deal to add to this which hasn't already said about Escape 1, just perhaps it is even dafter and just about as enjoyable. Perhaps all aspiring film-makers should watch these films and get told never to cloud their judgement or artistry with the encumbrance of plausibility.
Moonlight Year: 2016 Oscar nominated Mark: 6.8 Watched: Thu 9 Feb 17 Starring: Trevante Rhodes, André Holland, Janelle Monáe, Ashton Sanders, Jharrel Jerome, Naomie Harris, Mahershala Ali Director: Barry JenkinsBrokeback Mountain meets The Wire and looses some zip in the process. I was bored shitless by Boyhood, and this has a similar feel to it, though it is redeemed by a reasonably interesting story arc. I have to ask myself "is it an anti-gay thing on my part", and the answer is "don't be stupid". That I find the overtly gay scenes discomforting is because I am heterosexual, that I don't give it a stellar mark is because that's the same mark I would have given it had it been a heterosexual relationship. It doesn't make me homophobic anymore than preferring prawns to anchovies makes me somehow bad - it's just a matter of taste. I can't help thinking this film may have been accoladed with six Oscar nominations because of its colour and sexuality rather than it's content. It is still a decent, particularly well-intentioned, film; just not my bag, that's all.
Lion Year: 2016 Oscar nominated Mark: 7.8 Watched: Wed 8 Feb 17 Starring: Sunni Pawar, Dev Patel, Rooney Mara, David Wenham, Nicole Kidman. Director: Garth DavisThe first hour of this film was all at once more enchanting than harrowing, the second hour a little flatter and the resolution satisfying. There were moments during the film when I got quite cut up, the child Saroo was beautiful, perfectly cast, and Dev Patel gives a very convincing moody performance. Once again I think this film may have been even better than my kick quotient, there was actually not anything wrong with it technically, perhaps it was always going to be half an hour too long, and I just can't help thinking that given (SPOILER ALERT) he knew the area where he came from was called something like "Ginestlay", actually making the leap to Ganesh Talai did not demand the walls full of maps charts and notes, I mean Ganesh is quite the deity. That adult Saroo was not perfect is probably a really good thing. Is that my fault for demanding saccharine? I think it may be. Not far off a must-see film for anybody.
Escape From New York Year: 1981 Mark: 7.6 Watched: Mon 6 Feb 17 Starring: Kurt Russell, Lee Van Cleef, Ernest Borgnine, Donald Pleasence, Isaac Hayes Director: John CarpenterHow do you justify giving a rubbish film 7.6? Perhaps because its not rubbish, and perhaps because it is a right laugh. Was I laughing with it or laughing at it? Who cares anyway, the fact of the matter is I enjoyed it, a lot, and that's what matters. Dated, corny, implausible, hackneyed, clichéd, it is all these things, yet still, there is no hiding place, it is fun. If you like The Warriors I guess this won't harm you.
Tombstone Year: 1993 Mark: 7.6 Watched: Sat 4 Feb 17 Starring: Kurt Russell, Val Kilmer, Sam Elliott, Bill Paxton, Powers Boothe, Michael Biehn, Dana Delany, Billy Zane, Charlton Heston, Robert Mitchum. Director: George P. CosmatosThe same as, but different to Wyatt Earp, both films stand up on their own, producing sufficiently different angles on the same story to maintain attention throughout. I figure it was about this time that Kurt Russell started getting good.
Bone Tomahawk Year: 2015 Mark: 7.2 Watched: Fri 3 Feb 17 Starring: Kurt Russell, Patrick Wilson, Matthew Fox, Richard Jenkins, Lili Simmons, David Arquette, Sid Haig, Sean Young Director: S. Craig ZahlerKurt Russell is a great 'old' actor, he could easily have been in the Magnificent 7 remake, and in this he takes a faintly ridiculous premise and runs with it to deliver an enjoyable slice of hokum along with some spectacular gore. I couldn't watch something like this every night, but once a fortnight it provides some mindless relief.
Mean Streets Year: 1973 Mark: 7.4 Watched: Thu 2 Feb 17 Starring: Robert De Niro, Harvey Keitel, David Proval Director: Martin ScorseseI'm beginning to imagine that my perceptions of New York gangster films are coloured differently from many other observers. The thing is, I just don't think as highly of this film, or Goodfellas and the Godfathertrilogy as much as the consensus. That is not to say I didn't like them, far from it; just that I don't think they are the best films ever made - nowhere near it. They for me seem to feed off the violence over the nuance of carachter and reality, almost as if the critics are saying that "we love this" because they are wanting to be seen to be super 'ard, kind of kow-towing to the mob that the films portray.
I also know that older films do get dated. I love Star Trek, but come on, the Original Series had a healthy dose of corn that pervaded the series, and that does not diminish with age. Likewise this film is a product of its time, a post Hayes Code film that still doesn't quite know how to balance sex, violence and humanity. Like The Sting and lots of other post-Beatles, pre Sex Pistols films it may have been ground breaking at the time, but wing collars will always look stupid!
So.. watch this, and then watch all six seasons of The Sopranos to see how far the genre has moved on, and tell me you enjoyed it one tenth as much.
Hidden Figures Year: 2016 Oscar nominated Mark: 8.5 Watched: Wed 1 Feb 17 Starring: Taraji P. Henson, Octavia Spencer, Dorothy Vaughan, Janelle Monáe, Kevin Costner, Kirsten Dunst, Jim Parsons, Glen Powell, Mahershala Ali Director: Theodore MelfiCracking film! Cracking because it bundles an excellent story, that of the Mercury missions, along with a several quests, and, praise the lawd, a take on American Racism which exploits the plain dumb ridiculousness of it all to get its message across. Quite honestly I am bored of films like Selma and 12 years a slave, excellent as they are, that focus on the racism and suffering of the protagonists and all become very doleful. Sounds like a strange connection to make, but like the Tom Sharpe African novels, or 'Till Death Us Do Part, this exploits the ludicrousness of the logical results of racism. This film manages to raise awareness through fun and without any loss of dignity. It shows good in a lot of (white) people and when Octavia Spencer says to Kirsten Dunst "I know; you probably believe you do" she nails what was going on at the time and what will go on for ever. People do bad things and don't even realise they are doing it, going as far as to deny it and fully believe in their own excuses.
I never thought I'd say this, but I almost wish Apollo 13 hadn't been made so I could enjoy this film even more! (watch it, you will see what I mean).
Fences Year: 2016 Oscar nominated Mark: 7.4 Watched: Tue 31 Jan 17 Starring: Denzel Washington, Viola Davis, Stephen Henderson, Jovan Adepo, Russell Hornsby, Mykelti Williamson, Saniyya Sidney Director: Denzel WashingtonAdapted from a 1973 play it retains the spirit of a show, it feels like a play. Just puttin' it out there. Denzel Washington does his usual excellent turn, the dialogue is Wirelike in its density and idiom, one really has to concentrate on it, but I am looking forward to polishing this one off tonight.
La La Land Year: 2016 Oscar nominated Mark: 7.2 Watched: Thu 26 Jan 17 Starring: Ryan Gosling, Emma Stone, John Legend, J.K. Simmons Director: Damien ChazelleWell here we go. First off, this is a good film, and absolutely beautifully made. Second off it is not IMHO anything like as entertaining as the media might have you believe, and having discussed it with Ella we had both arrived independently at the same conclusion. People who haven't seen many musicals love it. Like those classic 50s musicals it hearkens back to (I'm thinking of An American In Paris and Singin' In The Rain It is strong on dance, good on tunes, but relatively moderate on characters and story. As an out and out vehicle for tunes, it cannot hold a candle to Rent (lit or not!), or Wicked, or Sunshine on Leith, or Frozen. I could go on and on and on with that list. The thing is, it sounds like I am dissing it, but I'm not, I'm glad I saw it for its own sake, but I think a lot of people have got caught up in the hype. There has been another film this year that gives a take on Hollywood that is better in every department, even including the dance routine- Hail Caesar!
And Jon Legend is no actor
And I get sick of Americans living in beautiful apartments and imagining they are having some kind of a hard time.
Manchester By The Sea Year: 2016 Oscar nominated Mark: 7.3 Watched: Thu 26 Jan 17 Starring: Casey Affleck, Michelle Williams, Kyle Chandler, Gretchen Mol, Lucas Hedges, Matthew Broderick Director: Kenneth LonerganPut this side by side with Boyhood and Ordinary People and it comes out miles in front. I kind of enjoyed the surprise factor, not like explosions or squirrels, but just these fairly quiet characters, behaving quite credibly without being entirely predictable. It takes deadpan humour to an absolutely new level, I mean, I am still wondering if the straight faced delivery of faintly ridiculous and awkward situations was part of the plan. It was. I think! For their faults the people described herein had enough humanity about them to involve the watcher. Don't expect fireworks, but it's a half decent night in.
Hacksaw Ridge Year: 2016 Oscar nominated Mark: 8.4 Watched: Wed 25 Jan 17 Starring: Andrew Garfield, Sam Worthington, Luke Bracey, Teresa Palmer, Hugo Weaving, Rachel Griffiths, Vince Vaughn Director: Mel GibsonWoah! What a great film. OK, cheese it has a more than ample quota of, but it is a story based upon events that never goes so far over the mark as to surrender belief. And that is what this film is about, belief, faith in God.
I guess it reflects Mel Gibson's ethic, but, as a gung ho atheist myself I do not mind one bit. It is not expounding the existence of some super-natural deity (like, for instance, Gods and Kings). It is exploring the phenomenon of faith and conviction is such things - And that is demonstrably extant, across time and space and culture.
In addition to this fascinating, dare I say uncritical and perhaps unintended psychological view of Andrew Garfield's eminently endearing protagonist, it is just a darned good movie, or even darned good two or three movies. The two and a half hours flew by, being divided onto three stages, each one a critical part of the overall story, each part having some aspect of excellence, non more so that the battle scenes which are right up there in terms of their immersiveness, their absolutely ground breaking brutal detail and choreography, with Saving Private Ryan.
I think that Mel Gibson has almost made a perfect package film here, at least if you are patriotic American movie goer. (You may not like it so much if you are Japanese.
Do not expect either a damning critique of war; far from it, it expounds the glory of it.
Do not expect a tub-thumping call to jihad (or whatever it is that Christians do), it is not that
Do expect those tropes of love, family and friendship and struggle and triumph to be milked to the last drop.
And prepare yourself to accept that chivalry is real, and that faith can move mountains.
Glory Year: 1989 Mark: 7.2 Watched: Mon 23 Jan 17 Starring: Matthew Broderick, Denzel Washington, Morgan Freeman, Cary Elwes, Bob Gunton Director: Edward ZwickIf I could deal with the negatives, Matthew Broderick is uninspiring, I kept expecting to hear him say "Would that it twer so siyample", I fear the black thing is overcooked a great deal (I don't mean the net contribution of these men, I mean the happy natives playing banjos in the sun thing), and we have a white saviour; why? This film that has piqued my curiosity more from my cynicism than the questions it poses. Onto the positives and it is quite a ripping historical drama, based on a true story that has a slew of characters that maintain one's interest, Denzel Washington deserves his acting nod here, the Georgia/Carolina feel, along with the Horner score is totally immersive and SPOILER ALERT, we don't always need a happy ending to resolve a film. I wish films would deal more with the ambivalence of everybody than the heroism or villainy of the few. But that would make us feel uncomfortable wouldn't it? .
Raizing Arizona Year: 1987 Mark: 8.2 Watched: Sat 21 Jan 17 Starring: Nicolas Cage, Holly Hunter, Trey Wilson, John Goodman, Frances McDormand, John Turturro Director: Joel Coen, Ethan CoenThis definitely came out better second time around, so I will try to list the reasons why.
Jay and Silent Bob Strike Back Year: 2001 Mark: 7.6 Watched: Fri 20 Jan 17 Starring: Jason Mewes, Kevin Smith, Ben Affleck, Jeff Anderson, Brian O'Halloran, Shannon Elizabeth, Eliza Dushku, Ali Larter, Jennifer Schwalbach, Will Ferrell, Jason Lee, Matt Damon, Judd Nelson, George Carlin, Carrie Fisher, Seann William Scott, Chris Rock, Wes Craven, Shannen Doherty, Mark Hamill, Jason Biggs, Joey Lauren Adams Director: Kevin SmithI am that senile I cannot remember if I enjoyed this even more, or less the first time around. Have I gained wisdom over the last decade? Have my critical faculties been honed to a higher level, of does my head keep on disappearing further up my own arse? I choose wiser. I may be wrong.. So..
This is a deal more puerile than I remember - but that is not a disaster, much of it is absolutely hilarious and most of it is pretty funny. The cast list is amazing, and the culture references come as thick and fast as you could envisage, so, I would guess that you a part of the ViewaskewUniverse, this is a welcome addition to the canon, but I can understand somebody scratching there heads and turning to something different. Stoner comedy consisting of dick and fart jokes, but thankfully avoiding the titillating sex angle that can, for me, distract from a film (not that Shannon Elizabeth and co. are not super hot.
Brokeback Mountain Year: 2005 Golden Lion Mark: 7.5 Watched: Thu 15 Dec 16 Starring: Heath Ledger, Jake Gyllenhaa, Randy Quaid, Michelle Williams, Anne Hathaway, Kate Mara Director: Ang LeeA very good film. I can't pretend that I found it some of it that comfortable to watch, but this is the kind of film I talk about when I say I want movies to make me a better, more understanding person. That part of Canada is always a good place to go, but the story and two protagonists were completely solid, Heath Leger and Jake Gillenhall were brilliant in this, and I guess I should have watched it many years ago.
Das Boot Year: 1981 Mark: 7.4 Watched: Wed 14 Dec 16 Starring: Jürgen Prochnow, Herbert Grönemeyer, Klaus Wennemann Director: Wolfgang PetersenWow. For a film that largely took pace in a tube about 50 yards long this did have a certain fascination. I bought into the crew, and I just think it makes for such a refreshing change for a film to show German WW 2 heroes. There but for the grace of God go we.
Robin Hood: Prince Of Thieves Year: 1991 Mark: 9 Watched: Tue 13 Dec 16 Starring: Kevin Costner, Morgan Freeman, Christian Slater, Alan Rickman, Mary Elizabeth Mastrantonio, Geraldine McEwan, Mike McShane, Brian Blessed, Michael Wincott, Nick Brimble, Harold Innocent, Walter Sparrow, Daniel Newman, Sean Connery, Jack Wild, Daniel Peacock Director: Kevin ReynoldsSlam dunk 9! I was surprised to read the negative reviews, but the thing is, it's just a classic story and this is done with vigour and humour, a lot of it's in the North of England, Kevin Costner doesn't need to show the world what a talented actor he is, Alan Rickman is a total blast, so all told it's a great night in with a swashbuckling adventure that I thoroughly enjoyed watching for a third time.
The Lord of the Rings: The Return Of The King Year: 2003 Oscar Mark: 8.7 Watched: Thu 8 Dec 16 Starring: Elijah Wood, Ian McKellen, Viggo Mortensen, Liv Tyler, Sean Astin, Sala Baker, Cate Blanchett, John Rhys-Davies, Bernard Hill, Billy Boyd, Dominic Monaghan, Orlando Bloom, Hugo Weaving, Miranda Otto, David Wenham, Karl Urban, John Noble, Andy Serkis, Ian Holm, Marton Csokas, Lawrence Makoare, Thomas Robins Director:
Sacro GRA Year: 2013 Golden Lion Mark: 6.3 Watched: Thu 8 Dec 16 Starring: Assortment of Italian individuals Director: Gianfranco RosiThis time in a fortnight I will be within the confines of the GRA, the Grande Raccordo Anulare, the Rome ring-road. It was awarded the Golden Lion at Venice. Wow! What could go wrong? Quite frankly I just didn't get it. It was like a fly on the wall documentary of people who live in Rome in the early 21st century, and as such it was moderately interesting. But that's all. I'd rather watch snow leopards! If you wish to watch an arty critique of mankind's relationship with his surroundings dig out something from 35 years ago and watch the life changing Koyaanisqatsi. If you want the kind of candid, motorway/urban exploration of motive but with a stronger narrative thread and a very compelling protagonist watch the utterly brilliant Locke (honest, it feels like it was shot by the same crew!).
In it's favour this film did have a somewhat hypnotic endearment about it, but, once distracted, I read the other reviews and realised I wouldn't miss much by by-passing the last 30 minutes.
Bleed For This Year: 2016 Mark: 7.5 Watched: Tue 6 Dec 16 Starring: Miles Teller, Aaron Eckhart, Katey Sagal, Ciarán Hinds, Ted Levine Director: Ben YoungerSpoiler alert. Boxing film. OK, now that's out of the way, it's not going to put you on the canvas with surprises, but hell, it's a good story, and in this instance it is done quite excellently, with the lush ingredients of three great acting performances, I just can't choose between the solidity of Aran Eckart's Tony Soprano and Ciarán Hinds doing Peter Griffin, but I hope one of them at least gets a nod. Miles Teller is now, officially, a good actor, all added too a 'true' story which never really clags up at all, yet still surprised me. .
Moana Year: 2016 Mark: 8.5 Watched: Tue 6 Dec 16 Starring: Auli'i Cravalho, Dwayne Johnson, Rachel House, Temuera Morrison, Jemaine Clement, Nicole Scherzinger, Alan Tudyk Director: Ron Clements, John MuskerDisney by numbers. God knows what the budget was, you have your tough little princess hero, your cute animals, your suddenly bursting into motivational songs, nothing offensive, it almost gets boring. YET IT ISN'T!! What is wrong with all that when it is done as brilliantly as this? I love the way I only recognised perhaps five names on the credits, that this team have delivered another truly spectacular animation. Honestly, when she is climbing that cliff I was clutching my balls with fear! It is not Tangled but neither is it insert any Disney animated feature from 1972 to 1988 here. You see, they have got the formula right, and I really believe that there is some ethical input going into these now. I'm not talking about the right-onism of Wall-E or The Good Dinosaur but are the suits actually saying We are doing a Pacific movie, go to the South Seas, talk to people, run with the celebration of it all? (I have no evidence to back that up, it's just a feeling). This is FUN, dare I say more than Kubo?.
Sully Year: 2016 Mark: 8.7 Watched: Tue 6 Dec 16 Starring: Tom Hanks, Aaron Eckhart, Laura Linney, Anna Gunn, Autumn Reeser, Holt McCallany, Jamey Sheridan, Jerry Ferrara Director: Clint EastwoodSomebody told me they watched the first ten minutes of this and got bored. Retards! This is how an 'incident' film should be put together, at 96 minutes there is little self-indulgence, it tells you what went on, what went down, more than flirts with triumph and disaster, completely endears one to the hero(s) involved, and manages, like The Wind Rises to have me rooting for one of the most immoral activities (flying) devised by man. Clint Eastwood has made a semi-documentary masterpiece in this, and a lot of people will enjoy it. Thoroughly recommended.
The Lord of the Rings: The Two Towers Year: 2002 Mark: 8.6 Watched: Sun 4 Dec 16 Starring: Elijah Wood, New Zealand, Ian McKellen, Viggo Mortensen, Liv Tyler, Sean Astin, Cate Blanchett, John Rhys-Davies, Bernard Hill, Christopher Lee, Billy Boyd, Dominic Monaghan, Orlando Bloom, Hugo Weaving, Miranda Otto, David Wenham, Brad Dourif, Karl Urban, Andy Serkis, Craig Parker, John Leigh, Bruce Hopkins, John Bach Director: Peter JacksonLike number one, this has had a re-appraisal, and do you know; I definitely like it more than the first. There is less cheese and more action, and two of the three story arcs seem to get on with it a little bit sharper than the first film? Merry and Pippin are still annoying dicks, and the reveals are definitely naff, so I could have done without all the 'tada I'm really Gandalf' bit in Fanghorn! Gollum is definitely a massive star, and the whole Helm's Deep thing is incredible, it really is. Look, even if your favourite film is 50 First Dates you should still sit through the theatrical cut of this trilogy if only for it's place in the cannon of modern epic film production.
Going My Way Year: 1944 Oscar Mark: 7.6 Watched: Sat 3 Dec 16 Starring: Bing Crosby ‡O, Barry Fitzgerald ‡O Director: Leo McCarey ‡O A musical where the music lifts the film by a significant notch. I guess I should hate this with its folksy bonhomie and the acceptance of religion as gospel (!?), but the fact of the matter is once you are invested into a character as warm as Chuck O'Malley, feel-good does what it says on the packet, and with these films that combine that uplift with nostalgia and a healthy dose of iconic status one can't help but thoroughly enjoy it. More hokum than John Carter though!
Rent Year: 2005 Mark: 10 Watched: Fri 2 Dec 16 Starring: Anthony Rapp, Adam Pascal, Rosario Dawson, Jesse L. Martin, Wilson Jermaine Heredia, Idina Menzel, Tracie Thoms, Taye Diggs Director: Chris ColumbusI have never been as blubbery during a film! This was, I believe my third watch of it, and as I remember I loved it, but I just didn't realise quite how much. Since I watched it last time I have become more familiar with all the songs, and I guess these had everything to do with it. After I left Ella in Stuart Fl, from Miami down to the Keys I had the soundtrack on, and I had not felt this way about in car entertainment since I had the Austin Maxi and fitted the car stereo and was driving into London listening to The Clash. What this film does is, I believe, not just captures the essence of the musical, it magnifies it. Musicals tend to aim at two showstoppers, one for the end of each half, numbers which leave you absolutely and totally in awe, making you stand up and cheer and clap and saying "wow that's the best thing I have ever seen". In Rent it seems like every song is a showstopper. As the chords for each one chime in with the recognition it is like a new delight, like when you watch Jersey Boys you think at the end of the first half there can't be any more great songs left in the catalogue but you are left open mouthed at the strength and depth. Wowzer!
So, songs apart, 'cos tunes alone can't carry a movie.. The story is kind of unremarkable. That is not a negative, what I'm trying to say it is a tried and trusted formula, which is conducted more than adequately; this has a great deal more in common with I Daniel Blake than might be intuitively considered, SPOLER ALERT employing the tried and trusted trope of the exploited underdogs overcoming the man and their own demons through bravery, initiative and unity against the odds. It is not happy endings all round, but there is resolution in a conclusion that garners ones thoughts, sympathy and fundamental satisfaction (I didn't say happiness there!). As for the dramatis personae, each single one of those eight people stood on the stage at the beginning has got it goin' on, each one has a narrative that is a feast, arching through the whole film that had me hooked from the backlit silhouettes and that simple piano.
Look - I know, this is no way going to be everybody's cup of tea - but it IS mine, absolutely, totally hook line and sinker. It's in my top ten. It's in my top five. It will fade, but I just now that cosied up on that Friday night all on my lonely self and indulging myself in a coconut, a mango and a bottle of Chianti and this heart rending tragedy I have rarely, if ever, enjoyed a film as much.
And if you get offended because I say that's 'gay', well fuck you.
Braveheart Year: 1995 Oscar Mark: 9 Watched: Thu 1 Dec 16 Starring: Mel Gibson Director: Mel GibsonMakes you want to identify with Andy Murray. Glen Nevis, the setting for this film, has provided one of the most surprising and beautiful walks in my life of many walks. On a re-watch, I was not disappointed, Mel Gibson tells a story and doesn't get hung up on details of accuracy, consequently entertainment is the order of the day!
Million Dollar Baby Year: 2004 Oscar Mark: 8.6 Watched: Thu 1 Dec 16 Starring: Clint Eastwood, Hilary Swank ‡O, Morgan Freeman ‡O, Michael Pena Director: Clint Eastwood ‡OTwo films, you just have to watch it to see what I mean
That was my original review, a brief holding sentence, thrown away when I initiated this diary, drawn from what is always fuzzy memory. I realise that watching these films again pays dividends in terms of not just satisfaction, but in the delight of discovery - hell I genuinely could not remember any of the detail, and to say that Hilary Swank is just the most believable Maggie and that Clint Eastwood plays the best Clint Eastwood probably does not emphasise enough how good they are in this.
I said it was two films? Yes it is but those films are connected by a plait of threads that strengthens and colours the entire narrative. A quite beautiful piece of movie-making and worthy winner of the accolades
The Wrestler Year: 2008 Golden Lion Mark: 7.6 Watched: Thu 1 Dec 16 Starring: Mickey Rourke, Marisa Tomei, Evan Rachel Wood Director: Darren AranovskySuch a good film. Not what I would say the lushest feel good experience by a mighty long chalk, but if I could watch a film like this every night I would not want for entertainment and education. Mickey Rourke is one of those actors I do not readily recognise, yet his part in this will be indellibally etched in my feeble mind. A combination of no bullshit rock hard with this beautiful sympathy, made what, in retrospect, I realise is one of my favourite acting performances (see Raging Bull for another). I know its only rated mid 7s, but that is not to say it is a worse film than Bleed For This or Pitch Perfect, just that it provoked a righteous discomfort in me that was its deliberate intent. If I could watch a film like this every nightmaybe I would be a wiser person.
Alpha Girls Year: 2013 Mark: 4 Watched: Tue 29 Nov 16 Starring: Falon Joslyn, Nikki Bell, Ron Jeremy, Schoolly D Director: Tony Trov, Johnny ZitoFive minute forget it. Dare I say from the opening card it looks naff?
Anomalisa Year: 2015 Oscar animated Mark: 7.8 Watched: Tue 29 Nov 16 Starring: David Thewlis, Jennifer Jason Leigh, Tom Noonan Director: Charlie Kaufman, Duke JohnsonWow! This was unique, disturbing and delightful in equal measures. I didn't know quite what was going on until I read the synopses, SPOILER ALERT: Michael is not gay, he just hears most everybody in the same voice and sees them with the same face - that's the point.
What this film does well (apart from the absolutely fascinating, immersing animation) is delve into the microcosm of one /two people's world and ekes out the nuance and tragedy of it all. Game of Thrones It is not, but the detail and insight is still fascinating. If it had been a book I would not have wanted to put it down. I think this might be termed a masterpiece.
John Carter Year: 2012 Mark: 5.6 Watched: Tue 29 Nov 16 Starring: Taylor Kitsch, Lynn Collins, Samantha Morton, Willem Dafoe, Thomas Haden Church, Dominic West, Mark Strong, Ciarán Hinds, James Purefoy, Bryan Cranston, David Schwimmer, Jon Favreau, Art Malik Director: Andrew StantonAfter an hour of stop-start watching, Jake said he was off, I tried another 5 minutes and thought "feck it". The thing is, it looks like one of the most expensive films ever made, but that is about it in terms of praise. I actually was not interested, not eager to see what happened next and just because it had a huge budget shouldn't mean I have to see it out. The science was poor. I know full well that it is lame to criticise a film on the ground that there is no noise in a vacuum, but the gravity thing? That was variable!, unrealistic in any context. It felt unrealistic, that was a huge bugbear. Magic bable juice? Magic flying? Super dooper destroy at a touch or at a distance weapons yet they all go for hand to hand fighting? It went to far to suspend the disbelief. It felt wrong, and it was wrong. I feel bad 'cos Andrew Stanton will definitely fall out with me. :(.
Fantastic Beasts And Where To Find Them Year: 2016 Mark: 6.4 Watched: Thu 24 Nov 16 Starring: Eddie Redmayne, Katherine Waterston, Dan Fogler, Alison Sudol, Colin Farrell, Carmen Ejogo, Ezra Miller, Samantha Morton, Ron Perlman, Jon Voight, Josh Cowdery, Ronan Raftery, Faith Wood-Blagrove, Jenn Murray, Johnny Depp, Zoë Kravitz Director: David YatesThe J.K. Rowling backlash starts right here, but it should have started a long time ago. J.K. Rowling is a wonderful story teller, absolutely. . But...
How do you measure excellence in the arts? Well, there's the rub, because there is no quantitative measure, it's all generally subjective, so basically within science 2+2 make 4, and Mt Everest is just over 8, 000 metres high, but really the only number we can put on a Jackson Pollack painting is how much somebody will pay for it, the only number we can put on a film is how many people go to see it.
Without doubt zeitgeist, the emotions of one's contemporaries effects perceptions - why the hell do you think they put laugh tracks on TV programs?, what is advertising? What I am saying is we all 'go with the flow' Some perhaps more than others, but generally we just can't help smiling back if someone smiles at us.
To capture the public's imagination I would suggest that, in general, it really helps if an artist has some talent to start with. There are many artists with some, if not immense talent. For recognition beyond one's own village however, the most important ingredient (with exceptions) is luck. Luck may manifest itself in many ways, but often it might be being in the right place at the right time. Elvis Presley was good, but really, if it hadn't been him it would have been some other young white kid with a twinkle in his eye who could sing like a nigger. It certainly wouldn't have been a black kid. Elvis presented a persona who was not at all dangerous yet people could pretend he was. Far from threatening white America he stole swathes of alt culture and assimilated it for the benefit of the ruling clade. But I'd bet my bottom dollar he wasn't even the best singer in Tupelo.
So back to J.K. Rowling. Quarter of a century ago she wrote The Philosopher's Stone. It was a great read. It was funny, imaginative, eminently 'readable', sufficiently complex to delight without being to obtuse to alienate, It had a character for everybody, It could be picked up and put down easily, would fit in a reasonable pocket, the goodies and baddies had recognizable demarcation, yet leaving just enough ambiguity in some, and it took the standard tried and tested trope of David and Goliath and ran with it quite exquisitely.
Over her first three books Harry Potter became a global phenomenon, Elvis had competition, Rowling, was the kids, if not total, literature market, and you know what? Good for her, 'cos those three books kept up the pace. The Prisoner of Azkaban nailed it.
Now I delve into hypothesis. By the time of her fourth book Rowling was the absolute golden egg. She could do what she wanted. And I suggest what she wanted was greater editorial control, i.e. more of her writing left in, and, whereas the first three books would have had considerable editorial input, from professionals with vast experience in pruning work to present a more marketable product, by the time we get to Goblet of Fire, J.K Rowling, in addition to her undoubted talent had two more things going for her, the absolute undivided devotion of millions of fans (sources of revenue) and the consequent level of control over her work. And like any artist she was unlikely to think that her work could be improved by a mere muggle. Consequently the subsequent books became much larger, and, at least for me, a little unwieldy, because hell, she could do what she wanted. I'm not saying they were bad books, I'm saying that there will have been people at Bloomsbury secretly wishing, but NEVER admitting that they could perhaps just miss out a little bit here or fix a bit of continuity there.
And then the film series..
And now Fantastic Beasts... It is one of the most expensive 60 films ever made, and it is, in effect a $180, 000 dollar vanity project. Oh hell, I know there is a demand for it, and I'm not saying this is Ghostbusters 2016 or anything like that, I quite enjoyed it, but it is merely a moderate story populated by a cast that as individuals are sometimes interesting but more often padding for those that are. Newt Scamander is frankly boring, and the whole lingo/naming thing just seems a little trite. Granted the special effects are truly special, but give me Colin Farrell sitting on a Belgian bench with Brendan Gleeson any day over him watching some ball of smoke trashing entire avenues of New York.
Fundamentally, in Harry Potter, we had personalities driving the stories. In this it is .. magic! That is not meant to be a compliment, it is a moan that the whole shebang seems like ""I know, let's put something here that is .. magic!, just wave a wand and .. say "smoothinox fluffyflora" .. and kapow .. oh golly .. wide eyed wonderment .. cute critter ... yawn.
Guess you've got to go and watch it, but if you know J.K. Rowling stop sucking up to her so much. She's great, but so are lots of people around her.
Jack Reacher: Never Go Back Year: 2016 Mark: 7.1 Watched: Thu 24 Nov 16 Starring: Tom Cruise, Cobie Smulders, Patrick Heusinger, Aldis Hodge, Danika Yarosh, Holt McCallany Director: Edward ZwickI could fully understand that people might take umbrage at Tom Cruise being so super Macho. It's ridiculous, I know, but it is one of those films where I want to say to haters "Well what the hell did you expect"
I think you can imagine what this film is going to be like! I enjoyed it.
Broken City Year: 2013 Mark: 7.1 Watched: Sun 20 Nov 16 Starring: Mark Wahlberg, Russell Crowe, Catherine Zeta-Jones, Jeffrey Wright, Barry Pepper, Alona Tal, Natalie Martinez, Michael Beach, Kyle Chandler Director: Allen HugheI only saw it less than 48 hours ago and it's already fading. There was never a moment whe... For some reason this review dried up right there, and so now, ten days later I am compelled to ponder, there was never a moment when what? Russell Crow does that baddy thing quite- badly? (I'm thinking about Virtuosityhere).
Erin Brockovich Year: 2000 Mark: 8.8 Watched: Sat 19 Nov 16 Starring: Julia Roberts, Albert Finney, Aaron Eckhart, Erin Brockovich, Wade Williams Director: Steven SoderberghJust a pure good film, I don't like the love, but I loved everything else. Julia Roberts was terrific as was Albert Finney. Traditional Goodies v Baddies, a true underdog story, the villagers get saved, the man gets it, what is there not to like?.
The Jane Austen Book Club Year: 2007 Mark: 6.3 Watched: Sat 19 Nov 16 Starring: Maria Bello, Emily Blunt, Maggie Grace, Jimmy Smits, Lynn Redgrave Director: Robin SwicordCannot really judge this as I gave it half an hour and thought 'no'. I don't know Jane Austin and it looked to be all females and I think it wqs meant to be funny, but I'll leave the review to somebody else. Watched Erin Brockovich instead. Good call!.
Renoir Year: 2012 Mark: 7 Watched: Sat 19 Nov 16 Starring: Michel Bouquet, Christa Theret, Thomas Doret, Vincent Rottiers Director: Gilles BourdosAll the gorgeous scenery on the Riviera, a slew of great acting performances just manage to edge this into the 7 zone. I feel a little short changed in that it was really The last two years of Renoir's life with the emphasis on his model. I enjoyed it BUT I learned nothing about his paintings, and, it may be art but, those gaps between sentences did get a little ..... annoying! I would have preferred a straight documentary.
Machete Kills Year: 2013 Mark: 7.4 Watched: Fri 18 Nov 16 Starring: Danny Trejo, Michelle Rodriguez, Tom Savini, Billy Blair, Electra, Felix Sabates, Jessica Alba, Mel Gibson, Demián Bichir, Amber Heard, Sofía Vergara, Lady Gaga, Antonio Banderas, Cuba Gooding, Jr., Vanessa Hudgens, Alexa Vega, William Sadler, Marko Zaror, Charlie Sheen Director: Robert RodriguezI'd say that for around $20 million this will give a lot more to the world than Joe Allen's transfer from Liverpool to Stoke (£13m). It's not going to win an Oscar, but its not meant to. It's a piss take exploring the ridiculous concept of a nearly 70 year old man being a brutal super sexy spy ninja, and it works. Talk about a star-studded cast!.
Blue Ruin Year: 2013 Mark: 6.9 Watched: Wed 16 Nov 16 Starring: Macon Blair Director: Jeremy SaulnierWhilst lacking originality of premise (SPOLER ALERT: Underdog story), this film runs with it in a brave delivery incorporating very little dialogue and genuinely clever filming. Incredibly it was made for $420, 000 from crowd-funding, and it doubled its money - and deserved it. I can see some people really liking this.
Breathe In Year: 2013 Mark: 7.2 Watched: Wed 16 Nov 16 Starring: Guy Pearce, Felicity Jones, Amy Ryan, Mackenzie Davis Director: Drake DoremusThere was a brief moment when I toyed with abandoning this, but I thought to myself that it actually hadn't done anything wrong, and though the trials and tribulations of really well off Americans and fading marital relationships are in my bottom three favourite topics (horror is a long way out on its own in the pit), I was actually quite engrossed. The thing is, there was one scene where Megan and Lauren met and were talking and straight away I thought it was ad-libbed, and it was poorly done. It was, and it was. Drake Doremus, the director, does his films that way, but this had enough of a story to overcome those few little hiccups. Particularly strong character painting meant that I was moderately interested in Lauren and fascinated by the other three to the extent that once I'd committed to the film, the more it went on the more I didn't regret staying with it. I'd agree with those who say Guy Pierce has his finest film here.
The Secret Of Kells Year: 2009 Mark: 6.7 Watched: Wed 16 Nov 16 Starring: Brendan Gleeson Director: Tomm Moore, Nora TwomeyVery beautiful I'm sure, with a lush soundtrack, An Oscar nomination in 2009 but IMHO this was never going to beat Up in any department. That is a little unfair in that Up Is one of my favourite films ever, and I know this film tries hard, but it just feels a bit two much like bohemian Irish grads called Siobhan and Declan have got a pot load of funding to make something arty, and they have not really grasped that any universe needs a logic within itself. I'm dissapointed with muself for not liking it more .
Lovelace Year: 2013 Mark: 7.4 Watched: Mon 14 Nov 16 Starring: Amanda Seyfried, Peter Sarsgaard, Sharon Stone, Robert Patrick, Juno Temple, Adam Brody, Wes Bentley, James Franco, Chris Noth, Bobby Cannavale Director: Rob Epstein, Jeffrey FriedmanThis is actually quite a good film, but very difficult to assess comfortably, without the baggage of a fruitcake Catholic, 60s, northern English upbringing. The thing is, it takes a potentially seedy topic and turns it into a biopic as untitillating as The Karen Carpenter Story. That is not meant to sound like a bad thing. It takes a novel approach, the surprising raft of stars hold the eye, I really wanted to see what was happening and it ended all too quickly! Amanda Seyfried is quite perfect and Peter Starsgard is exactly the same as he will be in Magnificent 7 three years hence except he has flairs and a porno tash. I was left feeling that I should diss this more, but I can't. Yes, it works beyond a daytime filler on Movies for Morons.
Bicycle Thieves Year: 1948 Mark: 6.7 Watched: Sun 13 Nov 16 Starring: Lamberto Maggiorani, Enzo Staiola Director: Vittorio De SicaThe moment a film falls into a bracket slightly more convoluted than 'action' or 'rom-com' I feel some circumspection. This film is "Post-war Italian neorealism" and goodness, it has received high praise in some quarters. Look, I didn't hate it by a long chalk, and as a window into a Rome only a thousand kilometres away from Passport To Pimlico and even less from The Third Man, it works from a documentary perspective. That complete amateur actors carry it off on unclosed sets is not only admirable, but it actually works, in that any hamminess on their part is indistinguishable from that in other films from the same decade (I am thinking of How Green Was My Valley which cost ten times more and isn't anything like as convincing). As a bangs for bucks exercise ($80, 000) it is an object lesson in film making, but, when it comes down to it, it is a clumsy toddler compared with its descendents, notably loads of films by the likes of Ken Loach. It stereotypes people, and whether 20, 000 years BC or Walking on Sunshine, pigeonholing groups and individuals only works if it is comedy, or, at least, satire. (I do recognise the original thief though, from many encounters in my own life, the little bastard!). Worth the watch for the history, and the chance that you may agree with the cognoscenti.
Caddyshack Year: 1980 Mark: 4.6 Watched: Sat 12 Nov 16 Starring: Michael O'Keefe, Chevy Chase, Rodney Dangerfield, Ted Knight, Bill Murray Director: WeMaybe in the top ten over-rated films of all time it "met with generally poor reviews upon its original 1980 release". The best quote the suits can dig up for their Wikipedia hack is something from an on-line blogger. The thing is, The Sun is the most popular paper, MacDonald's is busy, Bernie Sanders was not given the Democrat nomination and people buy records by Westlife. If you want to know the faults of democracy just talk with the average bloke for five minutes. Even Harold Ramis, who, lest we forget, gave us Groundhog Day says he "can barely watch it. All I see are a bunch of compromises and things that could have been better". I feel like marking it down for insulting my intelligence, like Ghostbusters 2016. I sat through it just for the reference, but the most enjoyable things were the food, the wine and the company. It, thankfully, stopped short of making me painfully uncomfortable.
As for the film, the acting was poor, the dames were unattractive, the animatronics were pathetic, Chevy Chase is rarely funny, Bill Murray was frankly annoying, The sex was unbelievable (not in a nice way), the continuity and goofs were numerous, the story was what? and there was perhaps only one character in whom I had a moderate interest (Ted Knight as Judge Elihu Smails), all jumbled along by a cast who lurched from 80s camp to incessantly annoying. I want to say "ah well, each to their own", but fundamentally this is just poorly made in all departments and if you like it you will probably love Martin and Lewis and Leslie Nielsen's golf film. The Chuckle Brothers are much better, cos at least you don't have sycophantic critics pandering to the great ignorance of idiots who do not understand true humour. For fuck's sake watch a Will Ferrell film instead.
Arrival Year: 2016 Oscar nominated Mark: 8.51 Watched: Fri 11 Nov 16 Starring: Amy Adams, Jeremy Renner, Forest Whitaker, Michael Stuhlbarg, Mark O'Brien, Tzi Ma Director: Denis VilleneuveAn absolutely ace antidote to stupid Independence Day 2. I still don't buy the ultimate premise... Actually I DO. If you are going to watch it, be patient as you will be curious as to the aliens' motives, and they are revealed later on. Amy Adams, as Louise, is kind of perfect, and I think she will get at least a nomination for this. I do hope somebody will watch this and discuss it with me. (N.b. I watched three films today, and this, at 8.51 was the worst!! I love movies).
Field Of Dreams Year: 1989 Mark: 10 Watched: Fri 11 Nov 16 Starring: Kevin Costner, James Earl Jones, Ray Liotta, Burt Lancaster Director: Phil Alden RobinsonThis was my original review, like all my top three films, written from memory.
Is there anything wasted in this movie? There is no hope for the world, but this film makes you think there might be.
This is my third favourite movie of all time so it would be neglectful not to clarify a few of my thoughts about it. It has the ingredients, and just the correct measure of fantasy interwoven with the story to hook you along entirely. After watching Big Fish I realised something about my favourite films. Bar the Blues Brothers, my favourite films are all about fathers and their kids who need to re-connect. My favourite film of 2014 was Saving Mr Banks; Now that film, ergo Mary Poppins, is not about a flying nanny. In a perfect world we have that strong loving bond between parents and children, where attention and encouragement are bywords, where your father doesn't spend his life smoking in a room waiting for the day he can get away and never come out again, where he walks down the street with you, where he comes to watch you play rugby and win races, where he leaves you at least a book in his will. But it's not a perfect world, far from it, its a world where people, even those closest too you, even oneself, are often selfish and ignorant, placing individual comfort before general welfare, placing concealment before bravery, making excuses that have nothing to do with real reasons, and allowing cognigtive dissonance to subsume all logic.
I am one fucked-up guy, but these films help me imagine that redemption is out there somewhere.
So, to celebrate exactly three years of keeping this film diary thing, I decided to treat myself, and for the first time in that period revisit something I imagined was wonderful. Jake and Julia came 'round, we had a bottle of Chianti and some lovely pasta and tiramasu, made a plate of chicken for Malibu and I put on my favourite Disney pyjama bottoms.
I melted on the first James Horner note and stayed moist eyed, and captivated throughout the entire film. If anything it is BETTER than I remembered, hell, I'm welling up just writing about it. It doesn't matter if you don't think it's utterly brilliant, but damn, I hope some films illicit the same reaction in you. And speaking of Perfect World how unusual that I used that phrase twice.
I, Daniel Blake Year: 2016 Palme d'Or Mark: 9.1 Watched: Fri 11 Nov 16 Starring: Dave Johns, Hayley Squires Director: Ken LoachI do not think I can praise this film and its £8 million budget enough. Without doubt this is the least feel-good film in my top 100. I hear you say "What about Schindler's List?" - Well, this is bleaker, in that Schindler's List offers some redemption for humanity where as this has got a whole lot less. Yes, there are overtly wonderful humans in it, but this is not a past which we want to decry. This is the grinding evil of now, which we all participate in, which we tolerate in 2016. Yes the scale is very different, but in a way this is broader, in that we are all a part of it. David Davis says the film takes all the very worst incidents and threads them into a single narrative, that Daniel Blake is therefore atypical, unrepresentative of his group. I would suggest the only unusual thing about Daniel Blake is that he does not bend so readily as many claimants. The civil servants can be seen in every real world office and heard on every phone line. At the end of A Street Cat Named Bob there is a moment at a book signing when a lad in the queue shouts at the protagonist "I've lived every minute of it" - A cute moment, because that lad is the actual person who the original story was about. With this film, I have not lived every minute of it - but hells bells, I recognise vast swathes of it. If anything the film cannot possibly give the real experience of waiting for an hour on the phone to be cut off when you say "fuck". The most tragic thing is that we will not do anything about it, I mean you'll go to town about some FaceBook post where I say "like a pussy", and ban me for life from a quiz league for using the term "retarded lunkhead", but really, tomorrow morning you'll be hopping in your car to splash Daniel and Haley and her kids, and if they ever have the cheek to occupy a tiny bit of your space (of which you are granted five times more than they are) you will just kill em and go "Oh, I'm so sorry, he just stepped out without warning".
A brilliant, disturbing, sometimes hilarious, film. I only wish your thoughts could be provoked enough to realise your contribution.
The Accountant Year: 2016 Mark: 8.5 Watched: Wed 9 Nov 16 Starring: Ben Affleck, Anna Kendrick, J. K. Simmons, Jon Bernthal, Jeffrey Tambor, John Lithgow, Cynthia Addai-Robinson (NOT Zoe Saldana!) Director: Gavin O'ConnorKnockout stuff, Ben Affleck is Batman in a suit with Asperger’s, and his perfectly timed delivery of sociability (or lack thereof), machismo and cognitive powers are, despite being eyebrow cockingly surprising, entirely seductive in the context of his universe. I WANT A SEQUEL - I like this guy. The film allowed me to think I was spotting detail that made me feel good, other members of the cast were intriguing and despite a little bit too much of the noble female sleuth the whole thing was a well entertaining slice of nuttiness which combined great action with a deal of thoughtful storytelling. ****
PS "Going to the Bens" is now my synonym for going to the cinema (i.e. 'the flicks', i.e. 'Ben Afflecks')
Brazil Year: 1985 Mark: 6.5 Watched: Wed 9 Nov 16 Starring: Jonathan Pryce, Robert De Niro, Ian Holm, Bob Hoskins, Michael Palin, Ian Richardson, Terry Gilliam, Jim Broadbent, Bryan Pringle, Derek Deadman, Nigel Planer, Gorden Kaye Director: Terry GilliamI didn't watch all this film. Again, not because it was a terrible film to sit through, just that I was tired, I thought I 'got it' and there would not be anything more to get. The running joke was done already in 1984, and I must admit, for its datedness, deliberate or accidental it had a degree of prescience in reflecting society. Perhaps any film that, SPOILER ALERT, illustrates the spectrum of human behaviours regarding adherence and application of authority (Repo Men, which I watched a couple of days ago was the same) does not require a sci-fi setting of a dark future, perhaps I should look into ancient literature which discusses the topic. I guess the longer such works have been around the more likely they are to get censored, especially if contemporaneously set and based on fact rather than fiction.
Nocturnal Animals Year: 2016 Mark: 7.2 Watched: Wed 9 Nov 16 Starring: Amy Adams, Jake Gyllenhaal, Michael Shannon, Aaron Taylor-Johnson, Isla Fisher, Armie Hammer, Laura Linney, Andrea Riseborough, Michael Sheen Director: Tom FordI presume almost definitely a film which falls into the 'better than my rating would suggest' bracket. This was a thought provoking and deliberately paced movie that left me wandering what had just happened, with the magnetic Amy Adams being a goody, a baddy, a bitch, a victim, a concerned individual, a superficial poseur, a narrator, a puppet? Who bloody knows!!. Not a bad turn in the whole cast, and definitely one in the Christopher Nolan department of me perhaps needing some guidance on, especially some of the subtleties of, this intriguing movie.
A Streetcat Named Bob Year: 2016 AFI 047 Mark: 8 Watched: Wed 9 Nov 16 Starring: Luke Treadaway, Ruta Gedmintas, Joanne Froggatt, Anthony Head, Bob the Cat Director: Elia KazanThis film's trailers had very heavy rotation at the cinema, and I was almost sick of it before its started. Was the Streetcar Named Desire certification card at the beginning deliberate?
Whatever, it was an almost great film, with a sterling performance Luke Treadway, I do believing absolutely nailing that annoying nervousness which seems symptomatic of addicts. It was a good film in that it offered some insight, ergo sympathy, with said addicts and Big Issue sellers. Like many other small man autobiographies it does smack a little of glossing over the bad parts of the hero/heroine, but in itself it was a genuine entertainment, set in familiar sights around London, a bravely simple soundtrack and people you could really get interested in - just about all of them, even the pushers on the corner. This, I suppose, completes the terrific feline trilogy of 2016 (along with Keanu and Nine Lives), the year of the cat.
Trolls Year: 2016 Mark: 7.4 Watched: Wed 9 Nov 16 Starring: Anna Kendrick, Justin Timberlake, Zooey Deschanel, Russell Brand, James Corden, Gwen Stefani, Christopher Mintz-Plasse, Christine Baranski, John Cleese, Jeffrey Tambor, Quvenzhané Wallis Director: Mike Mitchell, Walt DohrnA noble effort from Dreamworks which I would be happy to take any of my kids and friends to see. I am the world's biggest cynic when it comes to Juke Box musicals, yet I just can't help falling for I'm Coming Out and what has becoming the national anthem of feel-good films, September, which has been used as the closing track for four of the 750 movies I have reviewed. Why not in the eights and nines of other animations? That is an interesting thought, but I think the more identifiable lead characters of Carl, Riley, Shrek, Woody and Buzz probably strike more of an empathic chord with me.
The second consecutive film I watched in an afternoon starring Anna Kendrick with Geoffrey Tambor (see The Accountant), on a day of four films when I can't remember blinking! -A Street Cat Named Bob and Nocturnal Creatures were the others.
The Winslow Boy Year: 1948 Mark: 8.6 Watched: Tue 8 Nov 16 Starring: Robert Donat, Sir Cedric Hardwicke, Margaret Leighton, Basil Radford, Stanley Holloway, Dandy Nichols, Neil North, Director: Anthony AsquithI say! These films, these British films, immediate post-war British films made on a rationing budget. It is an great story, awesomely performed, painting an idealised version of society that gives hope to the cynical and just maybe some insight. I love Robert Donat; at cursory guess, he would make my list of top 100 British things (read his bio, it is semi tragic). This is the kind of film which makes me think I'd be better off without an Unlimited ticket and just watching these absolute classics.
Adventures in Babysitting Year: 1987 Mark: 2 Watched: Mon 7 Nov 16 Starring: Elisabeth Shue Director: Chris ColumbusWhy didn't I watch this all the way through. When a film begins with mutton dressed as lamb lip-synching in her own zany/cookie/Friends/80s way bouncing on her bed in a wacky bedroom I think of Bridget Jones 3 and wanna move on quickly. Watched 1 minute.
Repo Men Year: 2010 Mark: 6.8 Watched: Mon 7 Nov 16 Starring: Jude Law, Forest Whitaker, Liev Schreiber, Carice van Houten, RZA, Yvette Nicole Brown, John Leguizamo Director: Miguel SapochnikWhy didn't I watch this all the way through. I gave this the best part of half an hour, and could have stayed the course, but Jake came up with the food, so we just started soemthing fresh instead (Rising Sun, as it happens). I am going to read the synopsis now, and I predict I will not have missed that much. Forrest Whitaker does confuse me a little bit, with his blinking and his false smiles. .
Rising Sun Year: 1993 Mark: 7.2 Watched: Mon 7 Nov 16 Starring: Sean Connery, Wesley Snipes, Harvey Keitel, Cary-Hiroyuki Tagawa, Kevin Anderson, Mako, Ray Wise, Stan Egi, Stan Shaw, Tia Carrere, Steve Buscemi Director: Peter KaufmanA pleasant enough piece of self-indulgence on Sean Connery's part, he thankfully stayed short of giving himself the power of Gandalf, but let's face it, he is reasonably watchable, Wesley Snipes eminnemtly so, and so despite the confusing geography and somehat idealistic stereotyping I found this a reasonably intresting/enjoyable watch. When one is presented with the best wraps on Earth to munch through during a large chunk of a half decent yarn, it's hard to go that far wrong.
Cloud Atlas Year: 2012 Mark: 6.8 Watched: Sun 6 Nov 16 Starring: Jim Sturgess, Ben Whishaw, Halle Berry, Jim Broadbent, Doona Bae, Tom Hanks, Hugh Grant, Hugo Weaving, Susan Sarandon, Keith David, James D'Arcy, Zhou Xun, David Gyasi Director: Lana Wachowski, Tom Tykwer, Andy WachowskiI have been relatively torn what to write about this. On the surface it's a masterpiece, an incredibly broad, seemingly complex, and apparently thoughtful tableau, featuring great actors pushing the boundaries in an original, almost Gaimanesque surreality. But it boils down to enjoyment, and this films fascination was more in those surface ingredients than the story itself or any particular member of the Dramatis Personae. I was intrested in Sonmi~451, Adam Ewing, Lloyd Hooks and Vyvyan Ayrs, but given that these were only a relatively small portion of the gang it means, vicariously that for large swathes of the film the parts were, for me, relatively unengaging. Great actors playing great roles? I'm not sure, you see it was great actors, often in great make-up, but often they were playing themselves anyway (Broadbent, Grant), and Tom Hanks was a good example of doing a fair job under the prosthetics, but not a brilliant one. Actors are best when they mould the carachter. Goodness James D'arcy looks like Benedict Cumberbatch!
So.. have I missed something? Having read the Wachowski brothers filmography I am beginning to see a pattern. Like M Night Shaylaman they start with a great film (Matrix/Sixth Sense) and then never top it, so, we have V for Vendetta, and Jupiter Ascending, both of which I was distinctly underwhelmed about. It may just be not my cup of tea, it may be that I am thick, c'est magnifique, but it is not the stuff of standing ovations. .
Unforgiven Year: 1992 Oscar AFI 068 Mark: 8.3 Watched: Fri 4 Nov 16 Starring: Clint Eastwood, Morgan Freeman, Gene Hackman, Peter O'Toole Director: Clint EastwoodAnother in the long list of films I had seen but not reviewed contemporaneously. This was what I wrote originally
"The last great western? No, but perhaps the last great spaghetti western
On the rewatch it seems I got my rating about right (I had guessed an 8.5) and the short review was not untrue. So I'm pleased enough to stand by it. What was very good about this film in a technical sense that there were no 'goodies' and 'baddies'. There were just lots of people who were good and bad and who got tough breaks and often deserved them. For its bravery, in not stereotyping heroes and villains, none more so than Hackman's Little Bill Daggett, I can see why this film won the Oscar.
Law Abiding Citizen Year: 2009 Mark: 7.3 Watched: Thu 3 Nov 16 Starring: Gerard Butler, Jamie Foxx, Colm Meaney, Bruce McGill, Viola Davis, Michael Kelly Director: F. Gary GrayHa! A couple of hours of total comic book hokum, which doesn't take its foot off the pedal for the entire duration. Gerard Butler is cast perfectly as Mike Banning as Gerard Butler. SPOILER ALERT. They must have thought "Now, what crime could a man suffer and survive that are the most heinous, and then, how much revenge can he extract aginst all the odds?". They must have sat round the table pitching ideas and hell, they were probably high and giggling uncontrolably whilst coming up with more ridiculous stretchers, but the thing is, its just fun, gratuitously violent grim slaptick that uses blood instead of shaving foam pies. I actually, in retrospect, think the film may have been so action-packed that the pay-off was a little bit of a downer? Whatever, You can watch this with a beer and a pizza, make sure you watch right from the start and just chill out for an evening. ***½.
Gladiator Year: 2000 Oscar Mark: 9.4 Watched: Wed 2 Nov 16 Starring: Russell Crowe, Joaquim Phoenix, Richard Harris, Omid Djalili, Connie Nielsen, Oliver Reed, Derek Jacobi, Djimon Hounsou Director: Ridley ScottIt's coming up to three years now since I started keeping a real record of the films I watch, and this film encapsulates why a film diary is a good idea. In the last few weeks I have revisited a stack of films with a more critical eye, watched films that I would not have dreamt of watching three years ago, and I am pretty sure that the more you do it the more you appreciate it. My previous entry for this film was entireley cursory, a guess, an echo of the zietgeist with the proviso of remembering I enjoyed it but without any real appreciation (God, that probably looks self-indulgent, but wether it is true or not, I certainly feel it is so). This is what I wrote at the time
"The film is good but Joaquim Phoenix sets the template for bad mother fuckers".
True it is, but really, I am not proud of that what I guess must have been a holding statement until right now.
This is the kind of film that the word "Epic" was invented for. It takes the tropes of good v evil, the rising above injustice, the buddy concept, it takes all the aspects of fantasy film making and bundels them into a perfect package. This is not to say I got the ultimate enjoyment from it, (I draw the analogy of a perfect steak - I can appreciate awesomeness, even if it is not quite my favourite food). We had the three hour director's cut and, my goodness, it was big and colourful and there was not a moment wasted. Some of the Oscar winners may be more subtle, and have cost a tad less to make. This is one of those like Titanic or The Sound Of Music that it is just impossible to hide from, a blockbusting, believable (even though fanciful) fist pumping, cheering, booing sometimes amusing, generally awe inspiring, template of the kind of media beloved by the accountants at the studio, the industry in general, but, most importantly, the audience. When Jake says it has the highest ration of great quotes of any film, - ha! I can believe it.
Are you not entertained? Are you not entertained? Is this not why you are here?
Cinema Paradiso Year: 1988 Oscar Foreign Language Mark: 8.2 Watched: Sun 30 Oct 16 Starring: Philippe Noiret, Jacques Perrin, Antonella Attili, Pupella Maggio, Salvatore Cascio Director: Giuseppe TornatorePerhaps watching films from a non-Hollywood background, (within these reviews I have noted Japanese animations, French, South African and Italian), just perhaps we need a different framework for judgement. Like with food, desserts and main courses are very difficult to quantifiably compare. Like Life Is Beautiful this features innocent children but has a child-like innocence about it. It is thoroughly delightful, let's put that to bed already, and I can't wait to see more like it, but it does require an open mind, which I have to work on. It is unashamedly shmalzy, but for all that, once one surrenders to the lack of subtelty regarding the emotinal triggers within the text and, especially, the fucking glourious Ennio Morricone score, it is definitely a beautiful, teary watch. Big plusses along with the critical keystones (My term for story and characters from now on) for most every aspect of this film. I am off to Italy in two months and I will try and visit these gorgeous places. The acting was terrific in all departments, and the culture references were constant, intriguing and appropriate. And there was an edge, when I think about it, an almost Father Ted like criticism of small town catholicism, not a hatred, but an exposé of the nuttiness of it all. Feck it I'm upping this score from 8 to 8.4. (That's me perhaps being influenced by what I think it should be!)
Touching The Void Year: 2003 Mark: 9.3 Watched: Fri 28 Oct 16 Starring: Brendan Mackey Director: Kevin MacdonaldBreathtaking, gripping, amazing true story which compines the (adjective fails) scenery and an insight into humanity in the most extreme circumstances. When I used to come home from St Wilfred's I used to go to Pontefract Library (The old building) and read books on climbing. I never did get to go to the Andes or Himalayas, but I eventually climbed every hill in the Lake District. Heck, If I hadn't waited 40 years to climb the last 11 I'd have been one of the first on the list. Anyhoo, I can not remember much of the detail of this, only that Studio Canal make blow you away documentaries. If they ever screen this on iMax...
P.S. The Guardian described it as "the most successful documentary in British cinema history"!
PPS. It won Best Film at the BAFTA awards in 2004!!
- I can see that.
A Beautiful Mind Year: 2001 Oscar Mark: 7.7 Watched: Tue 25 Oct 16 Starring: Russell Crowe, Ed Harris, Jennifer Connelly, Paul Bettany, Adam Goldberg, Judd Hirsch, Josh Lucas, Anthony Rapp, Christopher Plummer Director: Ron HowardShould you see it? - Most definitely.
OK, that's the review, but on an entirely individual basis this just highlighted how important it is, if you are going to keep diary of films, it is to record one's thoughts contemporaneously. I have had this film on this review list since its inception three years ago with the comment "Russell Crowe is very good in this, but I reckon Good Will Hunting does the genius thing better". This is misleading.
Russell Crowe should have got the Oscar for this, at least in front of Denzel Washington (who was also brilliant in Training Day). The fact is, this film is not GWH never will be, and doesn't want to be. The sets are sometimes similar, and the some of the dramatis personae likewise. We have a genius, but troubled, mathematician, a psychologist, an untypical love affair, tremendous achievement, but these are more coincidental rather than derivative. This film has the 'true story' advantage, and it can't be helped if GWH is just one of the best films made, therefore that should not detract from what is an engaging window into a world so different to mine, but not in a Doctor Strange way!.
Doctor Strange Year: 2016 Mark: 7.3 Watched: Tue 25 Oct 16 Starring: Benedict Cumberbatch, Chiwetel Ejiofor, Rachel McAdams, Benedict Wong, Michael Stuhlbarg, Benjamin Bratt, Scott Adkins, Mads Mikkelsen, Tilda Swinton. Director: Scott DerricksonFar from dull, this is, nevertheless, stock Marvel fodder. The visuals are amazing, totally mind blowing, and the people, especially Cumberbatch and Swinton, eminently watchable, the visuals would win a show, and IMHO, Marvel now pitch the humour just right, but, like American in Paris, there is nothing particularly intriguing about the story, which depends almost entirely on magic as the tool with which to move it along. I like Marvel, and I enjoyed this, and it is indicative of how spoilt we truly are when my review sounds relatively negative. It's not meant to be, it's just that the extraordinary becomes mundane with repetition. If you are a fan-boy it's an absolute must-see.
Becket Year: 1964 Mark: 7.4 Watched: Mon 24 Oct 16 Starring: Richard Burton, Peter O'Toole, John Gielgud, Martitia Hunt Director: Peter GlenvilleAnother of those films that gets a leg up for its historical perspective, its 'quiz content' as you might say. I kind of see what people see in Peter O'Toole and Richard Burton, the entire film is totally theatrical and quite camp, yet I was really rooting for both these guys and all their faults of arrogance, overbearing piety, selfishness, and my general detestation of monarchy and religion. It was a half decent yarn, and it looked good, in a saturated Technicolor kind of way. I would settle for one of these a day if the alternative was nothing (But not if Hail Caesar! was on at the pictures!).
Wyatt Earp Year: 1994 Mark: 7.9 Watched: Mon 24 Oct 16 Starring: Kevin Costner, Dennis Quaid, Gene Hackman, Isabella Rossellini, Mark Harmon, Michael Madsen, Joanna Going, Tom Sizemore, Bill Pullman, JoBeth Williams, Linden Ashby, Mare Winningham, Adam Baldwin, Téa Leoni Director: Lawrence KasdanI so enjoyed this film. Did i enjoy it more than Magnificent 7 (2)? Yes I did, the pictures were almost as good, the cast was almost as good, the story was better, and the history captivating. I really do not know how much of this film was hokum, but what it did was made me want to go and find out. Dennis Quaid plays a masterfull Doc Holliday, and Kevin Costner fitted, dare I say, perfectly? into the title role. The thing is this film got a lot of stick, with five Razzie nominations, and a win for Costner. I imagine that this, from now on, will be my go-to example of the failings of piss-take criticism/comedy, in that the Razzies just plain have got it wrong. For 3 hours of the three hours and ten minutes I was hooked into this film, albeit split into two nights, with the second half coming out really well. Jake agrees, and he knows his films.
Midnight Cowboy Year: 1969 Oscar AFI 043 Mark: 7.6 Watched: Sun 23 Oct 16 Starring: Jon Voight, Dustin Hoffman, Sylvia Miles, John McGiver, Brenda Vaccaro, Bob Balaban, Jennifer Salt, Barnard Hughes Director: John Schlesinger‡O A better film than my rating would suggest. Much better. The thing is, even though the film is full of carachters with some, if not a great deal of good qualities, all told, not a single one of them comes out as somebody I would want as a friend (Does that go for humanity in general?). It is an indictment of New York, of Texas, Miami and the roads in between them. There is beauty in the ugliness, and I was wiping tears away during one scene, but I think a lot of it was to do with the squandering of humanity and the frustration of falsehood that was getting to me, like when my dad died, as much as love of Rizzo. A must watch film
Kick-Ass 2 Year: 2013 Mark: 8 Watched: Fri 21 Oct 16 Starring: Aaron Taylor-Johnson, Christopher Mintz-Plasse, Chloë Grace Moretz, Clark Duke, Morris Chestnut, Jim Carrey, Donald Faison, John Leguizamo, Iain Glen Director: Jeff WadlowPleasantly surprising that though this film wasn't Kick-Ass is still kicked-ass, quite seriously so. Some of the surprise had been used up in the first film, nevertheless the juxtaposition of violence and comedy was fresh enough, great Mean Girls homage, Jim Carey is unrecognisable apart from one flash of a look, the whole film kind of does what it says on the packet.
Seriously, is Christopher Mintz-Plasse actually Aubrey Plaza?.
The Man From Laramie Year: 1955 Mark: 6.4 Watched: Fri 21 Oct 16 Starring: James Stewart, Arthur Kennedy, Donald Crisp, Cathy O'Donnell Director: Anthony MannVery unfair of me to include this as I only watched perhaps 15 minutes of it. The film quality was terrible. This may have been a broadcast issue, but I'm still kind of Westerned out at the moment, and when the great James Stewart started getting all racist in the shop and the director agreed with him I made what I think, in retrospect, was the right call and watched Kick-Ass 2 instead. I probably would have enjoyed it had I stuck it out, but with all the stuff available nowadays...
The English Patient Year: 1996 Oscar Mark: 7.7 Watched: Thu 20 Oct 16 Starring: Ralph Fiennes, Kristin Scott, Willem Dafoe, Juliette Binoche‡O, Naveen Andrews, Colin Firth, Julian Wadham, Kevin Whately Director: Anthony Minghella‡O Mmm, not what you'd exactly call a romcom. Plenty of good rom, very little com, hence the relatively low rating for what is an incredible film, just a bit gloomy! My original rating was 4, and my review read "Could somebody explain this to me please?". That just indicates how wrong one can be, and how one can miss stuff and then forget things.
Juliette Binoche is absolutely captivating throughout and got the righteous gong, Fiennes and Scott-Thomas were worth the nods, the story is worth a Booker, the filming is just perfect, it is one of those where I could not argue about it getting the Oscar, and, though no doubt I enjoyed Happy Gilmore more, that doesn't make Adam Sandler's a better film. After just watching Gigi and Bull Durham, I just found the approach to love in this so refreshingly realistic, so honest, so goddam human. I wonder what a female take on this film would be? I think they would rate it. (It's a love story, by the way).
Bull Durham Year: 1988 Mark: 6.1 Watched: Wed 19 Oct 16 Starring: Kevin Costner, Susan Sarandon, Tim Robbins, Trey Wilson, Robert Wuhl Director: Ron SheltonGiven this rates so highly in the IMDB Kevin Costner list it ended up being a bit of a let down. For me it is not in his top three baseball films, let alone the full cannon. It had its amusement quotient, the cast were reasonable, but I'm sorry, I didn't like the Susan Sarandon part and I hardly found it believable. Tim Robbins was half way to The Hudsucker Proxy, and Costner was overlapping a little into the red on the too good to be true scale. The last 25 minutes was truly tedious, but I am reliably informed that this is what gets the women's vote to pump it up the lists. My advice is, if you want a baseball film watch Moneyball and Field Of Dreams. Skip the last half hour on this, apart from the new haircut Tim Robbins interview that lasts perhaps a minute.
Given everybody else's love of this film it plumps fairly and squarely into the 'What do I know?' bracket.
Gigi Year: 1958 Oscar Mark: 5.4 Watched: Wed 19 Oct 16 Starring: Leslie Caron, Louis Jourdan, Maurice Chevalier, Hermione Gingold, Isabel Jeans, Eva Gabor Director: Vincent MinelliThis is a truly fucked up film! That's not to say that it didn't have its moments, I mean, I Remember it Well is a truly wonderfull number, along with Thank Heaven For Little Girls, but I can't help but wonder where the makers are coming from and going too. It is an everlasting testament to the fact that the idiots win every time :( . The scale of values propounded or mocked during this film make me wince a little, and I can't help thinking how it would never be released now with femsocs whinging on about whatever it is they fear (which is just about everything). I mean, Leslie Caron was 26 when she made this and looks it. How old was Gigi meant to be? What is so good that it went 9 for 9 on its Oscar nominations. Art direction - Mos def. Costume design - Absolutely. Best film??? - I'm working on that!
Storks Year: 2016 Mark: 6.7 Watched: Tue 18 Oct 16 Starring: Andy Samberg, Katie Crown, Kelsey Grammer, Keegan-Michael Key, ordan Peele, Jennifer Aniston, Ty Burrell, Danny Trejo Director: Nicholas Stoller, Doug SweetlandOne of those films that puts me in two minds. Without doubt it had its moments, after all it is hard not to be moved by family and babies, nevertheless it had a deal of ancillary gawkiness or just plain annoyance about it. I have never seen a character as pointlessly irritating as the pigeon, which never even began to be funny or interesting and yes, I know it's 'just a kids film' but I really think a lot of this doesn't give credit to children's intelligence. Tulip, with her curly ginger hair and sassy attitude did remind me of Alex!.
How Green Was My Valley Year: 1941 Oscar Mark: 5.5 Watched: Mon 17 Oct 16 Starring: Walter Pidgeon, Maureen O'Hara, Anna Lee, Donald Crisp‡O, Roddy McDowall Director: John Ford ‡OIt was a bit like one of those books you have to read at school, but don't really want to and don't enjoy as much as you should. Altogether too twee, and whearas things like Lassie Come Home and Mrs Miniver tug the heartstrings to breaking point this seems a deal, clumsier? (That's not the right word, perhaps reckless might be a better term) The thing is, it pertains to being right on, it could have been an incredible ecological pioneer, and begins as if it is going to be, but runs out of steam on that thread from the get go. It could be a paen to the working man, but it is unconvincing. It could be an homage to Wales but it is a load of Yanks in a studio with California backgrounds*. It could have been a counterpoint to Goodbye Mr Chips, but it ended up just with a short but total indictment of teachers whilst forgetting the system. Most of all it could be an epic on rational economics but it never actually makes its mind up enough to get started. Its loudest clarion is for that oxymoron sensisible religion, so all in all, I was happy to watch it from the point of cinema history, but I enjoyed my sweet potato fries with coconut and mushroom sauce a deal more. (The food got a 7.7). The Hayes code has got a lot to answer for. I wonder if William Wyler would have done it better?
* Called that before I read it "Fox wanted to shoot the movie in Wales in Technicolor, but events in Europe during World War II made this impossible. Instead, Ford had the studio build an 80 acre authentic replica of a Welsh mining town at Brent's Crags (subsequently Crags Country Club) in the Santa Monica Mountains near Malibu, California.
The cast had one Welsh actor, Rhys Williams, in a minor role."
If you do watch this listen for them all conjugating sentences like Yoda! "How green was my Valley that day, too, green and bright in the sun."
Silverado Year: 1985 Mark: 5.7 Watched: Sun 16 Oct 16 Starring: Scott Glenn, Kevin Kline, Kevin Costner, Brian Dennehy, Rosanna Arquette, John Cleese, Jeff Goldblum, Linda Hunt Director: Lawrence KasdanIt set off at a half decent lick, but the last half hour, the predictable, inevitable, crushingly repetetive after I've just watched The Magnificent 7 (2016) and Open Range, shoot 'em up with revenge, was a waste of time. I've been spoilt, but 1985 film quality is now a point of criticism. I don't know if its because Film 5 or whatever broadcaster it is churns stuff out on relatively low bandwidth, but having been privileged enough to watch a whole slew of films recently downloaded of Pirate Bay on HD, this looks very fuzzy in comparison. John Cleese just seemed to be there for novelty value, Kevin Costner had a bit of growing up to do, Kevin Cline was Robin Williams, and Scott Glen was the gnarly star. I am glad I saw it again, as it has allowed me to focus a little on what I want from films. Perhaps this is why they don't make so many westerns now?.
Exit Wounds Year: 2001 Mark: 7.4 Watched: Sat 15 Oct 16 Starring: Steven Seagal, DMX, Isaiah Washington, Anthony Anderson, Michael Jai White, Bruce McGill, Eva Mendes as Trish, Jamie Foxx Director: Andrzej BartkowiakWell.. I liked it a lot! I'd say it was predictable, but it actually got me a couple of times. I'd say it was acted unimaginatively, but actually Segal, apart from being himself, had a social vulnerability and humour about him which I found very endearing, and the rest of the cast held my attention more than adequately. What I found that was apart from the story and cast being satisfying, the action was as good as any film of the genre. I had marked this out as being out of the box prior to reading that one of the stuntmen actually died making this. That, obviously, is not good, but it indicates that my being blown away by the chase scenes was not mere trickery. In the same vein as Sylvester Stallone, Segal squeezes what he can out of his talents, which lie more in kicking ass than acting, but sometimes it makes for a borderline great watch.
The Postman Year: 1997 Mark: 5 Watched: Fri 14 Oct 16 Starring: Kevin Costner, Will Patton, Larenz Tate, Olivia Williams, James Russo, Tom Petty Director: Kevin CostnerThis might have easily made a seven if it hadn't been so interminably long. Running at over three hours, this was not Dances With Wolves. The length gave one time, plenty of time, to ponder the absurdity of it all, so consequently by the time it got past two hours, patience wore thing and pretty soon we were skipping chunks and not really missing anything. The film won a slew of Razzies, and in a way, that is fair enough. There will have been plenty of worse films made in 1997, but with a nod to the budget and the squandered pedigree this does deserve to be recognised as a perhaps well meant, but over-indulgent piece of film making. On the positive side.. It looked nice, Kevin Costner can be eminently watchable... I'm marking it down, of the 200 minutes at least 100 were wasted.
Miss Peregrine's Home for Peculiar Children Year: 2016 Mark: 6.8 Watched: Thu 13 Oct 16 Starring: Eva Green, Asa Butterfield, Chris O'Dowd, Allison Janney, Rupert Everett, Terence Stamp, Ella Purnell, Judi Dench, Samuel L. Jackson Director: Tim BurtonGreen is the new Bonham Carter. Was the topiary in the garden cut by Edward Scissorhands? Was this X-Men for eight year olds? Look, It wasn't so bad, but even for childish fantasy there seemed some lack of believable continuity. Still, Samuel L Jackson kept his part of the deal, but right now I feel like marking it down a couple of little notches. I will. Six point eight is still a good film, but it is one of those borderline ones when you could have read the précis, revised the quiz stuff and dug out Mrs Miniver or something. We are spoilt for films, I know. .
War On Everyone Year: 2016 Mark: 7.4 Watched: Thu 13 Oct 16 Starring: Alexander Skarsgård, Michael Peña, Theo James Director: John Michael McDonaghMichael Peña really makes some watchable films, his dialogue is slick, his nuance is ubercool. This is not what you would call a mega unpredictable story, SPOILER ALERT, the bullet proof vest is always a cheap shot, but it in addition to Skarsgaard and Peña, the minor characters are very amusing, so if you like a buddy cop shoot 'em up, get the popcorn, you will like this.
Alpha Dog Year: 2006 Mark: 6.9 Watched: Wed 12 Oct 16 Starring: Emile Hirsch, Justin Timberlake, Ben Foster, Shawn Hatosy, Anton Yelchin, Olivia Wilde, Amanda Seyfried, Harry Dean Stanton, Sharon Stone, Bruce Willis Director: Nick CassavetesBased upon a true story, this seems a somewhat fanciful account of West Coast youth culture at the turn of the millennium. Is this really how kids lived in California? It seems to glamorise most of what must have essentially varied between mostly seedily mundane and only occasionally perhaps exciting and I am left with the inescapable feeling that this is a gratuitous entertainment first, before it is a documentary - but hell, that's what storytellers do. Now, having got my jealousy of 20 year olds driving round in 4x4 with guns in a never ending cycle of swimming pools and incredibly hot chicks out of the way there are some notable positives, including Justin Timberlake and especially Anton Yelchin. Look, I know, one can't be helped by colouring opinion with sympathy, and given that Yelchin has delivered on the first three of the Star Trek reboots and then died in at the age of 27 he certainly has mine, but this was a lovely empathic performance and the one feel good aspect of what was wall to wall sordidness. Glad I watched it.
A Perfect World Year: 1993 Mark: 10 Watched: Mon 10 Oct 16 Starring: Kevin Costner, Clint Eastwood, Laura Dern, T.J. Lowther Director: Clint EastwoodNigh on a perfect film. In fact it is perfect and as an exercise in movie making, taking account of all aspects other than personal enjoyment quotioent it ticks every box, unreservedly, and it was only a personal thing which lead me to give it a 9.3. But fuck it, let's not get too precious about it. 10. Up there in the stellar regions of Steve Kidd ten films we can get really incremental, but I cannot think of a single factor, including personal enjoyment where it doesn't get top marks, as the more I have pondered it the more I relise the beauty of it all. It's a buddy movie twice, Clint Eastwood and Laura Dearn carrying the support act to Costner and T.J. Lowther's focal piece, there is a pleasant dressing of comedy, and in Costner's Butch a carachter of wide yet visible complexity who encapsulates the dilemma faced by social scientists across time and space since the get go, never mind a person's own demons. It's kind of better in that it is not a widely acclaimed film, it makes it more personal, and a film that grows with investment; for me it got better as it wore on, I really don't think there is anything not to love about it. If I were dishing the gongs out I wouldn't have given 1993's to Tom Hanks. And I truly dig Tom Hanks.
Open Range Year: 2003 Mark: 6.7 Watched: Sat 8 Oct 16 Starring: Kevin Costner, Robert Duvall, Annette Bening, Michael Gambon, Michael Jeter Director: Kevin CostnerThis was not badly put-together, but I'm confident that Dances With Wolves is the devil on its back. It seems that Costner has made a decision to do an out and out traditional cowboy story, wishing to put more emphasis on the action rather than the message, and though exquisitely located, with great actors doing an absolutely fine job, the story renders it to a technically solid, but fundamentally B, movie. It is so traditionally goodies and baddies that the very words 'spoiler alert' render further revelation unnecessary. There is no twist, no surprise, no tangential thread. Good guys, bad guys, woman, bloody revenge, I lurve you, the end. .
JFK Year: 1991 Mark: 10 Watched: Fri 7 Oct 16 Starring: Kevin Costner, Kevin Bacon, Tommy Lee Jones, Joe Pesci, Gary Oldman, Sissy Spacek, Jack Lemmon, Walter Matthau, Donald Sutherland, John Candy, Sally Kirkland, Vincent D'Onofrio, Bob Gunton Director: Oliver StoneWoah, woah woah woah woah. First let's put the playing fast and loose with history thing to bed. Oliver Stone from the get go has said that the story is a "counter-myth" to the Warren Commission's "fictional myth." That's what story tellers do. The criticism comes from an America that had the Hayes code for 30 years, that had McCarthyism, that has got Donald Trump and Hilary Clinton as contenders to lead the most powerful nation in the world and Trump is officially the most honest! It is NOT a documentary, but it is film making at its absolute finest, giving us a banquet of food for thought, yet gripping and watchable with actor after actor giving us somebody else too watch in a Game Of Thronesesque tableau of complexity with compulsion. Costner's courtroom summary, let alone Donald Sutherland, is 15 minutes of the finest monologue recorded, and the implications are so totally relevant that the only conclusion one must adopt is either accountability will prosper or we are all doomed. And accountability is not prospering.
"The sixth and fatal shot, Frame 313, takes Kennedy in the head from the front. This is the key shot. The President going back and to his left. Shot from the front and right. Totally inconsistent with the shot from the Depository. Again, back and to the left.
Back and to the left.
Back and to the left.
Back and to the left."
Mr. Deeds Goes to Town Year: 1936 Mark: 9.8 Watched: Thu 6 Oct 16 Starring: Lionel Stander, Gary Cooper, Jean Arthur Director: Frank CapraPete Docter, Ken Loach, Wes Anderson, The Coen Brothers, Dexter Fletcher and Frank Capra. These are the guys who make the films I most look forward to. Capra is the original, the daddy of them all, the bloke who has a style and runs with it, to make beautifully witty observations on human idiocy, incorporating the most lovable protagonists fleshing out heart-rending story arcs. I've just described this wonderful piece of art.
Deepwater Horizon Year: 2016 Mark: 6.7 Watched: Wed 5 Oct 16 Starring: Mark Wahlberg, Kurt Russell, John Malkovich, Gina Rodriguez, Dylan O'Brien, Kate Hudson Director: Peter BergSpoiler alert. A 60 minute explosion with 30 minutes to get to it. I would have loved to see this be a documentary. It hardly gets anything for story, it gets a bit for characters and a lot for action cinematography. I mean real respect for that, but
let's face it, we are all to blame. I counted 150 people leaving the theatre and I bet you I was the only one not using petrol to get home.
The Girl On The Train Year: 2016 Mark: 7.2 Watched: Wed 5 Oct 16 Starring: Emily Blunt, Rebecca Ferguson, Haley Bennett, Justin Theroux, Luke Evans, Allison Janney, Édgar Ramírez, Lisa Kudrow. Director: Tate TaylorI liked it, Julia hated it! I can see why on her explanation, but I stayed well awake watching Emily Blunt have a tilt at best actress. Yes the wimmin were incredibly dim, but where would all these stories be without dim people and plot holes as wide as the Hudson?.
The Infiltrator Year: 2016 Mark: 7.4 Watched: Wed 5 Oct 16 Starring: Bryan Cranston, Diane Kruger, Benjamin Bratt, John Leguizamo, Amy Ryan. Director: Brad FurmanBrian Cranston does Narcos well gnarly. This is a true story, but as a tale it stands up, especially towards the end where it edged a few extra points for me. I think the author had a genuine love of his mate. Was that the bloke who plays Escobar the bloke who plays Escobar?
I have to mention that the trackBrothers On The Slide was written by my late brother-in-law, Julian Chapman. Way to go brother! :(.
Good Will Hunting Year: 1997 Mark: 10 Watched: Tue 4 Oct 16 Starring: Robin Williams, Matt Damon, Ben Affleck, Minnie Driver, Stellan Skarsgård Director: Gus Van SantWhat a sheer treat, from start to finish, I've never enjoyed watching a car from the same angle for five minutes so much. All the cast are brilliant, Robin Williams, it's so poignant what he does, the story follows a well trodden path but oh so delightfully, the music is ace, Bwoston is just right, juxtaposing the grimy and the elite highbrow of MIT.
I think I have watched this twice before, and I am pondering if it gets better with subsequent views. Maybe it just caught me in a good mood, or when I needed it, but whatever, it is a great story.
Predator Year: 1987 Mark: 6.9 Watched: Mon 3 Oct 16 Starring: Arnold Schwarzenegger, Carl Weathers, Jesse Ventura Director: John McTiernanAnother classic, which gives the impression of being very low budget (and let's face it, you do not pay Arnie for his thespian skills). I will write the figures in at the end of this*. Another of those films you have to watch to at least say you have watched it, another film that is entertaining in its use of very predictable scenes, story and dialogue. I watched it because Michael McPartland, quiz hero, said it was beter than Alien. He is absolutely right, as it is altogether less gloomy and it doesn't depend on crass stupidity from practically every member of the cast!
* $15–18 million.
Westworld Year: 1973 Mark: 6.5 Watched: Sun 2 Oct 16 Starring: Yul Brynner, Richard Benjamin, James Brolin, Majel Barrett Director: Michael CrichtonWithout refering to it immediately, I do believe this is what is termed a 'cult-classic' and I can understand why. 1973, and like Star Trek TOS, the science fiction seems incredibly naieve. I am sure that any reasonable scientist would have told you that if you can create perfectly life-like androids, you would not be using tape for data storage and use! The film itself seemed to try to vewre into comedy in some parts without being succesfull, and it really is a relic of The Hayes code with its treatment of sex as something very naughty instead of just fucking normal. All that aside it was reasonably enjoyable and I am glad I watched it and its Blazing Saddles meets the Posiedon Adventure/2001 naffness! Apart from Yul Brenner (who is dead) where are they all now?
BTW it is Jurrasic Park but not!.
The Warriors Year: 1979 Mark: 8 Watched: Sat 1 Oct 16 Starring: Michael Beck, James Remar, Deborah Van Valkenburgh, Roger Hill, David Patrick Kelly, Lynne Thigpen Director: Walter HillThe third of a trio of action classics that I watched in as many days, and this, for me, is the stand out one, although I am sure my opinions are coloured by personal nostalgia. Absolute hokum from start to finish, full of chase scenes where the persuers and persued remain equidistant, or at least as far apart as the width of camera shot encompasses, despite wearing high heels. The thing is, this has people you can really really root for and against, all set in a just believable contemporary cityscape ridden with clichés but blessed with lots of good things, (for example a really nice grasp on racial stereotyping when it is needed and avoidance of tokenism when it is not). Under that analysis, combining merit along with enjoyment it gets upped by point two!.
Bad Moms Year: 2016 Mark: 7.8 Watched: Wed 28 Sep 16 Starring: Mila Kunis, Kristen Bell, Kathryn Hahn, Jay Hernandez, Jada Pinkett Smith, Christina Applegate. Director: Jon Lucas, Scott MooreOh, I'm sorry, I can't help liking this. So much more enjoyable, for me at least, than the latest Bridget Jones offering. It could have easily been Seth Rogan and co, but Mila Kunis was reasonably, surprisingly well convincing, totally not playing on her FHM top 10 placing yet not being frumpy with it. Christina Applegate is gold! If you like those American comedies that I think they do so well, this is just more of the same! No complaints.
The Girl with All The Gifts Year: 2016 Mark: 7.4 Watched: Wed 28 Sep 16 Starring: Sennia Nanua, Gemma Arterton, Glenn Close, Paddy Considine Director: Colm McCarthyVery much in the vein of Utopia, World War ZEdge of Darkness etc, a good old post-apocalyptic intrigue/zombie/action fest which was one of those that you would never pay to watch, but don't mind at all sliding into for an afternoon's entertainment.
The Magnificent Seven Year: 2016 Mark: 7.9 Watched: Tue 27 Sep 16 Starring: Denzel Washington, Chris Pratt, Ethan Hawke, Vincent D'Onofrio, Lee Byung-hun, Manuel Garcia-Rulfo, Martin Sensmeier, Haley Bennett, Peter Sarsgaard Director: Antoine FuquaA good, modern, film by numbers. There are no unsurprising surprises, the characters are all pretty much stock-in-trade, the outcome not unpredictable and the baddy does have a 'magic wand, make my monster grow' moment. So don't go and see it if you seek novelty. On the other hand if you want to see a slew of actors at the top of their game playing gnarly old stagers who are hard as fuck shooting bad guys, you can't go far wrong. I see I have not reviewed the originals, so that has to be on the agenda. Good movie.
As an addendum I went to see it a second time, and I enjoyed it even more. The thing was, I wasn't sat through the film waiting for Elmer Bernstein's theme to kick in, so had more time to enjoy the humour which actually dominates the first half of the film, and the absolutely sumptuous filming of people's faces, I have never seen a film like it for taking such interesting visages and highlighting them in such fascinating detail.
Four members of the group claim 6, 5, 5, and 7 kills during the initial town gunfight but Bogue says that 22 of his men died. The drape sign saying Bogue Mining is visibly taken down but reappears during the town fight preparation montage. When Bogue returns from Sacramento one can only count perhaps 70 men with him. Prior to him ordering the wagon, at least 70 are directly witnessed being shot or exploded off their horses, that's not including townsfolk and ones hidden behind the explosions. Uncounted more die in the consuming mêlée.
Ben Hur (2016) Year: 2016 Mark: 7.5 Watched: Fri 23 Sep 16 Starring: Jack Huston, Toby Kebbell, Morgan Freeman Director: Timur BekmambetovIf Sausage Party was a bonobo, this was the chimpanzee, all bluster and battle and belief, that made for better entertainment than the original. It was almost as if it were saying, look - this is a Judo-Christian story, but tolerate the just tolerable righteous bits and we will give you a gung ho movie with some terrific action and a predictable, yet tried, trusted, therefore enjoyable yarn. Actually a recommended watch!.
Sausage Party Year: 2016 Mark: 7.5 Watched: Fri 23 Sep 16 Starring: Seth Rogen, Kristen Wiig, Jonah Hil, Bill Hader, Michael Cera, James Franco, Danny McBride, Paul Rudd, Edward Norton, Salma Hayek Director: Conrad Vernon, Greg TiernanInteresting to watch this next to Ben Hur (2016) as two very very different, I cannot possible imagine how they could be more different, films receive the same mark. This was the major message movie for me in that I suppose it delivered the parable I wanted to hear, exposing and extolling the bonobo side of humanity in a full on pastiche using supermarket food to stereotype, praise and pillory society. I thought it was going to be annoying and juvenile. It was, but it was much more than that, beating one down with grossness and parody. .
Swallows And Amazons Year: 2016 Mark: 7.4 Watched: Thu 22 Sep 16 Starring: Rafe Spall, Andrew Scott, Kelly Macdonald, Jessica Hynes, Harry Enfield Director: Philippa LowthorpeI would have probably hated this if it had been American, the story was kooky, the acting occasionally naive, the geography curious (I mean, was the island like a TARDIS?) Everybody in Cumbria had Yorkshire accents, Titty was called Tatty and Windermere was Derwent Water (but they did not have a shot of Ashness Bridge). That aside, from the opening shots it had me, as a slice of hokum, filmed in places which I know and love from the bottom of my heart and harking back to a better time. My goodness they could really do something with the Famous Five franchise. I can imagine kids really loving this!.
What We Do In The Shadows Year: 2014 Mark: 6.9 Watched: Wed 21 Sep 16 Starring: Jemaine Clement, Taika Waititi, Rhys Darby Director: Taika WaititiOne of those films I enjoyed but didn't learn a great deal from. Very idiosyncratic in terms of its NZ setting, that very humour being the strongest ingredient of the film, but it did get a little two dimensional. The characters were strong without the narrative or production qualities quite getting to Zombieland
Gotta respect a film made on $1.6 million, but wait... What do they spend it all on?.
Bridget Jones's Baby Year: 2016 Mark: 4.6 Watched: Tue 20 Sep 16 Starring: Renée Zellweger, Colin Firth, Patrick Dempsey, Jim Broadbent, Gemma Jones, Emma Thompson Director: Sharon MaguireI can't really review this objectively, because it is so not my cup of tea. I am 58 and well past my sell by date, Jeezus I'm past my give away to charity date, and this kind of film, with it's ironic humour about old people in a similar situation that actually find themselves above it just, quite frankly, annoys me. The festival scenes were why I hate festivals, the London scenes were what totally turns me off about London, full of self centred, not particularly clever, egotists who make you feel great but basically don't really give a fuck about you. I like René Zellweger and Colin Firth, I love Studio Canal, but the humour was yawningly repetitive, just in case you didn't get it, and the music just paled compared to Hell and High Water (which I watched beforehand); it was perhaps the most boring soundtrack I have ever come across. House of Pain were passé two decades ago. Now it is whored out as just a sad unamusing lip-synch that maybe still puzzles some of the Ken Bruce listeners in the audience but had me leaving my shoes on ready for a quick getaway. For crying out loud, old people have plenty to offer in terms of experience, but only if they have wisdom in the first place. I am proud of what I am, but hopefully realistic. For fuck's sake you boring old farts, grow old with dignity!
PS, SPOLIER ALERT. Hugh Grant is not dead (but that might as well have been written in Neon Lights during the church scene) (and I walked out after half an hour so did not read the newspaper clip, which I have just this moment looked up, before this bracketed sentence).
Hell Or High Water Year: 2016 Oscar nominated Mark: 7.8 Watched: Tue 20 Sep 16 Starring: Jeff Bridges, Chris Pine, Ben Foster, Gil Birmingham Director: David MackenzieA really, really solid movie, with Chris Pine paying the fourth Hemsworth brother very adequately and Geoff Bridges being reasonably lucid (thank goodness) thereby getting that big Texas mood just right, like Tommy Lee Jones in No Country..
One of several great aspects of this film was the multi-faceted characters. This film, in its own way, justifies terrorism. It doesn't endorse it, but it explains it quite beautifully. Good action and adventure, an absolutely blistering soundtrack, which had me moderately interested until Gillian Welch came on and totally sold me. Gawd I love her style. It was a shame our screen wasn't so good, I'm pretty sure it wasn't the film's fault. The more I think about it the more I like it!
The Lone Ranger Year: 2013 Mark: 7.4 Watched: Tue 20 Sep 16 Starring: Armie Hammer, Johnny Depp, Tom Wilkinson, William Fichtner, Barry Pepper, James Badge Dale, Helena Bonham Carter Director: Gore VerblinskiA big film! It worked for me, it had a fairly unusual combination of comedy and brutality, I have never seen better quality pictures of monument valley, and for a long film (over two hours) it kept me engaged. Very much the same feel as Gore Verblinski's Rango but with a more believable universe. The use of the traditional Lone Ranger tropes was well placed, and all in all I would say a must see film? Even if you don't like it? Which I did?.
Sleepy Hollow Year: 1999 Mark: 6.4 Watched: Sun 18 Sep 16 Starring: Johnny Depp, Christina Ricci, Christopher Walken, Michael Gambon, Miranda Richardson, Richard Griffiths, Ian McDiarmid, Christopher Lee, Steven Waddington, Martin Landau Director: Tim BurtonI'm sure some people would really enjoy this film, but its not really my genre. Don't pay any attention to my rating, if you like Tim Burton, I'm sure you will like this.
Hunt For The Wilderpeople Year: 2016 Mark: 8.2 Watched: Fri 16 Sep 16 Starring: Sam Neill, Julian Dennison, Rhys Darby, Rima Te Wiata, Rachel House, Oscar Kightley Director: Taika WaititiSeveral stars in this film, but the real plaudits go to New Zealand and Sam Neil. It's a buddy movie with superb New Zealand humour and actually not much wrong to spoil the experience. We went all the way to Sheffield to watch this as it was not shown at Cas, and that cinema is a step up from Glasshoughton, and not just because it shows more films. Whatever, this is an excellent companion to Big Game. Watch them both and you'll see what I mean.
Tootsie Year: 1982 AFI 069 Mark: 8.7 Watched: Fri 16 Sep 16 Starring: Dustin Hoffman, Bill Murray, Jessica Lange ‡O, Teri Garr, Dabney Coleman, Charles Durning, Sydney Pollack, George Gaynes, Geena Davis Director: Sydney PollackWhat an acting genius Dustin Hoffman is, his performances raising this well made comedy a whole notch. Strange how this and Some Like It Hot are numbers one and two on the AFI comedy list. No way should they be 1 and 2, but they are definitely top 200. So many faces and names I recognised in this cast, so much so that I'm rushing to finish this so I can look them up.
The African Queen Year: 1951 AFI 065 Mark: 9 Watched: Tue 13 Sep 16 Starring: Humphrey Bogart ‡O, Katharine Hepburn, Robert Morley Director: John HustonVery dated. Very very good. C.S. Forester could be my favourite author, his intuition for chaos theory, without being overtly articulated resonates with my way of thinking; small actions have massive consequences. It's a buddy movie, a quest, conducted almost entirely by two protagonists who milk the trope to it's extreme, but in an obvious, gentle way, like, things were much 'nicer' back then. Big plus is redemption for the bad guys (it's small, but nevertheless a beautiful nod to humanity), it is a massive rip into religion, and given the constraints of the Motion Picture Production Code (aka Hays code), it deals with the sex as well as it can, almost poking a finger at the ridiculousness of it all. I'm beginning to think I enjoyed it even more than I enjoyed it. Sounds stupid, I know, but there is a lot of the Ealing comedy about this! I am super conflicted about what I think is too low a mark I have designated.
In The Heat Of The Night Year: 1967 Oscar AFI 075 Mark: 7 Watched: Mon 12 Sep 16 Starring: Rod Steiger ‡O, Sidney Poitier, Warren Oates, Lee Grant Director: Norman JewisonWell it was good and dated. Doing a film about racism was always going to be a little clumsy in 1967, this is just being a tad too right-on, and like many films depicting isms it falls a little short of the full picture by illustrating some human goodness on each side. As this stands Virgil Tibbs has to 'win-over' everybody, not a single Missispian shows any intuitive rationality, and though I wasn't there I know there would have been many good people in Sparta, Mississippi. I reckon Sidney Poitier over-acts a tad, but Rod Stieger worth the Oscar? Yup
Kubo and the Two Strings Year: 2016 Mark: 7.4 Watched: Mon 12 Sep 16 Starring: Art Parkinson, Charlize Theron, Matthew McConaughey, Ralph Fiennes, Rooney Mara, George Takei Director: Travis KnightLaika studios produce such gorgeous pictures. I have to see this again as I think I was hypnotised, it is kind of one of the weirdest films I have seen, incorporating a very Japanese soul, this is far more Ghibli than Disney, but it is that unique stop motion of such density and high quality that gives Laika films there immediacy. Like Julia forgot it was stop motion after 2 seconds, it had me from the get go. I honestly had 20 micro sleeps during it, so am hardly in a position to judge. I really enjoyed Zootopia this year, but this may be front runner for the animation Oscar.
Mike and Dave Need Wedding Dates Year: 2016 Mark: 8.3 Watched: Tue 6 Sep 16 Starring: Zac Efron, Adam DeVine, Anna Kendrick, Aubrey Plaza, Stephen Root Director: Jake SzymanskiThe film which, for me at last, saw several of the stars become truly established. Anna Kendrick, Zac Efron, Adam Devine and Aubrey Plaza have all done absolutely fantastic work before. Now it's like shelling peas for them. Confident post-teen slightly stoner slightly rom com packed to the gunnels with great culture references. At last - a great week at the pictures.
Nine Lives Year: 2016 Mark: 9.2 Watched: Tue 6 Sep 16 Starring: Kevin Spacey, Jennifer Garner, Robbie Amell, Cheryl Hines, Malina Weissman, Christopher Walken Director: Barry SonnenfeldGood at the start, and got even better, one of the most enjoyable films of the year. I think maybe you have to have a talking cat at home to actually understand this film, but if you do, and you just love Kevin Spacey, this is the film for you. It works as a comedy, it works as a story, it blindsided me beautifully, just awesome.
The Purge: Election Year Year: 2016 Mark: 6.6 Watched: Tue 6 Sep 16 Starring: Frank Grillo, Elizabeth Mitchell, Mykelti Williamson Director: James DeMonacoI think that this film, as of writing, is the most enjoyable one I have ever walked out of. When one has a tight schedule and is aching for a Subway, something has to give, and today it was the last 50 minutes of this. It's not my cup of tea and given that the whole premise is quite piss-potical (like groups/villages/towns/cities, ergo countries would not organise mutual defence associations, ergo governments, beggars belief), once the bad-ass bitches came for whatever they wanted with a whole new kind of crazy, I just heard the honey-oat calling.
So if you liked the first you will like this, but make get your food and beer in advance.
War Dogs Year: 2016 Mark: 7.2 Watched: Tue 6 Sep 16 Starring: Jonah Hill, Miles Teller, Ana de Armas, Bradley Cooper Director: Todd PhillipsThis might have been even better if one hadn't seen The Wolf Of Wall Street and Lord Of War first. Jonah Hill is getting repetitively typecast (think of him in Moneyball etc), yet.. Yet... This film had enough to offer to justify the card, with Miles Teller giving his side of the story in an interesting, without being totally fascinating, true (?!) story.
Blazing Saddles Year: 1974 Mark: 9.7 Watched: Mon 5 Sep 16 Starring: Cleavon Little, Gene Wilder, Mel Brooks, Slim Pickens, Alex Karras, David Huddleston, Dom DeLuise, Madeline Kahn, Harvey Korman, Count Basie Director: Mel BrooksHow many times have I seen this? If you told me half a dozen I would believe you, but it must be 15 years since I dug it out, and boy oh boy, I'm glad I did! I would not go so far as to say there is not a single moment wasted, but the majority of the film is a joyful torrent of loopy, obvious, yet extraordinarily prescient irreverence, like 48 Hrs providing the dialogue for my lifetime.
If I was picking a film icon to combat racism Virgil Tibbs and Solomon Northrup would, IMHO, be playing second fiddle to Sheriff Bart - I mean Where all de white women at? .
Apocalypse Now Year: 1979 AFI 030 Mark: 6.8 Watched: Sun 4 Sep 16 Starring: Marlon Brando, Robert Duvall, Martin Sheen, Frederic Forrest, Albert Hall, Sam Bottoms, Larry Fishburne, Dennis Hopper Director: Francis Ford CoppolaIf this was one of the best movies ever made I would not be a cinema fan! Like Full Metal Jacket it has an awesome set-up, and some arresting and one truly great scene, but then deteriorates into a clock watching exposé of the 'horrors of war, which, to an old cynic like me, is more about the self indulgence and pious righteousness of the film-maker. I watched the 'redux' version which contains 45 minutes additional footage. Perhaps the original cut was not such a challenge, whatever, one aspect I picked up on was the music. It was almost jokey, like some early video game score with simple four track synth which actually sounds like a mid 70s synth. Whadya know - It was the director's dad.
Marlon Brando is the most overrated actor of all time. Like this film, I think a lot of people are scared to stand against the tide of praise of what is undoubtedly expensive, technically dense, but fundamentally unextraordinary experience when taken in total.
The Killing$ Of Tony Blair Year: 2016 Mark: 8.4 Watched: Fri 2 Sep 16 Starring: Tony Blair, George Galloway et al Director: Sanne van den Bergh, Greg WardThis film managed to tackle an emotive set of related topics narrated by an exceedingly emotionally motivated person, yet retain the interest whilst fascinating the mind. Finally I am putting to bed any residual sympathy I may have had for the former Prime Minister, and though I will never completely purge the institutionalised bias I have against George Galloway in my heart (and that is most definitely my bad), my head is pretty sure that he is NOT in it for the money, and if he has any faults, lack of integrity is not one. The thing is, I don't realise quite how bad the media are (in general) when it comes to moulding public opinion, but now I have adopted Jeremy Corbyn it is truly dawning on me!. This film was as almost great an indictment of our newspapers and TV as it was of the war criminal Tony Blair. Unlike A Dangerous Game, which failed to evidence Donald Trump's failings, this film has convinced me of Tony Blair's complicity in the killing of hundreds of thousands of people, the fucking up of other countries and the support of bad guys. And it entertained me too. It's quite a gulp to take, so kudos to the makers. .
Life Is Beautiful Year: 1997 Mark: 8.2 Watched: Wed 31 Aug 16 Starring: Roberto Benigni ‡O, Nicoletta Braschi, Horst Buchholz Director: Roberto BenigniFilms made outside of Hollywood and the UK bring such a change. The vitality of this film permeates every frame, the humour (which is most definitely not what we become accutomed to) is relentless. Quaintness is an asset to this film's delivery. Roberto Begnini is a delight, he would have been a superstar in the silent era, and though I think it is a bit of a 'let humanity off the hook' film, it is in no way as patronising as some films which illustrate original sin far more seriously. .
David Brent: Life OnThe Road Year: 2016 Mark: 4.4 Watched: Tue 30 Aug 16 Starring: Rick Gervais Director: Rick GervaisThis may not be quite as bad a film as my sub-five rating may indicate. We left after nearly an hour of quite uncomfortable, not particularly funny voyeuristic witness to a poor man's personal tragedy. There may have been redemption in the end, but I couldn't visage how David Brent was ever going to extricate himself from the dead end money pit he was allowed to dig himself into. David Brent was only the pathetic lens through which to view the flawed humanity which surrounds us all. saddens me to say it, because I know the pilot of Derek captured that pathos perfectly, and let's face it, Ricky Gervais has given us some of the most seminal TV of the last three decades. :( .
Mirror Mirror Year: 2012 Mark: 8.3 Watched: Tue 23 Aug 16 Starring: Lily Collins, Julia Roberts, Armie Hammer, Nathan Lane, Sean Bean Director: Tarsem SinghWhat a guilty pleasure. There is not much to find wrong with this movie, and a great deal that is most praiseworthy. It won the costume Oscar, fair enough, if I were a girl I guess I would just love that aspect of it. For me it took a story we are all familiar with and gave it a huge slant without being disrespectful. Like Hook it delivered established characters with an interesting, but above all credible and amusing story. Julia Roberts, Nathan Lane and especially Armie Hammer were genuinely hilarious without resorting to shock or childishness. I would have to ask a six year old, but I presume it has its genuinely scary aspects as well, the surreality is like 60s Eastern European. I am sure the creators of the original story would approve entirely. Sumptuous, funny and credible. Good film.
PS Bean's late appearance does no harm whatsoever, and the Bolly end? – Brilliant!
Watched it a second time- even better!
Suicide Squad Year: 2016 Mark: 7.7 Watched: Thu 11 Aug 16 Starring: Margot Robbie, Will Smith, Jared Leto, Joel Kinnaman, Viola Davis, Jai Courtney, Jay Hernandez, Adewale Akinnuoye-Agbaje, Ike Barinholtz, Scott Eastwood, Cara Delevingne Director: David AyerWell well well! A very enjoyable fun film, with ticks all round for cast, characters and cinematography. The story was adequate if not a little clichéd, and all told a whole heap better than I was lead to expect. Margo Robbie is going to gain a few place on the FHM list, and Will Smith was .., . wait for it... really good!!! I love the way the set up was explained to idiots like me first, and what a great way to introduce the franchise. Now they can go to the back-story films, and I can't wait. Props! (whatever that means).
The Iron Giant Year: 1999 Mark: 9.3 Watched: Wed 10 Aug 16 Starring: Eli Marienthal, Christopher McDonald, Jennifer Aniston, Harry Connick, Jr., John Mahoney, Vin Diesel Director: Brad BirdBrad Bird’s first film, produced by Pete Townshend!! Written by Ted Hughes and not done at Disney. WONDERFUL. I went to see this the day after Finding Dory, and much as I was entertained by the 2016 film, it is this, from 1999 which is hands down the best film currently at the flix. Kids were crying with fear, crying with sorrow, it had a feel of a cross between a 90s Disney animation and a Laika production, it did not hold back, it shows what a terrific story telling medium animation can be. It used a few clichés, but delivered them perfectly. I loved it.
Jason Bourne Year: 2016 Mark: 6.9 Watched: Wed 10 Aug 16 Starring: Matt Damon, Tommy Lee Jones, Alicia Vikander, Vincent Cassel, Julia Stiles, Riz Ahmed Director: Paul GreengrassWell you get lots of bangs for bucks here. Normally bangs for bucks is a metaphor for good return on investment, but in this case I mean it literally! Apparently Matt Damon has less than 300 words in the whole film, but I wouldn’t have noticed. The action was an end in itself, and they didn’t call the bad guy Reg or Olav or anything like that, he was “the asset”. It was good action, but not good enough to rate this as more than adequate; for the fan it may have been more of a trip.
Pete's Dragon Year: 2016 Mark: 7.2 Watched: Wed 10 Aug 16 Starring: Bryce Dallas Howard, Oakes Fegley, Wes Bentley, Karl Urban, Oona Laurence, Robert Redford Director: David LowerySome films (Jungle Book don't need remaking. I've never seen the original of this, but I get the feeling this is a good take. I thoroughly enjoyed it. Wes Bentley? American Beauty dammit!.
Casablanca Year: 1942 Oscar AFI 003 Mark: 10 Watched: Tue 9 Aug 16 Starring: Humphrey Bogart, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad Veidt, Sydney Greenstreet, Peter Lorre, Dooley Wilson Director: Michael CurtizThird attempt to write something.... I love loving films, because if I didn't love films I would not have loved this film. I started watching it with the anticipation of a little more appreciation of a film I had seen before a long long long time ago, and for the first 25 minutes I was quite happy thankyou, I was getting nicely aquainted with the scenery and some of the cast and continuing to invest in the story. When Ingrid Bergman walked in my little world lit up. It was like watching a flower bloom in timelapse photography, and from that nanosecond onwards the flood of realisation drenched me, why people love this film, and that I was going to love it to. It actually got better. SPOILER ALERT. I stood up, I shouted, and I was filled with absolute joy that I had shed my prejudices and genuinely been hooked into this absolute 100% stone dead, clichéd, most often quoted, superbly scored, scintillatingly written and amazingly acted piece of cinematic history. I liked it!
Finding Dory Year: 2016 Mark: 7 Watched: Tue 9 Aug 16 Starring: Ellen DeGeneres, Albert Brooks, Ed O'Neill, Diane Keaton, Eugene Levy, Kaitlin Olson, Ty Burrell, Idris Elba, Dominic West, Bob Peterson, Andrew Stanton, Bill Hader, Sigourney Weaver, John Ratzenberger, Willem Dafoe Director: Andrew StantonAlthough nothing absolutely outstanding is bought to the table here, this is a competent enough movie. We see frying pans and fires and protagonists finding themselves along the way, kinda cute faces and habits and dialogue, recycled music from American Beauty by Thomas Newman, wonderful 3d animation, but it's not quite got that 'magic'. If you like animations you will probably like this, but don't expect too much above Finding Nemo.
Sunset Boulevard Year: 1950 AFI 016 Mark: 7.7 Watched: Mon 8 Aug 16 Starring: William Holden, Gloria Swanson, Erich von Stroheim, Nancy Olson Director: Billy WilderGood. Very good indeed! Let us not forget this film was made in a period of American history when you could not make films, having said that this holds together as believable in its own insane universe, and for a change the relationships between the sexes don't totally suck (Watch From Here To Eternity to see when they do. William Holden is well worth the attention and Gloria Swanson is Norma Desmond. It could be annoying until you realise it is meant to be. That Max/Norma thing is quite wierd though. Acting nominations in all four categories yet no Oscars.
The Glimmer Man Year: 1996 Mark: 7.1 Watched: Sat 6 Aug 16 Starring: Steven Segal, Keenen Ivory Wayans, Bob Gunton, Brian Cox, Stephen Tobolowski Director: John GrayShh! Don't tell anyone. I really quite enjoyed this. Its a fairly typical buddy movie, but for all its predictability and Segal's unique acting talents it works as a slab of watch. It's beginning to fade in my memory already, but you can't help liking Steven Segal. (Well actually, you could, but after On Deadly GroundI don't.
Some Like It Hot Year: 1959 AFI 022 Mark: 7.4 Watched: Fri 5 Aug 16 Starring: Marilyn Monroe, Tony Curtis, Jack Lemmon, George Raft, Pat O'Brien, Joe E. Brown, Joan Shawlee, Nehemiah Persoff. Director: Billy WilderI would imagine that many observers might see this as an exposition of sexism rather than an exercise in it. Both hypothesis might carry equal validity. Never mind that, is it fun? Hell yeah; jack Lemmon is a fantastic actor, tony Curtis plays his part, nad Marilyn Monroe was blazing the trail for women as objects. I’m all for that. Great Premise, well conducted. 7.4.
American Beauty Year: 1999 Oscar Mark: 10 Watched: Mon 1 Aug 16 Starring: Kevin Spacey, Annette Benning Director: Sam MendesYou wanna know how blokes think? Watch this. If you don't understand it, you never will
Caught up with it to try to get my life back together after watching Ghostbusters (2016), and it will never quite erase the scars but it sure helped me through a horrible period. It is truly a masterpiece, with impeccable acting performances from a perfectly cast cast, a tremendous story, awesome comedy and the bravest morality of many a film. It isn't brave to make 12 years a Slave, good as it is. It is brave to say a 42 year old gets a boner for high school cheerleaders and that he is a good man for it.
Star Trek Beyond Year: 2016 Mark: 7.3 Watched: Wed 27 Jul 16 Starring: Chris Pine, Zachary Quinto, Simon Pegg, Karl Urban, Zoe Saldana, John Cho, Anton Yelchin, Idris Elba, Sofia Boutella Director: Justin LinOn balance definitely a worth see. I suppose we always want to see First Contact or Into Darkness and that's just not gonna happen, so like good and bad golf shots we should put the other films behind us and judge new ones on their merits (agh, I can't do it with Ghostbusters, which was the equivalent of Jordan Spieth playing the 12th in the fourth round at Augusta in 2016 except with a two put, not a single). So. Simon Pegg is so annoying you put it to bed after a while and realise that this film is more of an homage to the original series, in the context of which - it works. Very prescient to see Anton Yelchin being told to put on a red shirt. Not outstanding but still much better than any Independence Day movie.
The BFG (2016) Year: 2016 Mark: 8.8 Watched: Tue 26 Jul 16 Starring: Mark Rylance, Ruby Barnhill, Penelope Wilton, Jemaine Clement, Rebecca Hall, Rafe Spall, Bill Hader Director: Steven SpielbergThoroughly thoroughly enchanting film. Having said that, it has been pointed out that it lacks some of the edge of the book. Fortunately I'm senile and forgetful, and just marvelled at the superb CGI, and the remarkable treatment of gravity. Like it says, its a collaboration between three of the greatest storytellers the world has known so it would be hard to cock it up, and how far wrong can you go with the magnificent Mark Rylance?.
Dances with Wolves Year: 1990 Oscar AFI ex Mark: 9.5 Watched: Tue 26 Jul 16 Starring: Kevin Costner, Mary McDonnell, Graham Greene Director: Kevin CostnerJake and I watched the director's cut over three days, and what a complete pleasure it was. It is a great deal more of an observation than a story-tale, yet in its unfolding one does develop empathy with the characters and loyalty to the narrative. Getting a HD telly was definitely a great move, and I am thinking that in some aspects it is better than the pictures. I have watched this film before, but I could not remember an iota of it, and with its running length of 4 hours it was two damn fine films and a TV show!
Kevin Costner, I hope, looks at this film, and is inspired by his own commitment to it (read the backstory), gratified by its critical recognition and rewarded by its financial return (it cost $22 million, it made $400 million!).
Ghostbusters (2016) Year: 2016 Mark: 3 Watched: Mon 18 Jul 16 Starring: Melissa McCarthy, Kristen Wiig, Kate McKinnon, Leslie Jones, Chris Hemsworth, Andy García, Charles Dance, Michael Kenneth Williams, Ed Begley Jr., Bill Murray, Dan Aykroyd, Sigourney Weaver, Annie Potts, Ozzy Osbourne Director: Paul FeigIs this the most disappointing film I have ever seen? It is probably not the worst, though it could easily win this year's Golden Raspberry; it is just heartbreaking to see an absolutely classic film from one's yoof turned into something so much less. Kirsten Wiig is watchable, Melissa McCarthy delivers the kind of role you fear she will after you have seen one of her trailers and everything else swings from being a waste of time to abhorrent. Notable negatives include the reliance upon The Nitpicker's guide to Star Trek Technobabble generator, and the morphing of Jar Jar Binks into two different characters, one the comedic disaster half, the other the happy natives playing banjos in the sun stereotype, both 'halves' actually performing an exponential magnification of the eww factor, making Jillian and Patti at least 4 times more annoying than the clumsy, well-meaning Gungan outcast.
The thing is, given the tools at their disposal, the film makers could have made something terrific. Great franchise, sweet concept, New York locations, practically unlimited budget, available talent, how could they even do this? I'm actually angry! They even had Bill Murray, but not as Venkman! He was an old professor, but a different character, identical in demeanour, who seemed shoehorned in for no purpose whatsoever and then defenestrated without having contributed dick to the story. As each minute ticks by my opinion of this film sinks. I left after about an hour, I wish it had never been made. Yes I'm racist, yes I'm a misogynist, but I beg for films to illuminate and amuse me, and perhaps influence me to making better choices. This just makes it worse. .
Ice Age 5: Collision Course Year: 2016 Mark: 6.3 Watched: Mon 18 Jul 16 Starring: Ray Romano, John Leguizamo, Denis Leary, Queen Latifah, Keke Palmer, Jennifer Lopez, Simon Pegg, Nick Offerman, Jessie J, Neil deGrasse Tyson Director: Mike ThurmeierI would love Martin Pampel to watch this and highlight all the references/rip offs, from Chuck Jones Road Runners. That is a compliment, the gag timing was excellent. Apart from that it had the audience giggling, if not even guffawing, and I found it kind of watchable. I would suggest that unashamed lack of science is a more noble aspect of filming than pretence to it (I am thinking of The Good Dinosaur here), and although i find these things sometimes irksomely cutie, I think that may be my cynicism, I mean, there are only so many tricks in the storyteller's bag, and I guess one might become inured to some of them. There are plenty worse films for you to take your kids to see.
Keanu Year: 2016 Mark: 7.8 Watched: Mon 18 Jul 16 Starring: Jordan Peele, Keegan-Michael Key, Method Man, Nia Long, Will Forte Director: Peter AtencioI saw four films today and this was the stand-out one. So, so much more fun than Ghostbusters, it has everything, car chases, posturing, buddies, redemption and a cute little kitten. Loved it!.
Now You See Me 2 Year: 2016 Mark: 6.6 Watched: Mon 18 Jul 16 Starring: Jesse Eisenberg, Mark Ruffalo, Woody Harrelson, Dave Franco, Daniel Radcliffe, Lizzy Caplan, Jay Chou, Sanaa Lathan, Michael Caine, Morgan Freeman Director: Jon M. ChuStellar cast perform a somewhat eyebrow cocking heist movie. I am vexed by the fact that magical trickery is just not a medium for film. I mean, it would be impressive it were live, but this left me thinking "Oh they've done that in the edit suite". There is also a lot of me thinks that if I were celebrating the launch of a mobile phone or New Year's Eve in London, I would not have quite the level of enthusiasm depicted my the thousands of people in the film for my occasions being gatecrashed by some very good club turns.
Whatever, I suppose it'll do if you like Daniel Radcliffe. .
Alien 3 Year: 1992 Mark: 4 Watched: Sun 17 Jul 16 Starring: Sigourney Weaver, Charles Dance Director: David FincherSome people love the Alien franchise. Not me. The only thing I think I remember is I quit whilst I was only marginally behind.
Aliens Year: 1982 Mark: 5.1 Watched: Fri 15 Jul 16 Starring: Sigourney Weaver, Carrie Henn, Michael Biehn, Paul Reiser, Lance Henriksen, William Hope, Bill Paxton Director: Ridley ScottI'm sorry Jake, I'm wasting my time watching the rest of this. More of the same stupid universe where the ships have been installed with Saturday Night Fever disco strobes, where parents take their kids to explore UFOs and don't even tell their home base they are doing it, where there is a female marine who flies the flag for feminism 'cos she's super ard, yet happens to wear a vest instead of combat gear and sunglasses in a world that is like Muckle Flugga in November the stupid cow, and where the major says "nah, we can't possibly have another shark attack". The thing is, with horror films, they overly depend on people's stupidity, and the cast of these films have it in spades.
Alien Year: 1979 Mark: 5.5 Watched: Thu 14 Jul 16 Starring: Tom Skerritt, Sigourney Weaver, Harry Dean Stanton, John Hurt, Ian Holm Director: Ridley ScottI really can't come to terms with a universe where a multi billion dollar corporation sends a ship into space where the crew don't even know each other until they wake up, where a crew would even sign up for such a venture, and where would of them would odds on either die or put the entire human race in the greatest danger to save the ship's cat.
Prometheus Year: 2012 Mark: 7.2 Watched: Wed 13 Jul 16 Starring: Noomi Rapace, Michael Fassbender, Guy Pearce, Idris Elba, Logan Marshall-Green, , Charlize Theron Director: Ridley ScottThis is kind of the same as its precursors, except it seems to have been done a hell of a lot better. It suffers from some of the logical inconsistencies of the rest of the franchise, but perhaps not quite to the same degree
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb Year: 1964 AFI 039 Mark: 8.4 Watched: Sun 10 Jul 16 Starring: Peter Sellers, George C. Scott, Sterling Hayden, Keenan Wynn, Slim Pickens, James Earl Jones Director: Stanley KubrickRightfully adjudged a masterpiece, one must wonder has this film made the world a safer place? Constantly amusing, empathic and with the best use of a single tune in the history of film (When Johnny Comes Marching Home), all the actors play their roles to the limit, I would not dispute anybody who gives this a 10, it is just still a bit scary for me to wallow in! Excellent.
The Legend of Tarzan Year: 2016 Mark: 7 Watched: Sun 10 Jul 16 Starring: Alexander Skarsgård, Samuel L. Jackson, Margot Robbie, Djimon Hounsou, Jim Broadbent, Christoph Waltz Director: David YatesSo lets say all the execs are sitting 'round the table saying "what can we reboot?" and some bright spark says "Tarzan!" After some brainstorming they decide to get somebody who's ripped to play Tarzan, an FHM top tenner to play Jane, who can we have for a malevolent and heartless northern European? Ah yes Christopher Waltz, and hell, its set in 1889 but lets give Samuel L Jackson a part. Let's put loads of good looking CGI, and make sure we don't have any women talking to each other and the goodies win, and lets have a bit of broody and rewarded romance and - bingo. Hope I've not given too much away. In the vein of The Mummy this is harmless, predictable and fun eye candy. .
Legends Of The Fall Year: 1994 Mark: 7.2 Watched: Fri 8 Jul 16 Starring: Brad Pitt, Antony Hopkins Director: Edward ZwickNice eye candy, great scenery, intresting juxtaposition between the good and the bad and people's perceptions and instincts towards said traits. I was almost dissappointed with the ending, as it eliminated that ambiguity, and diminished the potential to reflect any reality.
Independence Day: Resurgence Year: 2016 Mark: 5.8 Watched: Tue 5 Jul 16 Starring: Liam Hemsworth, Jeff Goldblum, Bill Pullman, Jessie Usher, Maika Monroe, Sela Ward, Judd Hirsch, Brent Spiner, William Fichtner Director: Roland EmmerichOK if you like this kind of thing. The whole principle is back to front and the stupid triumphalism is so playgroundy. Geoff Goldblum gets on my tits and Liam Hemsworth has done so much better. I guess it could have been worse. I stayed 'till the end, which it probably did not merit, and I have forgotten it already!.
True Grit (2010) Year: 2010 Mark: 7.3 Watched: Mon 4 Jul 16 Starring: Jeff Bridges, Matt Damon, Josh Brolin, Barry Pepper, Hailee Steinfeld Director: Joel Coen, Ethan CoenI wonder if Westerns are so popular because of the scenery they film them in? Perhaps, whatever. There is not enough Josh Brolin in this, but I am only saying that because I am gay for him. Hailee Steinfeld steals the show here, with real poise and command of that fantastic Coen brothers dialogue.
The Wind Rises Year: 2013 Mark: 8.3 Watched: Sun 3 Jul 16 Starring: Director: Hiyao MiyazakiAbsolutely beautiful picture, This may be my favourite studio Gibli production. You see, for me, I love biographies, and this is what this particular film is. I never thought I would have tears in my eyes about aeroplanes, but this somehow did the trick. I want a house painted with scenes by Hiyao Miyazaki, a genius. .
No Country For Old Men Year: 2007 Oscar Mark: 8.3 Watched: Fri 10 Jun 16 Starring: Javier Bardem, Tommy Lee Jones, Josh Brolin, Kelly McDonald, Woody Harrelson Director: Joel Coen, Ethan CoenThe Cohen brothers do this so well. I have got to watch this again to see if my memory serves me well
My memory did not serve me so well, or it doesn't stand repeat watching as well as I thought it might. Not withstanding it is a wicked piece of film, with an absolutely outstanding crew, that Roger Deakins should have been a shoe in for cinematography, that it is almost definietly better than my reating suggests, there is no avoiding the fact that I was pausing it for a sleep or to make a cup of coffee, and in pure enjoyment terms it wasn't as briskly measured as say, Fargo or as funny as Hail Caesar! Still brilliant though!
Me Before You Year: 2016 Mark: 7.8 Watched: Thu 9 Jun 16 Starring: Emilia Clarke, Sam Claflin, Jenna Coleman, Charles Dance Director: Thea SharrockOne of the most surprising films I have seen, not necessarily in the narrative or production, but in the reaction it has elicited with me. First the film: I thought it would be a walk-out, but there was nothing else on so I thought "give it a chance". After two minutes I was looking around to pick up my belongings but... it ended up kind of working for me as a piece of entertainment if not more. Despite Emilia Clarke seeming to be gunning for a Razzie, and despite the girly bait (shoes, fashion, handsome guy, lurve, heroinism), it really worked. It has a lot in common with The Intouchables, I'm sure this film will not get anything like the critical acclaim (it's not French for a kick off), but I felt a little more comfortable with this version in that it wasn't as self righteous.
More importantly it is the afterthought which makes this film actually quite special, in that it has kicked up a bit of a stir, I won't say why, that can easily be discovered elsewhere, and you may want to watch it first. I enjoyed the film though and I do believe it makes a valid point. Just because something is uncomfortable doesn't necessarily mean it is bad - I don't know the answers but it is good to ask the questions.
Oh and as for the Mother of Dragons, I am now thinking that her portrayal was very deliberate, which, if so, renders it brilliant. I mean she has the most important part in the best TV show ever made absolutely nailed, then she does this? I'd like to know what you think. Dig the Coraline look!
Nice Guys Year: 2016 Mark: 7.8 Watched: Thu 9 Jun 16 Starring: Russell Crowe, Ryan Gosling, Angourie Rice, Matt Bomer, Margaret Qualley, Keith David, Kim Basinger Director: Shane BlackElla said "This is what you go to the movies for" and I could not agree more. Two hours of buddy movie with the right balance of action, plot and comedy. Gosling and Crowe hit it off with some hilarious dialogue; the latter is actually perfect for his part. I am wondering if some of the anachronisms regarding the music were deliberate. IMHO it is an important film in that it is the first film of its kind that I have seen which takes on the car Industry in this way, hinting that many facets of it and America's obsession with it are perhaps not cool
Teenage Mutant Ninja Turtles: Out of the Shadows Year: 2016 Mark: 5 Watched: Thu 9 Jun 16 Starring: Megan Fox, Will Arnett Director: Dave GreenStayed for 15 minutes, laughed at the chicken dance, confirmed Megan Fox was skanky, smiled wryly at the humour and realised I was not going to really enrichen my life that much by staying for the duration. Not excruciating, just predictable without putting anything interesting on the table.
Spirited Away Year: 2001 Oscar animated , Golden Bear Mark: 7.4 Watched: Wed 8 Jun 16 Starring: Daveigh Chase, John Ratzenberger (English version) Director: Hayao MiyazakiI don't think you should take my review as indicative of the merits of this film. I think perhaps we should just accept that sometimes brilliance can not be assimilated in the eyes of some beholders. Apparently Hiyao Miyazaki doesn't storyboard entire films, but lets them develop as production goes along. Without doubt, any single frame from this film would grace the most Bohemian of living rooms, and Chihiro herself is an entirely immersive protagonist, but there seems no escape for me that it is a little random in its story-arc. So are many great works I guess. A mark of its watchability is that my version stuck on 1 hour 39 minutes and I am really frustrated, because I do want to see what happens to our little heroine, and where the train is going. Given this story's undoubted critical acclaim and popularity it is definitely a must-see. I feel so guilty enjoying Pitch Perfect more though!
Warcraft Year: 2016 Mark: 6.8 Watched: Tue 7 Jun 16 Starring: Paula Patton, Ben Foster, Dominic Cooper, Toby Kebbell, Ben Schnetzer, Robert Kazinsky Director: Duncan JonesI don't think I'd want to watch it at home, but sat with our Graham eating a Subway it definitely had its moments without ever straying from what one would imagine a modern epic fantasy about hoards of Orcs invading a medieval kingdom through a magic portal would be like! OK.
Shrek Year: 2001 Oscar animated Mark: 10 Watched: Sun 5 Jun 16 Starring: Mike Myers, Eddie Murphy, John Lithgow Director: Aaron WarnerThe film which, if I had been a brilliant storyteller, I would have wanted to make. Everything about it is more than great, but of all the notable aspects, there has never ever been better vocal characterisations than Shrek, Donkey and Lord Farquhar - oh hell throw Princess Fiona in there as well. It is not just the story, which is a shopping list of tropes (SPOILER ALERT: Two disparate individuals thrown together, evil megalomaniac, quest, damsel in distress, danger, love, redemption, happy ever after). It is that the story which though oft repeated is delivered with soulful precision and garnished with
They had to invent a best animation Oscar in 2001 because of this film
The Incredibles Year: 2004 Oscar animated Mark: 7.6 Watched: Sat 4 Jun 16 Starring: Craig T. Nelson, Holly Hunter, Sarah Vowell, Spencer Fox, Jason Lee, Samuel L. Jackson, Elizabeth Peña, Brad Bird., John Ratzenberger Director: Brad BirdA well cooked recipe, with, at the time, ground breaking graphics, and a relatively long animation which endears one to half a dozen characters. Pixar are so awesome
Persepolis Year: 2007 Mark: 7.8 Watched: Sat 4 Jun 16 Starring: Chiara Mastroianni, Catherine Deneuve Director: Marjane Satrapi, Vincent ParonnaudThis is exquisite. It is an object lesson how reams of information can be loaded into stark graphics, a real story, of a real person in real places, from their own perspective, but witha perception which resonates with this viewer who has concerns about humanity. This should be on the national curiculam for Geography, history, politics, religion and ethics. With this and Ratatouillie it is putting 2007 into the vintage year bracket! This film justified the purchace of a new telly.
Stardust Year: 2007 Mark: 7.3 Watched: Wed 1 Jun 16 Starring: Charlie Cox, Ben Barnes, Michelle Pfeiffer, Claire Danes, Sienna Miller, Mark Strong, Jason Flemyng, Rupert Everett, Ricky Gervais, David Walliams, Nathaniel Parker, Peter O'Toole, David Kelly, Robert De Niro, Julian Rhind-Tutt, Mark Heap, Henry Cavill, Ian McKellen Director: Matthew VaughnEntertaining, sumptously produced, fantasy, which got better as the film wore on. .
Finding Nemo Year: 2003 Oscar animated Mark: 7.9 Watched: Tue 31 May 16 Starring: Albert Brooks, Ellen DeGeneres, Alexander Gould, Willem Dafoe, Andrew Stanton, Barry Humphries, Geoffrey Rush, John Ratzenberger Director: Andrew StantonThe best selling DVD of all time, and it is easy to see why, combining its fortuitous time of release and excellence of content. You know there is not much point me reviewing Pixar films, just go out and get the lot.
Money Monster Year: 2016 Mark: 8.9 Watched: Tue 31 May 16 Starring: George Clooney, Julia Roberts, Jack O'Connell, Dominic West Director: Jodie FosterI can unreservedly recommend Money Monster. Terrific concept, superbly structured, beautifully balanced tragi-comedy. Along with the ever watchable George Clooney and Juliet Roberts, I really really hope Jack O'Connell gets what he deserves for this, a seat at the Best Supporting Actors' table along with Mark Rylance and JK Simmons. The thing is, it taps into feelings that I genuinely harbour, apart from which it genuinely had be guessing at it's direction. Was that an homage to Trailer Park Boys half way through when Kyle waves his gun through the air and shouts "Fuck Off"? Great film.
A Hologram For The King Year: 2016 Mark: 8.1 Watched: Sun 29 May 16 Starring: Tom Hanks, Alexander Black, Sarita Choudhury, Ben Whishaw Director: Tom TykwerWell I loved it! It caught me at the end of a great day, so it really would have to have been Walking On Sunshine 2, starring Keith Lemmon for me not to have enjoyed it, nevertheless there were a slew of plusses which would, for me, stand scrutiny.
It seems like the people who made it went all in on Tom Hanks, and the gamble paid off, at least aesthetically. It would have had to be one of the best 100 films I have seen to better Saving Mr Banks. It was a helluva lot more enjoyable than Captain Phillips and that was half decent.
Alice Through The Looking Glass Year: 2016 Mark: 7.1 Watched: Sat 28 May 16 Starring: Mia Wasikowska, Johnny Depp, Anne Hathaway, Rhys Ifans, Helena Bonham Carter, Sacha Baron Cohen, Alan Rickman, Stephen Fry, Michael Sheen, Timothy Spall Director: James BobinOne where I got put off by the pre-publicity. I was sat thinking "wow I'm impressed" at several junctures of this film, and I hope it gets recognised in some of the technical categories. I bought into the Mia Wasikowska Alice big time, it took 60 seconds but really, forget the billing order, she is the absolute star of this. Anybody could have done the other parts (which were done well but relied almost entirely on CGI and make-up. That's not to diss 'em, that is just a statement of probable fact. The story might have been more understandable with a hefty dose of acid, but having said that, I 'got it' and loved the way I did not recognise an iota of the narrative. Kudos for a better take on the hundred year old children's novel than Pan
The Lost Weekend Year: 1945 Mark: 7.2 Watched: Sat 28 May 16 Starring: Ray Milland&dagger, Jane Wyman Director: Billy WilderMore American neurosis with a reasonably compelling cast and fascinating views of New York. These can be old-fahioned!.
Wallace & Gromit: The Curse of the Were-Rabbit Year: 2005 Oscar animated Mark: 7.4 Watched: Sat 28 May 16 Starring: Peter Sallis, Peter Kay, Helena Bonham Carter, Ralph Fiennes Director: Nick Park, Steve BoxAnother animation which is long on production, long on corny jokes but just a bit short on story. Worth seeing once
Our Kind Of Traitor Year: 2016 Mark: 7.5 Watched: Wed 18 May 16 Starring: Ewan McGregor, Naomie Harris, Stellan Skarsgård, Damian Lewis Director: Susanna WhiteGood cast, solid story, Stellan Starsgard was excellent, very John le Carré (he was executive producer).
X-Men 09: Apocalypse Year: 2016 Mark: 7.2 Watched: Wed 18 May 16 Starring: James McAvoy, Michael Fassbender, Jennifer Lawrence, Oscar Isaac, Nicholas Hoult, Rose Byrne, Tye Sheridan, Sophie Turner, Olivia Munn Director: Brian SingerLike London Has Fallen with better special effects. I actually feel like marking it down a bit now, 'cos the story was just an X-Men with more powers and more powerful enemies, but I did enjoy it.
The Angry Birds Movie Year: 2016 Mark: 5 Watched: Tue 17 May 16 Starring: Jason Sudeikis, Josh Gad, Danny McBride, Maya Rudolph, Kate McKinnon, Sean Penn, Tony Hale, Keegan-Michael Key, Bill Hader, Peter Dinklage Director: Clay Kaytis, Fergal ReillyColourful, but ultimately lacking in original story or empathic characters.
Whiskey Tango Foxtrot Year: 2016 Mark: 7.4 Watched: Tue 17 May 16 Starring: Tina Fey, Margot Robbie, Martin Freeman, Christopher Abbott, Alfred Molina, Billy Bob Thornton Director: Glenn Ficarra, John RequaI think this is actually better than my enjoyment quotient might indicate. I thought it was going to be an out and out comedy, but it provides a thought provoking, yet much lighter insight into Western intervention in the Middle East, a nice contrast to American Sniper, Zero Dark Thirty, Hurt Locker (go Bigelow), etc etc. It'll not top Team America though - Fuck yeah!".
The Purple Rose Of Cairo Year: 1985 Mark: 7.2 Watched: Sun 15 May 16 Starring: Mia Farrow, Jeff Daniels, Danny Aiello Director: Woody AllenA complete relief after watching Annie Hall and Manhattan, at least for me (yes, it looks like I am having a Woody Allen season). About this film. It works, a yearning fantasy set in a fictional New York with carachters you are rooting for, and if not the ending you expect, it is at least thought provoking, perhaps even to the extent that you imagine your own. I know why Woody Allen numbers this amongst his favourite films, it is because he is story telling to the eager, not reflecting upon the spoilt. Couple this with Midnight In Paris.
Manhattan Year: 1979 Mark: 4 Watched: Thu 12 May 16 Starring: Woody Allen, Diane Keaton, Meryl Streep Director: Woody AllenBetween this and Annie Hall - I feel that I am really missing something. Both of them have multiple accolades, and make all sorts of best-of lists, but quite frankly I found them both, especially this, tedious and irritating. They are only 90 minutes long apiece but they felt like three hours. I didn't like any of the characters, not only that, they were not interesting. Oh la dee dah, look how fucking modern, and educated and cosmopolitan and unhung up we are. Wow, the best things in life are stuff which makes me look hyper-cool when I say it. The jokes would be funny off the cuff, but they sound so shoed in. How dare Woody Allen take Rhapsody in Blue and the rest of the Gershwin catalogue and make it a backing track to his film? (I know, John Landis did it with Mozart at the beginning of Trading Places, but in that case the music was totally appropriate to the set up, not a declaration of artyness).
This is a theory. Woody Allen uses intellectual humour which some people, many people, just love to endorse, not because it's gut-bustingly funny, but because it reflects on how they wish to be perceived by others. It's the Emperor's new clothes. This is why I hate cities, especially 'cultural' capitals like London and New York that act as magnets for shysters and charlatans whose only claim to superiority is that given them by the equally vacuous tricksters that they surround themselves with. A monkey could run a hedge fund, Willy Mays was born in Alabama, and I could paint a picture to hang upside down without anybody knowing.
Please - could somebody tell me; why should I love these? Observational humour, it reminds me of all those naff radio 2 DJ's who go on and on about the same point. Masturbation might be sex with someone you love, but I certainly don't want to watch it performed by a spindly, ugly, undersized, pseudo-intellectual who doesn't have the balls to admit that the money and the power are the pussy magnets. Would he really be knocking off an articulate worldly wise 17 year old actress if he were a cab driver or a janitor with exactly the same vocabulary? I wish they would all fuck off and live in the Niger delta for five years - that would be a story!
Annie Hall Year: 1977 Oscar AFI 035 Mark: 5 Watched: Wed 11 May 16 Starring: Woody Allen, Diane Keaton, Paul Simon, Shelley Duvall, Christopher Walken, Geoff Goldblum, Sigourney Weaver Director: Woody AllenOriginally I only watched this half way through. I like Jewish New York comedy, but maybe Woody Allen has had too many imitators for my liking. I may try again. I did try again... I look at my previous rating of 4 and thought I'd up it by 1 on the day. The day after watching Manhattan I feel like dropping it again, for the reasons outlined in that review
Demolition Year: 2016 Mark: 7.2 Watched: Tue 10 May 16 Starring: Jake Gyllenhaal, Naomi Watts, Chris Cooper, Judah Lewis Director: Jean-Marc ValléeAn interesting look at Americans who are so rich they can squander during their episodes of Neuroses (a Chris Cooper specialty). A good film that even already, four hours after watching, seems to be fading in the memory. .
Florence Foster Jenkins Year: 2016 Mark: 8.4 Watched: Tue 10 May 16 Starring: Meryl Streep, Hugh Grant, Simon Helberg, Nina Arianda, Rebecca Ferguson Director: Stephen FrearsAs I Saw The Light was less than I expected, this was a great deal more. All the three main actors have the potential to irritate, but, just as with Philomena, is it perhaps Stephen Frears carries the some credit for a triangle of absolutely superb performances, each of the protagonists increasing endearment throughout this absolutely super film. This is what storytellers do, with the added bonus that it puts a spotlight on a fascinating person from history. The love angle is incredibly refreshing, original, counter intuitive yet deeply satisfying, and for a film which might be termed a musical, the approach to the score and songs is amazing - watch it to see what I mean. Aside from numbers in which Streep/Florence sings, all the way through I am thinking "wow, this soundtrack is outstanding". Alexander Desplat - again, wow, he is awesome.
The Jungle Book (2016) Year: 2016 Mark: 6.8 Watched: Tue 10 May 16 Starring: Neel Sethi, Bill Murray, Ben Kingsley, Idris Elba, Lupita Nyong'o, Scarlett Johansson, Christopher Walken, Garry Shandling, Jon Favreau Director: Jon FavreauDisappointing. Not terrible by any stretch of the imagination, and if CGI is what your looking for, I have never seen better, but... When Disney did the original cartoon I went to the cinema five times in the week it was on. But we are not here to talk about the original, with it's absolutely everlasting songs in their definitive versions, the superb casting of Sterling Holloway, Phil Harris, Sebastian Cabot, George Sanders and Louis Prima, the mesmerising emotions, innocent and simple philosophy and timeless humour.
Like Pan, this didn't need doing. And Shere Kahn was right all along.
I Saw The Light Year: 2016 Mark: 6.7 Watched: Sun 8 May 16 Starring: Tom Hiddlestone, Elizabeth Olsen Director: Marc AbrahamTom Hiddlestone was really good, the film a little disappointing. I would have preferred to see more music biography and less music. It seemed a little like a hagiography. Shame really :(.
Happy Feet Year: 2006 Oscar animated Mark: 7.1 Watched: Thu 5 May 16 Starring: Elijah Wood, Robin Williams, Brittany Murphy, Hugh Jackman, Nicole Kidman, Hugo Weaving Director: George Miller For a long portion of this film I was imagining I could have been doing something else, but, at the end of the day, when push comes to shove, I am glad that I watched it. My criticisms would include the bowdlerisation of tunes which are probably overplayed anyway, the weird anthropomorphisation of the penguins, casual, non-particularly funny racism, the Westernisation of major issues and most importantly, the lack of imagination with the story. I mean this could have been humans, or mice, or lions or anything, it just seems like George Miller has taken the story and imprinted it on penguins. Having said that, the music did have its moments (but don't watch it for the music, watch Moulin Rouge instead, the film definitely becomes more compelling a watch in the last 45 minutes and the rendering is just gorgeous. I feel a bit mean, but perhaps its just that George Miller does films for some kind of people but not me, there is no two ways about it, people love his stuff.
Bad Neighbours 2 Year: 2016 Mark: 7.8 Watched: Wed 4 May 16 Starring: Zac Efron, Seth Rogen, Rose Byrne, Chloë Grace Moretz, Dave Franco Director: Nicholas StollerAww! There is so little to dislike about this film, once it has sucked you in (I am easily sucked in) it is classic American stoner comedy, like Trainwreck, Daddy's Home or any amount of offerings of the same genre, this is just a fine escape, which you might forget in a decade but you enjoy now.
Captain America 3: Civil War Year: 2016 Mark: 8.2 Watched: Wed 4 May 16 Starring: Chris Evans, Robert Downey Jr., Scarlett Johansson, Sebastian Stan, Anthony Mackie, Don Cheadle, Jeremy Renner, Chadwick Boseman, Paul Bettany, Elizabeth Olsen, Paul Rudd, Tom Holland, William Hurt, Daniel Brühl Director: Anthony Russo, Joe RussoWow! I can imagine many a ten year old walking out of this imagining he had seen the best film of his little life. Good story, great protagonists, engrossing action, MCU just gets better.
Phone Booth Year: 2003 Mark: 6 Watched: Tue 3 May 16 Starring: Colin Farrell, Forest Whitaker, Katie Holmes, Radha Mitchell, Kiefer Sutherland. Director: Joel SchumacherReasonable concept, reasonable characters but just a little too implausible to hook me in. I quite like Colin Farrell in this, and Whitaker was preparing himself for the Shield with this role, but all the time you want to say, just go for it, nobody is that good a shot.
Moneyball Year: 2011 Mark: 7.8 Watched: Mon 2 May 16 Starring: Brad Pitt, Jonah Hill, Philip Seymour Hoffman, Chris Pratt, Robin Wright, Spike Jonze, Joe Satriani Director: Bennett Miller